Setting: the title of the poem suggests impersonal surroundings and isolation
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“This morning”
Word choice: establishes the poems setting at the start of the poem
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“helicopter skirting”
Word choice: suggests circlingthe edge or border of something. It suggests close proximity which in turn reveals connotations of risk fear and danger
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“helicopter skirting like a damaged insect”
Simile: compares the look and sound of the helicopter to a damaged insect-wings motion buzzing sound. Like a damaged insect would fly erratically, so too is the helicopter flying in an uncontrolled and potentially dangerous manner
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“Empire State Building”
Famous landmark (NYC setting established) that was a symbol of technological progress and pursuit of wealth at the time
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“jumbo sized dentist’s drill”
Metaphor: compares the huge building to a dentist’s drill-mockingly reduces the ESB to something tiny and which causes pain/fear and suffering to humans
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“But” (structure)
Turning point: the time shifts from day to night. The mood of the poem changes into something more solemn and dangerous
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“midnight”
Personification: suggests midnight is a creature with a mind of it own and the ability to move and threaten
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“foreign”
Word choice: a menacingly vague description that depicts the darkness as alien
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“uncivilized darkness”
Word choice: suggests its barbaric dangerous
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“shot at”
Word choice: a reference to the WW-suggests widespread violence and aggression in the city. The image suggests the buildings of the city in battle with the surrounding darkness (good v evil)
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“ups and acrosses”
Word choice: religious connotations. The window frames are in the form of the cross. The idea of good fighting evil and darkness
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“But” (WC)
Word choice: suggests that the attempt to defeat darkness will not succeed
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“not so easily defeated”
Enjambment: emphasises the negative outlook
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“I lie in bed between a radio and a television set”
Word choice: suggests either a wish to drown out the noise from the outside and/or the pervasive presence of noisy technology
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“wildest”
Word choice: has connotations of an uncivilised, perhaps brutal culture
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“wildest of warwhoops”
Alliteration: repeated w sound mimics the wail and the repetitive sound of the sirens, intensifying the threatening, violent and uncivilised nature of the street violence
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“lulating”
Word choice: suggests a frightening wailing or screeching sound-violent atmosphere created
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“glittering canyons and gulches”
Metaphor: city streets and their high buildings are being compared to canyons/gulches. The streets with the high buildings on both sides resembles the WW landscape. Both are areas of ambush-suggesting the streets are just as dangerous
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Police cars and ambulances”
Word choice: suggests law-breaking and injuries are prevalent
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“racing”
Word choice: suggests speed and urgency that the injuries are serious
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“the broken bones, the harsh screaming from coldwater flats, the blood glazed on sidewalks”
Synecdoche: people are reduced to damaged body parts, noises spilled fluids. Lack of specificity shows how widespread the violence is
List: shows scale of suffering and widespread nature of violence
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“harsh screaming”
Word choice: suggests painful cries of suffering
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“coldwater flats”
Word choice: suggests poverty and inequality
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“Broken bones”
Word choice: suggests brutal violence and bodily damage-hard alliteration of b empahsises this
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“blood glazed”
Word choice: suggests there is so much blood it is fixed/imprinted on the sidewalk
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“frontier”
Word choice: the invisible line between civilised and uncivilised areas. The poet is reminding us that there is always such a line- and it is right beside us, because it is always within us
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“never” “no”
Word choice: creates a negative tone the match up with the bleak view/mood of the poem as a whole
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“stockades”
Word choice: were the defensive barriers built to keep out the allegedly uncivilised Red Indians; the poet is reminding us that there is no way to keep out the “darkness” that still exists in humanity. It is an ever-present danger