2D final exam

Stop Motion Animation

This is a method of photographing or illustrating successive drawings, models, or even puppets, to create an illusion of movement in a sequence.

Traditional Animation

This type of animation is also called Cel animation.

Peg Bar

This tool is used in animation to keep Cels or Drawings in place.

Rotoscoping

This type of animation involves tracing over live-action motion picture footage frame by frame.

Anime

This is a type of animation that originates from Japan.

Stop Motion Animation

This type of animation encompasses claymation, pixilation, object-motion, and many more, and the base mechanics are similar to the traditional style of flipbooks, but instead of drawings, they use physical objects in each frame.

Motion Graphics

This is a digital type of animation which creates the illusion of movement, usually for ads, title sequences for films, but ultimately exists to communicate something to the viewer.

Zoetrope

In 1834, William George Horner created a motion picture projector like the Phenakistoscope called:

Praxinoscope

French Inventor, Pierre Desvignes, created his own version, but named it after the Greek word for "things that turn" or most known as?

J. Stuart Blackton

Who is the Father of American Animation?

Fantasmagorie

The FIRST fully animated movie ever made in 1908, created by Emile Cohl.

Steamboat Willie

This was the first animation premiered by Disney, with synchronized sound in 1928.

Timing

This principle involves specific placement of frames on the timeline of your animation

Straight Ahead Action

This principle involves drawing each frame of an action one after another as you go along.

Pose to Pose

In this principle, you draw key poses first before drawing the in-betweens.

Anticipation

This principle deals with the wind up of a character’s motion, kind of like preparation before an action.

Arc

This principle deals with how objects and living beings move in paths.

Exaggeration

This principle deals with presenting a character’s features and actions in an extreme, these movements may be comedic or dramatic. This can include distortion in a character’s facial features, body movements, etc.

Slow In

This principle shows how an object starts from rest, starts moving, and reaches a steady pace of motion.

Slow Out

This principle shows how an object starts slowing down until eventually coming to a full stop.