Kate Bush: 'Under Ice'

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Structure:

How can the song’s overall structure be described?

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Description and Tags

Revision questions based on Kate Bush's 'Under Ice' from 'Hounds of Love' (1985)

29 Terms

1

Structure:

How can the song’s overall structure be described?

Through-composed but based on repetition of ideas

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2

Structure:

What is the structure defined by?

Accompaniment figures and changes of time signature/rhythm

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3

Structure:

Name all the sections of the song.

Intro - Verse 1 - Refrain - Verse 2 - Refrain - Verse 3 - Refrain - Verse 4 - Refrain - Outro

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4

Tonality:

Describe the overall key.

A minor aeolian mode

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5

Tonality:

Are there any developments in tonality?

No key changes

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6

Tonality:

How is the tonality sometimes blurred?

Chromaticism

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7

Harmony:

Describe the movement of the repeated chord sequence in this song.

Movement by 3rds

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8

Harmony:

Name the chords of the repeated sequence.

Fmaj7(#4) - Dm9 - A(sus2) - Am/C

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9

Harmony:

What scale are the chords taken from? (and name the exception)

A natural minor (apart from occasional D major chord)

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10

Harmony:

Describe the harmonic feature in the first four bars of the song.

Articulated tonic pedal

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11

Harmony:

What chord brings the song to an inconclusive close?

Ambiguous A(sus2) chord

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12

Melody/Sonority:

Describe the overall overall melodic range and how it changes towards the end.

Restricted range of a perfect 5th, higher in last phrase

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13

Melody:

Describe the vocal ideas in this song. (3)

Short, staccato, refrain-like ideas

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14

Melody:

Describe the melodic shapes in the more lyrical melodic sections.

Quasi-pentatonic shapes

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15

Melody/Sonority:

Give three ways word-painting (a sinking effect) is created in the final vocal phrase.

Descending phrase, portamento effect, melisma

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16

Texture:

How can the overall texture be described?

Melody-dominated homophony

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17

Texture:

Describe the textures that appear throughout the song.

Articulated bass pedal textures

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18

Texture:

Describe the ostinato texture frequently used over the bass.

Ostinato open 5th textures

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19

Texture:

Describe the texture between the lead and backing vocals in the coda.

Dialogue

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20

Texture:

Describe the texture of the vocal parts in the refrain.

Homorhythmic

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21

Rhythm, Tempo & Metre:

Describe the tempo and how it develops.

Starts crotchet = 65, accelerates to crotchet = 100, then to crotchet = 108

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22

Rhythm, Tempo & Metre:

Describe the change in tempo at the end of the song.

Rit.

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23

Rhythm, Tempo & Metre:

Describe the rhythm in the bass.

Obsessive crotchet pulse

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24

Rhythm, Tempo & Metre:

Describe the repetitive 10-bar metre pattern that appears in this song.

4/4 (2x), 3/4 (5x), 4/4 (3x)

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25

Rhythm, Tempo & Metre:

What rhythm do the accompaniment ostinato and vocal refrain use?

Two quaver crotchet rhythm

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26

Rhythm, Tempo & Metre:

How does the repeated rhythmic pattern in this song create rhythmic displacement?

Creates a 3+3+2 crossrhythm across 2 bars of 4/4

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27

Sonority:

How is synthesised and sampled accompaniment provided in this song?

Fairlight CMI

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28

Sonority:
Describe the vocals throughout.

Low tessitura

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29

Sonority:

What is the last sound heard in this song?

Sustained vocal sample with a moving frequency filter

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