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Opening night critic
Madness/deceit
"Although Blanche cannot face the truth, Mr Williams does in the most imaginative and perceptive play he's ever written."
Emma Kirby
Madness
"sanity is dependent on fitting in and adhering to the social roles expected of us"
Mary Ann Corrigon
Madness
"We cannot understand [Blanche's] behaviour until we see how the past affects the future"
Harold Clurman
Sexism
"Blanche is a delicate and sensitive woman pushed into insanity by a brutish environment presided over by chief ape-man Stanley Kowalski"
J. M. McGlinn
Illusion vs. reality
"Stella ignores the needs of others and eventually adopts her own illusion…Her refusal to accept Blanche's story of the rape is a commitment to self-preservation rather than love..."
Michael Hooper/Patricia Hern
Illusion vs. reality
"Blanche holds the Wildean belief that "Lying, the telling of beautiful untrue things, is the proper aim of art""
The New Yorker
Corruption/Decay
"A play about the disintegration of a woman...or of a society"
Robert Brustein
Gender
"The conflict between Blanche and Stanley allegorises the struggle between effeminate culture and masculine libido"
Elia Kazan
Gender
"Stella is a refined girl who has found a kind of salvation or realization but at a terrific price"
Ruby Cohn
Gender
"Stanley has trained his wife to catch his meat, in every sense"
Nancy Tischler
Old vs. new
"...sees Streetcar not as a drama of natural selection but rather as "a reversal of Darwin's vision—back to the apes"
Elia Kazan
Destruction
"He's got things the way he wants them around there and he does not want them upset by a phony, corrupt, sick, destructive woman. This makes Stanley right!"
Joan Templeton
Desire
"...argues that Blanche, through her own "epic fornications," is just as responsible for her fall as the Old South is for its own demise"
H. Sambrook
Mitch
"His role is to offer Blanche the promise of a safe haven, to spur Stanley indirectly to find out about Blanche's past in order to protect his old buddy."
P. Allan
Illusion vs. reality
"She craves 'magic' because the truth about postwar America is too harsh to bear."
Tennessee Williams
Major theme in the play
"The destructive power of society on the sensitive non-conformist individual."
Bert Cardullo
Desire
"They are less victim and villain... than mutual victims of desire."
Joseph Riddell
The end of the play
"an expression of spiritual purification through suffering"
George Hovis
Southern Belle
"both a mask and a prison"