cadential 6/4
tonic triad in 2nd inversion; can be used to prolong dominant function by delaying appearance of V chord
Happens in HC and AC
Spelled like I^6/4
on the stronger beat
arpeggiating 6/4
bass arpeggiates to fifth of chord (repetition)
form of repetition
1/4
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cadential 6/4
tonic triad in 2nd inversion; can be used to prolong dominant function by delaying appearance of V chord
Happens in HC and AC
Spelled like I^6/4
on the stronger beat
arpeggiating 6/4
bass arpeggiates to fifth of chord (repetition)
form of repetition
passing 6/4
happens in middle of a 3 chord passage
bass moves by step, continues by step in same direction
neighboring 6/4
happens in middle of a 3 chord passage
bass stays static, other voices move by step up then down
outer chords are same and in root position
middle triad is usually in 2nd inversion