Art/Arch Test #2

Carlo Maderno, Facade of Saint Peter’s Basilica, Rome, 1607-26

Gianlorenzo Bernini, Saint Peter’s Basilica and Square, Vatican, Rome, Bernini, square designed c. 1656-1657

Gianlorenzo Bernini, Baldacchino. Chair of Saint Peter (visible at the back). Located in the crossing of Saint Peter’s Basilica, Vatican, Rome. 1624-33. Gilt bronze, marble, stucco, and glass. Pier decorations, gilt bronze and marble. Height 100’ (30.48 m)

Gianlorenzo Bernini, David, 1623. Galleria Borghese, Rome. Marble. Height 5’7” (1.7 m )

Gianlorenzo Bernini, Ecstasy of St. Teresa, 1645-52. Cornaro Chapel, Church of Santa Maria della Vittoria, Rome.

Bernini, Members of the Carnaro Family on the side wall perpendicular to The Ecstasy of Saint Teresa, Cornaro Chapel of Church of Santa Maria della Vittoria, Rome.

Giovanni Lanfranco, The Ecstasy of St. Margaret of Cortona, 1622, oil on canvas. Pitti Palace, Florence.

Caravaggio, The Calling of Saint Matthew, 1599-1600. Contarelli Chapel, Church of San Luigi dei Francesi, Rome. Oil on canvas. 10’7 ½” x 11’2” (3.24 x 3.4 m)

Caravaggio, Entombment, from the Vittrici Chapel, Church of Santa Maria in Vallicella, Rome. 1603-1604. Vaticani, Pinacoteca, Rome. Oil on canvas. 9’10 ⅛” x 6’7 15/16” (3 x 2.03 m)

Caravaggio, Death of the Virgin, 1606, oil on canvas, 145 x 96”. Louvre, Paris

Artemisia Gentileschi, Self-Portrait as the Allegory of Painting, 1630, oil on canvas, 38 x 29”. The Royal Collection, Windsor Castle, England.

Artemisia Gentileschi, Judith Slaying Holofernes, ca. 1614-20, oil on canvas, 6’6” x 5’4”. Galleria degli Uffizi, Florence.

Caravaggio, Judith Beheading Holofernes, first decade 17th c.

Artemisia Gentileschi, Judith and Her Maidservant with the Head of Holofernes, c. 1625. The Detroit Institute of Art, Detroit Michigan. Oil on canvas. 72 ½” x 55 ¾” (184.2 x 141.6 cm)

Artemisia Gentilieschi, Jeel and Sisela, 1620.

Elisabetta Sirani, Timoclea, 1659, oil on canvas. Museo Nazionale di Capodimonte, Naples, Italy.

Peter Paul Rubens (Flemish), Rape of the Daughters of Leucippus, 1668.

Georges de la Tour, Repentant Mary Magdalen, ca. 1640, 44 x 36”, oil on canvas. National Gallery of Art, Washington.

Hyacinthe Rigaud, Louis XIV, 1701. Musée du Louvre, Paris. Oil on canvas. 9’2” x 7’10 ½” (2.79 x 2.40 m)

Louis Le Vau and Jules Hardouin-Mansart, The Garden Facade, Palais de Versailles. Gardens Andre le Notre. 1668-85.

Jules Hardouin-Mansart (architecture) and Charles Le Brun (painting), Hall of Mirrors, Palais de Versailles. Hall of Mirrors began 1678.

Peter Paul Rubens, Henri IV Receiving the Portrait of Marie de’ Medici, 1621-1625. Musée du Louvre, Paris. Oil on canvas. 12’11 ⅛” x 9’8 ⅛” (3.94 x 2.95 m)

Rubens, Marie de Medici’s Arrival at Marseilles, 1621-25, oil on canvas, 12’11” x 9’9”. Louvre, Paris.

Anthony van Dyck, Charles I at the Hunt, 1635. Musée du Louvre, Paris. Oil on canvas. 9’ x 7’ (2.75 x 2.14 m)

Diego Velázquez, Water Carrier of Seville, c. 1619. Wellington Museum, London. Oil on canvas. 41 ½” x 31 ½” (105.3 x 80 cm)

Velazquez’s portraits of King Philip IV of Spain, 1620s-1640s

Diego Velazquez, Don Baltasar Carlos with a Dwarf, 1632. 50 x 40”. Museum of Fine Arts, Boston.

Diego Velazquez, The Dwarf Don Juan Calabazas, 1630s, Prado, Madrid.

Diego Velazquez, The Jester Don Diego de Acedo, known as “el Primo” (the Cousin), 1645, 42x43”. Prado, Madrid.

Diego Velazquez, Portrait of a Seated Dwarf, 1640s.

Diego Velazquez, Las Meninas (The Maids of Honor), 1656. Oil on canvas. Museo del Prado, Madrid. 10’5” x 9’ ½” (3.18 x 2.76 m)

Gregorio Fernandez (Spain), Dead Christ, first half of 17th century, wood and polychrome.

Pedro de Mena (Spanish), The Penitent St. Mary Magdalen with a Crucifix, 1660s, wood and polychrome. National Museum of Sculpture, Valladolid, Spain

The Virgin of Guadalupe (Virgen de Guadalupe). Miguel González (Mexican), c. 1698. Based on original Virgin of Guadalupe. Basilica of Guadalupe, Mexico City. 16th century CE. Oil on canvas, inlaid with mother-of-pearl. Los Angeles County Museum of Art.

Attributed to Juan Rodríguez Juárez (Mexican), Spaniard and Indian Produce a Mestizo, c. 1715. Oil on canvas.

Juan Patricio Morlete Ruiz (Mexico, 1713-1781), VII. From Spaniard and Morisca, Albino (De español y morisca, albino), c. 1760. Oil on canvas, gift of the 2011 Collectors Committee.

