ap lit jserra 100 terms to know

5.0(1)
studied byStudied by 2 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/100

encourage image

There's no tags or description

Looks like no tags are added yet.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

101 Terms

1
New cards
Alliteration.
Repetition of initial consonant sounds or letters, mainly for tonal effects.
2
New cards
Allegory.
A literary form in which some or all of the elements of actions, character, and
setting stand for either general concepts or parallel elements in life.
3
New cards
Ambiguity
. A situation in which something can be understood in more than one way and it is
not clear which meaning is intended. An expression or statement that has more than one
meaning.
4
New cards
Anaphora.
Repetition of the same words at the beginning of several consecutive sentences
5
New cards
Anastrophe.
The natural order of words is inverted to emphasize the phrase that is
displaced.
6
New cards
Analogy
. Sustained comparison, usually to clarify complex or abstract idea
7
New cards
Anecdote
. Very short, unadorned narrative, usually to illustrate character or personality.
8
New cards
Antithesis
. A rhetorical pattern in which contrasting ideas are emphasized by the balance or
parallelism of words. "Be not the first by whom the new is tried, Nor yet the last to lay the
old aside."
9
New cards
Antihero.
Somebody who is the central character in a story but who is not brave, noble, or
morally good as heroes traditionally are.
10
New cards
Aphorism.
A concise, pointed epigrammatic statement that purports to reveal a truth or
principle. "4 rose by any other name
would smell at sweet" ~ William Shakespear
11
New cards
Aposiopesis
. When the speaker deliberately stops the sentences short to leave something
unexpressed that is, or should be, obvious to the reader
12
New cards
Apostrophe
. A direct address to an absent, imaginary, or dead person, or to an object,
quality, or idea. Sing Muse, of the rage of Achilles
13
New cards
Apotheosis
. Elevation to divine status; the perfect example.
14
New cards
Apposition.
The writer places two elements side by side; the second element is used to
define or modify the first.
15
New cards
Archetype.
A term describing certain characters or plot elements representing recurrent
patterns of experience in man's inheritance and appearing in myth, legend, dream, and
literature Ex: quest, rite of passage, utopia, rebirth, hero, king, prince, warrior, explorer,
child, mother, hermit
16
New cards
Aristeia
. A series of exploits, or deeds of bravery, centered on a single hero.
17
New cards
Assonance.
The repetition of similar vowel sounds in a sequence of nearby words
18
New cards
Aside.
A remark made by an actor, usually to the audience, that the other characters on stage
supposedly cannot hear. A spoken remark not directed to all listeners and usually made in a
quiet voice.
19
New cards
Asyndeton.
conjunctions are omitted from the text in order to speed up the rhythm of the
passage. Writers use this technique to make an idea more memorable
20
New cards
Atmosphere.
A prevailing emotional tone or attitude, especially one associated with a
specific place or time. The prevailing tone or mood of a work of art. An interesting or
exciting mood existing in a particular place.
21
New cards
Aubade
. A short lyric expressive of one's feelings at daybreak.
22
New cards
Ballad
. Traditionally, a folk song telling a story or legend in simple language, often with a
refrain. Some poets have adopted the form. Samuel Taylor Coleridge's "The Rime of the
Ancient Mariner"

spiritual crisis.
23
New cards
Bildungsroman
. A novel of formation or of education; the subject is the development of
protagonists mind and character in passage from childhood into maturity. Often involves a spiritual criss
24
New cards
Blank Verse.
Unrhymed iambic pentameter.
25
New cards
Caricature
. A drawing, description, or performance that exaggerates somebody’s or something’s characteristics, for example, somebody’s physical features, for humorous or satirical effect. A ridiculously inappropriate or unsuccessful version of or attempt at something.

\
26
New cards
Caesura
. A pause in a line of poetry. In scansion, the ___________is indicated by the symbol //
27
New cards
Canto
. A division of a long poem.
28
New cards
. Chronicle Plays.
A play the deals with historical scenes and characters. Popular in 16 century England

\
29
New cards
Conceit
. An elaborate parallel between two seemingly dissimilar object or ideas; common in metaphysical poetry

\
30
New cards
Comedy of Manners.
A satiric form of comedy, most often associated with Restoration- Age drama. Usually takes the artificial and sophisticated habits and doings of aristocratic or high society as its general settings and love or amorous intrigues as its subject.
31
New cards
_Connotation
. All other associations other than the dictionary meaning, sometimes even unconscious ones, that are conveyed by a word.
32
New cards
Couplet.
Two successive lines of rhyming verse
33
New cards
_Denotation
. The dictionary meaning of a word; it’s straightforward significance

\
34
New cards
Denouement
. French for “unknotting”, both refers to events following climax and implies some ingenious resolution of conflict
35
New cards
Deus ex machina.

