August 6, 1945 – Lecture Review

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100 question-and-answer flashcards reviewing the lecture’s analysis of Millen Brand’s poem “August 6, 1945,” covering context, imagery, themes, and historical references

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100 Terms

1
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What is the title of the poem discussed in the lecture?

“August 6, 1945.”

2
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Who wrote the poem “August 6, 1945”?

Millen Brand.

3
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On what exact historical date is the poem set?

6 August 1945.

4
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Which Japanese city is central to the poem’s subject matter?

Hiroshima.

5
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What major wartime event occurred on 6 August 1945?

The United States dropped the first atomic bomb on Hiroshima.

6
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How many nuclear bombs did the United States drop on Japan in 1945?

Two.

7
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What is the name of the airplane that carried the first atomic bomb?

Enola Gay.

8
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What nickname was given to the atomic bomb dropped on Hiroshima?

Little Boy.

9
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Which two countries are represented by the two men in the poem?

The United States and Japan.

10
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What ordinary home-repair task is the American man considering?

Painting a cracked windowsill.

11
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Why does the American man decide the windowsill can wait?

Because the cracks have not yet let rain through, so there is no urgency.

12
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What everyday sound foreshadows the bomb’s fall for the American man?

The thud of a falling apple.

13
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Which fruit falls with a “thud” in the American’s orchard?

An apple.

14
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The falling apple metaphorically anticipates what larger event?

The dropping of the atomic bomb.

15
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What type of orchard does the American man survey?

An apple orchard.

16
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Besides apples, which two small fruit trees are mentioned?

Plum trees.

17
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What red-flowered plant is described beneath the trees?

Bee balm.

18
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What gardening activity is the American’s wife enjoying?

Trowelling a flower bed along the house wall.

19
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How does the lecture describe the imagery in lines 5–10?

Peaceful, natural, and life-giving.

20
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What feeling is conveyed by the phrase “nice lethargy of the day”?

A relaxed drowsiness and lack of urgency.

21
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In the poem, what does the slow rhythm of “floats in the air slowly descending” convey?

The unobtrusive, gradual descent of the bomb.

22
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How is the atomic bomb initially described to downplay its danger?

As a “hardly visible thin tube with a small fuse.”

23
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Which phrase signals the bomb’s blinding power?

“A light brighter than the sun.”

24
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The phrase “light brighter than the sun” refers to what?

The overwhelming flash of the atomic explosion.

25
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What material were many buildings in Hiroshima made of, according to the poem?

Wood.

26
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Why is the term “wooden city” ominous?

Wooden structures are highly flammable, foreshadowing devastation.

27
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What ordinary task is the Japanese man postponing?

Painting his shutters.

28
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Which flowers on bamboo sticks is the Japanese man admiring?

Morning glories.

29
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What emotion does the Japanese man express with “Let me enjoy it”?

Contentment and appreciation of the morning’s beauty.

30
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How does the poem highlight similarities between the two men?

By showing both absorbed in peaceful, routine home chores.

31
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What literary device contrasts the men’s shared routines with the war?

Juxtaposition.

32
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What tragic irony surrounds the Japanese man’s postponed shutters?

He will die moments later, so the task will never be done.

33
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Which side of the war does Fred Braun represent?

The American side.

34
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Which side of the war does the unnamed man in Hiroshima represent?

The Japanese side.

35
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What broader theme about humanity does the poem explore?

Shared human vulnerability regardless of nationality.

36
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How is peaceful imagery contrasted with impending destruction?

Calm domestic scenes are set against the silent approach of the bomb.

37
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Why is the bomb described as “hardly visible” and “thin”?

To emphasize its stealth and the unsuspecting nature of its victims.

38
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What does the term “filament” metaphorically reference?

The bomb’s core that will ignite with immense light.

39
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How many parts of the bomb are mentioned before detonation?

Two parts.

40
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Which sensory detail underscores calmness in the American scene?

The soft thud of an apple falling.

41
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What term highlights the men’s common “everyday normalities”?

Routine domestic tasks.

42
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What color metaphor is used to describe the bee balm?

It is likened to a “red napkin.”

43
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What role does nature play in the poem’s opening?

It establishes tranquility and life before catastrophe.

44
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How does the poem signal a geographic shift?

With the phrase “across the world.”

45
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What single word in line 16 foreshadows the Japanese man’s danger?

“Below.”

46
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What does the phrase “across the world” emphasize?

The vast distance yet simultaneous events linking the two scenes.

47
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Why is the bomb’s descent described as unobtrusive?

To show how silently disaster can intrude on ordinary life.

48
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What literary technique is the apple’s thud an example of?

Foreshadowing.

49
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How does the poem humanize people on both sides?

By portraying them as ordinary, caring for homes and gardens.

50
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What is the poem’s central juxtaposition, according to the lecture?

