unit 2 listening facts

sumer is icumen in

rota, imperfect consonances in parallel motion

quam pulchra es

-english early renaissance

-tenor moving in 3rds and 6ths below making consonant vertical sonorities

de plus en plus

bugundian chanson, fine amour (courtly love)

se la face ay pale

secular motet used as tenor for first mass based on secular music

missa prolationum, kyrie

mensuration canon; two voices sing same part with different durations

mille regretz

chanson with text painting

il blanco e dolce cigno

-early madrigal

-rising and falling half steps related to "little death"

solo e pensoso

-late madrigal, extreme text painting

la nuict froide et sombre

mix of italian madrigal and french chanson

sing and we chant it

english consort song, strophic, homophonic, fa-la-la refrain

flow, my tears

dark mood matches poetry, but not specific text painting; spawned series of variations and arrangements

ein feste burg

song most identified with reformation and luther, chorale

psalm 134, or sus, serviteurs du seigneur

simple stepwise melody, through composed, calvinist

if ye love me

anglican service music, four part men and boys choir, imitation and homophony

pope marcellus mass, credo

catholic counter reformation mass, syllabic to deliver text, rhythmically independent voices

missa o magnum mysterium, kyrie

imitation mass, based on own motet

danserye, no. 38, pavane la dona

duple meter, paired with a galliard in triple; instrumental dance music

los seys libros del delplhin, cancion mille regres

instrumental adaptation of desprez mille regretz; variations

canzon septimi toni a 8, from sacrae symphoniae

-canzona for two group of four instruments (and organ)

-alternating passages between groups

-venetian sacred music