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Framing
The method in which elements in a layout can be disconnected from or connected to each other
Offer
Term used when a figure ‘gazes’ at another object in the image encouraging us to look at that object, the viewer is a detached onlooker
Gaze
Where the figure in the image is looking
Demand
When a figure in the image ‘gazes’ directly out of the page at the responder. This establishes a connection between the subject and viewer
Composition
A creator’s arrangement of objects, color, contrast, space, light, etc.
Vertical axis
To the left is known, right is unknown
Horizontal axis
Above is fantasy and positive elements, below is reality and negative elements
Reading path
Route through a visual text. It moves from the most salient to the least salient elements
Ideal
Top of the page; (in advertising) often contains the image
Real
Bottom of the page; (in advertising) often contains the information
Salience
(Focal points)- the element/s in an image which stand out and attract the viewer’s attention
Centrality
Placing of the main object or figure in the middle of the image in order to make it the most significant element
Rule of thirds
A compositional technique that suggests diving the image into 9 and placing the subject on one of those sides, instead of in the center
Contrast
Arrangement of opposite or differing elements to create interest, excitement, or drama
Negative space
Empty or open area between, around, above, below and within objects
Voice-over
The narrator’s storytelling: visually created in graphic novels with a hard line at the top or bottom of the page
Panel
A single framed image in a graphic novel or comic
Speech bubble
Frames around a character’s speech in a graphic novel
Thought bubble
Usually sort of cloud shaped where internal dialogue is expressed
Splash
A panel that spans the width of the page
Bleed
An image that extends to and/or beyond the edge of the page
Gutter
The space between framed panels
Grid
An entire page of panels in a graphic novel
Emanata
Text or icons that represent what’s going on in the character’s head
Icon
An image used to represent a person, place, thing, or idea
Graphic weight
The way some images draw the eye more than others, creating a definite focus using color and shading in various ways
Caption
Boxes containing a variety of text elements, including scene-setting, description, etc.
Special effects lettering
A method of drawing attention to text; it often highlights onomatopoeia and reinforces the impact of words such as bang or wow
Hue
Actual color
Tone
Intensity of the color
Vector
Directional lines (visible or implied) in an image
Foreground
The part of a work depicted as nearest to the viewer
Midground
The part of the image somewhere between the foreground and background
Background
The rear of the image, often containing objects that create context
Transition
The process of closure in which the reader might fill in the gaps between one panel and the next
Anchoring
The process of making an image meaningful by adding words
Logo
A symbol or design that serves to identify an organization or institution