Everyday peace versus sudden nuclear destruction.

51
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What do the notes call attention to about the men’s “normalities”?

Their shared routines that ignore looming catastrophe.

52
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How do gardens function symbolically in the poem?

They symbolize life, growth, and innocence.

53
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In the analysis, what does painting the windowsill represent?

A mundane concern overshadowed by historical tragedy.

54
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What emotion does the poem evoke by showing chores before catastrophe?

A poignant sense of vulnerability and loss.

55
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Which lines introduce the Enola Gay?

Lines 12–15.

56
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How are long vowel sounds used in lines 14–15?

To slow the rhythm, mirroring the bomb’s slow fall.

57
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Which word indicates Japan’s architectural vulnerability?

“Wooden.”

58
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What does the Japanese man’s view of the “blue sky” contrast with?

The imminent fiery explosion.

59
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How is the bomb portrayed before it explodes?

As small, thin, almost unnoticeable.

60
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What meaning is attached to the phrase “they can wait” in both scenes?

A false sense of time and security.

61
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Why is the atomic bomb’s nickname “Little Boy” poignant?

It belies the weapon’s vast destructive power.

62
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How does the poem connect private life and global history?

By interrupting routine domestic moments with a historic atrocity.

63
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What lesson about war might readers draw from the poem?

War destroys ordinary lives that mirror our own.

64
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What feeling might dramatic irony evoke in readers?

Unease or sorrow, knowing tragedy while characters remain unaware.

65
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How does the lecture define lethargy in context?

A calm drowsiness free of concern.

66
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What indicates rain has not yet caused damage in the American’s house?

No water has come through the windowsill cracks.

67
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What do the windowsill cracks symbolize?

Small flaws unnoticed amid larger impending danger.

68
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Who is Millen Brand?

An American author and poet who wrote “August 6, 1945.”

69
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What genre is “August 6, 1945”?

A narrative poem with historical commentary.

70
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How does the poem’s setting move geographically?

From the U.S. apple orchard to the Japanese home in Hiroshima.

71
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Which sense is engaged by the word “thud”?

Hearing.

72
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What does the lecture say about urgency in the American scene?

There is none; tasks are casually postponed.

73
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How is the Japanese man’s fate foreshadowed by “below”?

He is physically beneath the descending bomb.

74
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What does the analysis say about the men’s ignorance?

Both are oblivious to the impending atomic strike.

75
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How many atomic bombs had been dropped before Hiroshima?

None; Hiroshima was the first.

76
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Which natural element is repeatedly emphasized to show peace?

The garden and sky imagery.

77
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How does the poem’s imagery support anti-war sentiment?

By depicting the loss of peaceful, innocent life.

78
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Which family member appears alongside the American man?

His wife.

79
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What tool is the American’s wife holding?

A garden trowel.

80
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How does the lecture describe the bomb’s fuse?

A small fuse on a thin tube.

81
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What comparison describes the bomb’s light?

“Brighter than the sun.”

82
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What effect results from calling the bomb “almost unnoticeable”?

Highlights the stealth and surprise of mass destruction.

83
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Which device spotlights similarities between enemies?

Parallel structure of daily actions.

84
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Why is the gardener’s contentment important?

It underscores the innocence of those caught in war.

85
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How does “living-room shutters” anchor the Japanese scene?

It places the event in an ordinary domestic space.

86
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What does the lecture suggest about reader empathy toward the Japanese victim?

Readers are positioned to see him as an innocent casualty.

87
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What summarizes lines 1–4?

Fred Braun noting cracked windowsills needing paint.

88
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What atmospheric mood dominates lines 5–10?

Serene, pastoral tranquility.

89
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Which word group in lines 14–15 slows the tempo?

Long-vowel words like “floats,” “air,” “descending.”

90
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In context, what does “trowelling” mean?

Digging and smoothing soil for planting.

91
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Why is it significant that both men think repairs can wait?

It shows shared complacency before unforeseeable disaster.

92
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How does the poem critique perceptions of enemy “otherness”?

By portraying both men as relatable, ordinary humans.

93
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What symbolic role does light play?

It represents both life (sunlight) and lethal explosion.

94
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How does the poem illustrate war’s unpredictability?

Peaceful mornings can end suddenly in catastrophe.

95
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What does the poem reveal about ordinary life during wartime?

Daily routines continue unaware of monumental events.

96
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What is the shocking contrast between the men’s thoughts and reality?

They focus on chores while a nuclear bomb approaches.

97
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How does the poem address innocence?

By showing victims engaged in harmless, everyday acts.

98
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Which Japanese image mirrors the American orchard scene?

Morning glories in the Japanese garden.

99
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How does the poem demonstrate shared vulnerability?

Both men’s lives hinge on events beyond their control.

100
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What overarching message does Millen Brand convey?

War’s devastation unites humanity in suffering and loss.