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early examples of utopia
Golden Age myths
Plato’s The Republic
Biblical utopian images: Garden of Eden, Kingdom of God
fairy tales
Ovid’s Metamorphoses (past)
Virgil’s Eclogue (future)
the origins of “utopia”
16th century: expansion of geographical horizon
discovery of the Other
utopian thought: tendency to think in alternatives
utopia is innate to man - wishing nature of man = fundamental aspect of being human, to measure life “as it is” by a life “as it should be”
utopianism
communities (utopian practice)
ideologies (social theory)
literary representations
utopian societies (real/ fictional)
monasticism
hippies, eco-villages
communism? nazism?
Robert Owen: New Harmony (Indiana)
functions like a microscope:
first isolating then magnifying aspects of existing
non-utopian societies allegedly needing drastic improvements
it enables us to see more clearly their political, economic, cultural and psychological mainstreams
utopian imagination’s capacity for terror
utopia as a positive informing model, rather than an absolute restrictive and impossible one → utopia need not be fully realized to remain valid or valuable
utopia as a literary genre
journey - guided tour
nonexistent place or time
device of displacement → isolation
dynamic by essence
yet as a construction often static model as frozen image
focuses on everyday life as well as economic, political and social questions
fantasy: alternative solutions to reality (Plato on fiction)
speculative discourse on a non-existent social organization
perfectibility is often an issue, but utopia does not generally portray the perfect society
human centered (everyday life)
no chance or external (divine) forces exist in a utopia
technology vs. magic?
dystopia
20th century - paralysis of utopian imagination → disillusionment
rejection of utopiansim: anti-utopia
parasitical to utopia (copy, negative response)
utopia carries the function of anti-utopia as well - presenting the writer’s world negatively as an anti-utopia, to which utopia is the constructive positive response
a much younger concept than utopia
antique predecessors & Swift’s 19th century critique of enlightenemnt
overwhelming - 20th century totalitarianism → dystopia meets science fiction
intentionality? → utopias are created, dystopias just happen?
mythical prehistory of dystopias: hell, monstrous domains
evil spaces and times (Deluge, Apocalypse)
Heaven: archetype for Christian idealism (fuelling utopia)
Hell: imaginary conterpart of malevolance
dystopic times: pogroms, wars, witch-hunts, martial law, mob violence
semantic elements of dystopia
repression of emotions and imagination
sublimination of individuality
non-conformist revolt group
alienated protagonist
often: love relationship
A society characterized by despotism, fear, alienation, paranoia, and scapegoating. It typically seeks to enslave parts of its population and keep the rest in a state of fear to maintain order.
phases of dystopian literature
prehistory of dystopias
interpretation (Plato, More)
Jonathan Swift’s Gulliver’s Travels (1726)
Houyhnhnms - the paradox of the Enlightenments: the rule of reason at its extreme creates an inhuman world
wells: described utopian societies that later generations usually interpret as dystopian
first phase: totalitarian dystopia
Zamyatin and Orwell
the individual in a collectivist dystopia: virtually no influence on the political sphere, while politics permeates even the most intimate and personal aspects of life
dystopias implicitly support the autonomy of the individual
Orwell’s 1984
ur-text for the dystopian genre
human freedom presented through its absence - the inhabitants of Oceania are deprived of virtually all libertes, even the liberty of free-thought
phrases and characters created by Orwell have become staples of political discussion
foreseeing?
the modern dilemma of dystopian texts: the conflict between the pursuit of pleasure/happiness and the desire for freedom
a dystopia for the many may be a utopia for the ruling few
cold war dystopia
the focus remains, though strong feminist influence
the primary enemy of the individual’s autonomy is the political power of the state
Anthony Burgess: A Clockwork Orange
esentially the Orwellian totalitarian state, but extended to the critique of postmodern consumer societies
metapolitical shift: criticism of neolibertism and postmodern societies, corporations, nuclear war, overpopulation
Margaret Atwood
demonstrates how dystopia changes
The Handmaid’s Tale - essentially Orwellian, with a feminine perspectives (The Testaments - detailed political structure of Gilead)
21st century
increasing popularity (films and video games)
climate emergency, technology, post-apocalypse
corporatic dystopia
David Mitchell’s Cloud Atlas
Dave Eggers’s The Circle
dystopia in popular culture
Suzanne Collins’s The Hunger Games trilogy
while dystopia is historically the shadow or alter ego of utopia, in an intellectual climate of the present, utopia exists in the shadow of dystopia