cdm20 final MAHAROGA HELP ME

classical acting (Stanislavsky method)

actor has to understand character; motivations, life story, etc

method acting

using actors’ own life to conjure up emotions necessary for performance

meisner technique

improv; reacting to scene and actors around you

chekhov method

literally changing the perception of your body and mind to become the character

practical aesthetics acting

relying on script only for character; actors don’t get to insert their interpretations

bresson method

emphasis on not delving into psyche of characters; actors feel mechanic on purpose

metric montage

same # of frames per sequence

rhythmic montage

follows rhythms within shots

tonal montage

pays attention to the mood of the shots rather than literal meanings

over tonal montage

juxtaposition between movement and stasis in shots

intellectual montage

editing unrelated imagery together to create a greater meaning