Miguel Cabrear (Mexican), Portrait of Sor Juana Inés de la Cruz, c. 1750. Oil on canvas.

Jacob van Ruisdael, View of Haarlem, ca. 1670, oil on canvas, 2’ x 2’. The Hague, Mauritshuis.

Jacob van Ruisdael, The Jewish Cemetery, ca. 1654-5, oil on canvas, 56” x 75”. Detroit Institute of Art.

Pieter de Hooch, The Linen Cupboard, 1663.

Willem Claesz Heda, Still Life, 1634, oil on panel, 43 x 57 cm. Museum Boymars-van Beuningen, Rotterdam.

Rachel Ruysch, Fruits and Insects, 1711. Oil on wood. Offizi, Florence, Italy.

Rachel Ruysch, Flower Still Life, after 1700. Oil on canvas. The Toledo Museum of Art, Ohio. 30” x 24” (76.2 x 61 cm)

Johannes Vermeer, Woman Holding a Balance, c. 1664. Oil on canvas. National Gallery of Art, Washington.

Judith Leyster, Self-Portrait, 1635. Oil on canvas. National Gallery of Art, Washington. 29 ⅜” x 25 ⅝” (74.6 x 45.1 cm)

Rembrandt, Self-Portrait, oil on canvas, 33 x 26”. Washington, National Gallery of Art.

Rembrandt, Self-Portrait as a Young Man, c. 1630

Rembrandt van Rijn, Saskia Uylenbergh, Three Days after her Betrothal to Rembrandt, 1633, silverpoint on parchment

Rembrandt’s house in Amsterdam, purchased in 1639.

Rembrandt, Self-Portrait with Saskia, 1636, etching

Rembrandt van Rijn, The Anatomy Lesson of Dr. Tulp, 1632, oil on canvas, 11’11” x 14’4”. Mauritshuis, The Hague, Netherlands.

Rembrandt van Rijn, The Blinding of Samson, 1636, oil on canvas, 81 x 109”. Städelsches Kunstinstitut, Frankfurt.

Rembrandt, Supper at Emmaus, 1648, 68 x 65 cm. Louvre.

Caravaggio, Supper at Emmaus, 1601.

Rembrandt, Titus at His Desk, 1655, oil on canvas, 77 x 63 cm. Museum Boijmans Van Beuningen, Rotterdam.

Rembrandt, Titus in a Monk’s Habit, 1660, oil on canvas, 79.5 x 67.7 cm. Rijksmuseum, Amsterdam.

Rembrandt, Portrait of Jan Six, about 1654, oil on canvas, 112 x 102 cm. Six Collection, Amsterdam.

Titian, The Flaying of Marsyas, c. 1570-76, oil on canvas, 212 x 207 cm. Archbishop’s Palace, Kromeriz.

Rembrandt, Bathsheba, 1654, oil on canvas, 56 x 56”. Paris, Louvre.

Rembrandt van Rijn, Seating Nude, x. 1631, etching, 7 x 6.5”

Rembrandt, Portrait of a Couple as Issac and Rebecca, known as the Jewish Bride, 1655, oil on canvas, 121.5 x 166.5 cm. Rijksmuseum, Amsterdam.

Rembrandt, Self-Portrait, 1659-1660, oil on canvas, 3’8” x 3’1”. Kenwood House, London.

Rembrandt, Return of the Prodigal Son, 1666-68. State Hermitage, St. Petersburg.

Germain Boffrand, Salon de la Princesses, Hôtel de Soubise, Paris. Begun 1732.

Jean-Antoine Watteau, The Pilgrimage to Cythera, 1717. Musée du Louvre, Paris. Oil on canvas. 4’3” x 6’4 ½” (1.3 x 1.9 m)

Jean-Antoine Watteau, The Pleasures of Love, c. 1719, 61x75cm, oil on canvas. Gemaldegalerie, Dresden.

Jean-Antoine Watteau, Meeting in Open Air, c. 1719, 61x75cm, oil on canvas. Gemaldegalerie, Dresden.

Jean-Antoine Watteau, The Signboard of Gersaint, c. 1721, oil on canvas, 5’4” x 10’1”.

Francois Boucher, Cupid a Captive, 1754, oil on canvas, 5’6” x 2’10”. The Wallace Collection, London.

Francois Boucher, Triumph of Venus, 1740.

Jean-Honoré Fragonard, The Swing, 1766, oil on canvas, approx. 2’11” x 2’8”. The Wallace Collection, London.

Jean-Honoré Fragonard, The Meeting from The Progress of Love, 1771-1773. The Frick Collection, New York. Oil on canvas. 10’5 ¼” x 7’ ⅝” (3.18 x 2.15 m)

Jean-Honoré Fragonard, Love Letters from The Progress of Love, 1771-1773. The Frick Collection, New York.

Jean-Baptiste-Siméon Chardin, Grace at Table, 1740, oil on canvas, 1’7” x 1’3”. Louvre, Paris.

Jean Siméon Chardin, The Kitchen Maid, 1738, oil on canvas, 18 x 15”. National Gallery of Art, Washington, DC

Jean-Baptiste Greuze, The Village Bride, 1761, oil on canvas, 3’ x 3’11”. Louvre, Paris

William Hogarth, The Marriage Contract from Marriage à la Mode, 1743-1745. The National Gallery, London. Oil on canvas, 28” x 36” (71.7 x 92.3 cm)

William Hogarth, Breakfast Scene from Marriage à la Mode, ca. 1745, oil on canvas, 2’4” x 3’. National Gallery, London.

Joseph Wright, An Experiment on a Bird in the Air-Pump, 1768. The National Gallery, London. Oil on canvas, 6’ x 8’ (1.83 x 2.44 cm)