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Last updated 3:21 PM on 3/27/26
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67 Terms

1
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Pitch

single sound frequency

2
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Herts

a unit of frequency measuring cycles (vibrations) per second

3
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Octave

the interval between two notes, the frequency of the second note being double that of the first

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human ears sound perception range…

low: 20 Hz

high: 20,000 Hz

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Frequency

pitch

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Amplitude

loudness

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The Fundamental

lowest and loudest frequency of a note

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Composer/Song writer

the musical artist; the creator

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Performer

the instrumentalist or vocalist responsible for bringing the music to life after studying the composer’s score

10
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Improvisor

in Jazz, a performer who also composes live in concerts, based on information given to them by the composer

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Rock/Pop concerts

  • casual dress

  • opening act

  • no program order for audience

  • random applause

  • interaction btwn performers and audience frequent

  • possible variation on recorded music

12
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Potential Damage Threshold

85 dB

13
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Jazz Concerts

  • clubs/social halls

  • casual dress

  • no set program for audience

  • applause at the end of piece or solos

  • refrain from talking, clapping, or making other sounds during the performance

  • phones off

14
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Formal concert Etiquette

  • arrive prior to start of concert

  • look at program order; read notes

  • never enter/leave during piece

  • business casual dress, no hats

  • applaud at the end of pieces

  • remain silent during program

  • phones off

  • refrain from eating

  • some venues have cough drops

15
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Orchestral Concerts

  • applaud for concertmaster

  • orchestra tunes to the principle oboe

  • applaud for the conductor

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Concertmaster

principle violinist

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Principle Oboe

A = 440

3 tuning notes (woodwinds, brass, strings)

18
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Musician etiquette

  • bow to thank the audience

  • no flipping music during clapping

  • clap for concertmaster

  • pretune

  • play few notes on stage

  • play only related music

  • no waving at audience

19
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Opera, Ballet, and the Musical theater

  • Learn the story before attending

  • Orchestra in the pit

  • arrive early

  • conductor receives applause from pit

  • filled w music, acting, staging, costumes, sets, and props

  • dress business casual or formal, depending on the venue; no hats

  • begins w the overture

20
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Movies

  • music to create, amplify, or change feelings in scenes

  • leitmotif’s

21
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Leitmotif

melody or chord progression that is always associated with a particular person, place, object, or feeling

22
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Melody

  • a “musical sentence”

  • consists of pitches/notes

  • can be copyrighted

23
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Solfege

do, re, mi, fa, so, la, ti

24
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Pythagoras experiments

  • around 500 BC

  • fixed string

  • discovered:

    • stopping the string halfway caused it to vibrate twice as fast (octave)

    • stopping the string two-thirds of the way gave a ratio of 3:2 (fifth)

25
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The Staff

arrangement of five lines and four space on which musical notes are placed

Lower pitches lower on the staff, higher=higher

26
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Intervals

distance btwn two notes

**count first note as one and then every space until you reach the next note

27
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Types of melodies

  • short and simple

  • long and elaborate

  • A Motif

  • Conjunct

  • Disjunct

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Rhythm

how music is organized in time

29
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Tempo

refers to how fast or slow a piece is

30
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Duple Meter

Beats organized in groups of 2 or 4

“Stars and Stripes Forever”

31
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Triple Meter

Beats organized in groups of 3

“Waltz of the Flowers”

32
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Triads

chord of three, consisting of the third and fifth above it

33
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Functional Harmony

system wherein priority is given to diff chords

**Western music tends to move from Tonic (home) to Dominant (away from home)

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Tonic chord

chord built on the first note in a scale

35
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Dominant chord

chord built on the fifth note in a scale

36
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Chord Progression

  • order in which chords occur

  • designed to start on the tonic, move away, and eventually return to the tonic

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Harmonic Cadence

point of rest in the harmonic progression

38
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Monophonic

only one melody

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Homophonic

one melody w harmonic/chordal accompanyment

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Polyphonic

multiple independent melodies

41
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dynamics

pianissimo, piano, mezzo piano, mezzo forte, forte, fortissimo, crescendo, decrescendo, diminuendo

42
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capital letters

notating large sections

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lower-case letters

notating small sections

44
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apostrophes or superscript

notating similar music

45
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types of Forms

  • repetition (AA)

  • contrast (AB)

  • variation (AA’)

46
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Strophic Form

  • several verses with the same melody but diff text

    • A A’ A’’ A’’’

  • Amazing Grace

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Binary Form

  • two contrasting sections

    • AB or AABB

  • Three Blind Mice

48
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Rounded Binary

  • variation

    • AABA’

49
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Ternary Form

  • middle section called a trio

    • ABA

  • Twinkle twinkle little star

50
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Compound Ternary form

  • expanded form

    • ABA CDC ABA

51
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Arch Form

  • a palindrome

    • ABCBA or ABCDCBA

52
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March Form

  • written in four-measure phrases

  • Intro II: 1st strain :II: 2nd strain :II: Trio I Break strain/Dogfight :II Coda

    • Intro AABBCDCDAA

    • Stars and Stripes forever

53
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The Trio

  • always in a new key and often quieter

  • Does not immediately repeat like the other secitons

  • the coda is often the material of the trio

54
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The break strain/dogfight

  • breaks up the tow hearings of the trio

  • is much louder and filled w more intensity than the trio

55
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Rondo Form

  • alternates one repeated melody w new melodies

    • ABACADA

56
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Through-Composed Form

  • avoids repetition

  • each section has new melodies

    • ABC

57
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Minuet and Trio

  • typically in triple meter

  • II: a :II: b a :II: c :II: d c :II a II b a II

58
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The Fugue

  • exposition, episode, middle entry, episode and middle entry, final statement

59
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exposition

subject (melody) is presented in the tonic key. an answer is given by another instrument in a diff key

60
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episode

fragments only of the subject and countersubject(s)

61
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middle entry

the entire subject is presented in at least one voice

62
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Sonata Form

exposition, development, recapitulation

63
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Theme and Variation

  • form played by instrumentalists

  • begins by stating the theme (melody)

  • composer manipulates theme in many ways

    • A A’ A’’

64
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The Symphony

  • not a form type

  • large, often multi-movement piece of music

    • often contains four related movements

65
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Symphony 3 Movement Forms

  • Sonata Form

  • theme and variations, sonata, rondo

  • Rondo

66
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Symphony 4 Movement Forms

  • Sonata Form

  • theme and variations, sonata, fondo

  • Minuet and Trio

  • sonata, rondo

67
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Concerto

multi-movement piece for solo instrument(s) accompanied by orchestra, piano, or ensemble

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