Chinese, Korean, and Japanese Title IDs

The title IDs of all the artworks in all three of these eras.

Terra Cotta Warriors

Chinese (Qin Dynasty); Medium: Painted terra cotta; Location: Mausoleum of the first Qin emperor; Notes: Army of life-size soldiers guarding the emperor’s tomb

Funeral Banner of Lady Dai

Chinese (Han Dynasty); Medium: Painted silk; Location: Tomb of Lady Dai; Notes: Shows afterlife beliefs and cosmology

Longmen Caves

Chinese (Tang Dynasty); Medium: Limestone; Location: Luoyang, China; Notes: Buddhist cave sculptures, imperial patronage

Travelers Among Mountains and Streams

Fan Kuan; Chinese (Song Dynasty); Medium: Ink and colors on silk; Notes: Monumental landscape painting

David Vases

Chinese (Yuan Dynasty); Medium: White porcelain with cobalt-blue underglaze; Notes: Example of blue-and-white porcelain

Forbidden City

Chinese (Ming Dynasty); Medium: Stone masonry, marble, brick, wood, ceramic tile; Location: Beijing, China; Notes: Imperial palace complex

Chairman Mao en Route to Anyuan

Chinese (PRC); Medium: Color lithograph; Notes: Socialist realism, glorifies Mao

Gold and Jade Crown

Korean (Silla Kingdom, Three Kingdoms Period); Medium: Metalwork; Notes: Elite status, shamanistic nature worship

Portrait of Sin Sukju

Imperial Bureau of Painting; Korean; Medium: Hanging scroll (ink and color on silk); Notes: Shows political rank and Confucian values

Todai-ji

Various artists incl. Unkei & Keikei (Kei school); Japanese; Medium: Bronze and wood (sculpture), wood with ceramic-tile roofing (architecture); Location: Nara, Japan; Notes: Great Buddha Hall, Great South Gate, Nio guardian statues, Great Buddha (Daibutsu)

Night Attack on the Sanjô Palace

Japanese (Kamakura Period); Medium: Handscroll (ink and color on paper); Notes: Emaki, otoko-e, Yamato style; depicts military conflict

Ryoan-ji

Japanese (Muromachi Period); Medium: Rock garden; Location: Kyoto, Japan; Notes: Zen Buddhist meditation garden

White and Red Plum Blossoms

Ogata Korin; Japanese; Medium: Ink, watercolor, gold leaf on paper; Notes: Folding screen; tarashikomi technique

Under the Wave off Kanagawa (Great Wave)

Katsushika Hokusai; Japanese; Medium: Polychrome woodblock print (ink and color on paper); Series: Thirty-Six Views of Mount Fuji; Notes: Ukiyo-e print; cross-cultural influence (Japonisme)