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ozymandias: the title
refers to Ramesses II, a pharaoh known for his monuments and power
greek version of his throne name roughly means “The mighty one is born of Ra” — hinting at pride, divine association and political power
exoticises the poem from the start
foreshadows a story of greatness which is subverted
ozymandias: the form
written as a sonnet, which typically are associated with love and admiration, yet ironically the poem is about pride and the limits of power
the mixture of the Petrachan (ABBA) and Shakespearean (ABAB CDCD EFEF GG) may symbolise the crumbling of old forms, such as the statue has crumbled
the framed narrative (shelley → speaker → traveller → statue → ozymandias) distances the reader from the king and adds to the theme of fading legacy
ironic shift in tone from boastful inscription to image of desolation
mostly iambic pentameter, except “king of kings” line which breaks the pattern to show force. disruption mirrors the fall of his power
ozymandias: the beginning
antique connotes something ancient, exotic and lost to time. also hints at someting valuable but irrelevant — reinforcing decay
giant broken statue symbolises decay
vast highlights former grandeur and power, but the broken state makes this deeply ironic
desert is a symbol of emptiness and isolation. no civilisation remains, reinforcing the idea that human achievements are temporary
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