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Context
gigue (lively)
fugue (contrapuntal, polyphonic)
late baroque
1711-1720
Performing Forces
basso continuo - harpsichord, cello, violon
flute
violin
harpsichord
ripieno (small string orchestra) - violin, viola, cello, violon
Structure
ternary
A sections are exactly the same
ritornello form (recurring musical section or theme that repeats contrasting or different musical sections) in B
Melody
scalic runs in harpsichord
conjunct
rising sequence
ornamentation
Gigue Features
dance-like
lively
6/8
allegro
D major - suitable for strings
Dynamics
none written down
left to performers to decide
terraced dynamics
Metre
2/4
feels like 6/8 because of triplets
Rhythm
triplets and dotted quavers
semiquaver runs in harpsichord
Tonality
D major for most of A section
B Section - A major (dominant) then B minor (relative minor)
Harmony
diatonic and functional
mostly primary chords
perfect cadences at the end of sequences
suspension occasionally used
mainly root position or 1st inversion chords
Texture
polyphonic / contrapuntal
soloists create 4-part counterpoint
starts monophonic then polyphonic
pedal point