\
Latin for “god from a machine”, the intervention of a nonhuman force to resolve a seemingly irresolvable conflict
36
New cards
38\. Dialect.
A regional variety of a language, with differences in vocabulary, grammar, and pronunciation. A form of a language spoken by members of a particular social class or profession.
37
New cards
39\. Diction.
Author’s word choice
38
New cards
40. Double entendre.
e. A remark that is ambiguous and sometimes sexually suggestive
39
New cards
Dystopia
The opposite of an utopia; Greek for “bad place”. Usually set in the future and describes an unpleasant, disastrous, or terrifying society or world
40
New cards
Elegy.
formal poem that laments the death of a friend or public figure, or occasionally a meditation on death itself.
41
New cards
43\. Elegiac.
Expressing sorrow or regret; characteristic of a poetic elegy in form or content er who, by his contrast with the protagonist, sefves to accentuate that character's distinctive qualities or characteristics. Also known as character foil. 52. Foot. The basic unit of the accentual-syllabic line. 53. Framed narrative. A story enclosed with in an embedded narrative, a tale within a tale. 54. Free Verse. Verse without fixed meter or thyme, but using formal elements of patterned verse (e.g. assonance, alliteration) 55. Genre. The classification of literary works on the basis of their content, form, or technique. 56. Heroic Couplet. Two successive lines of thymed poetry in iambic pentameter 57. Hubris. Pride; especially in Greek tragedy, the pride that sets man at variance with the gods.
42
New cards
44\. Epic
. A lengthy narrative that describes the deeds of a heroic figure, often of national or cultural importance, in elevated language
43
New cards
45\. Epithet.
An adjective or phrase applied to a noun to accentuate a certain characteristic. Homeric epithet: the wine-dark sea.
44
New cards
46. Epiphany.
A moment of sudden insight or revelation that a character experiences
45
New cards
47\. End Rhyme.
Rhymes appearing at the end of lines of poetry
46
New cards
48\. Enjambment.
A poetic expression that spans more than one line.
47
New cards
49\. Epistolary Novel.
Narrative told through letters written by one or more characters.
48
New cards
50\. Farce.
A comic play in which authority, order, and morality are at risk and ordinary people are caught up in extraordinary goings on.
49
New cards
51. Foil.
Character who, by his contrast with the protagonist, sefves to accentuate that character's distinctive qualities or characteristics. Also known as character foil.
50
New cards
52. Foot.
The basic unit of the accentual-syllabic line.
51
New cards
53. Framed narrative.
A story enclosed with in an embedded narrative, a tale within a tale.
52
New cards
free Verse.
Verse without fixed meter or thyme, but using formal elements of patterned verse (e.g. assonance, alliteration)
53
New cards
55. Genre.
The classification of literary works on the basis of their content, form, or technique.
54
New cards
56. Heroic Couplet.
Two successive lines of thymed poetry in iambic pentameter
55
New cards
57\. Hubris.
Pride; especially in Greek tragedy, the pride that sets man at variance with the gods.
56
New cards
58. Hyperbole.
Extravagant overstatement, not intended to be taken literally. “I died laughing.”
57
New cards
59\. Tamb.
Two syllables; unstressed, stressed.
58
New cards
60\. Iambic Pentameter.
The most common rhythm in English poetry, consisting of five iambs in each line. “The quality of mercy is not strained.”
59
New cards
61\. Imagery.
Words or phrases a writer selects to create a picture in the reader’s mind. Usually based on sensory detail.
60
New cards
62\. In medias res.
At a critical point in the development of the action: referring to the principle that epics and other narratives should begin literally in the middle of things and postpone previous events to later in the story.
61
New cards
63\. Internal Rhyme.
Rhymes before the end of a line of poetry.
62
New cards
Irony.
Rhetorically, the use of words to imply a meaning opposite to that literally stated, humor or mockery is involved,
63
New cards
verbal irony:

\
writer says one thing and means another: “The best substitute for experience is being sixteen”,
64
New cards
dramatic irony:
audience is aware of something and the characters in the text are not,
65
New cards
situational irony:
a great difference between the purpose of an action and its result. .
66
New cards
Juxtaposition.
The act or an instance of placing two or more things side by side. .
67
New cards
Kenning.
Metaphorical compound used in the place of a noun; common in Anglo-Saxon poetry. “Whale-road” for the sea, “ring-giver” for a king .
68
New cards
Local color.
Use of details that are common in a certain region of the country. .
69
New cards
Lyric.
Short poetic composition that describes the thought of a single speaker. Most modern poetry is lyrical and focuses on the inner experience rather than then outward story.

70
New cards
Melodrama.
Drama that emphasizes conflict between good and evil; relies on sensational events and improbabilities form dramatic effect. .
71
New cards
Metonymy
. Substitution of one term for another that is generally associated with it; “suits” instead of “businessmen” .
72
New cards
Meter.
The pattern created in a line of poetry by its structure of sounds and stressed syllables. .
73
New cards
Mood.
The feeling a text arouses in the reader: happiness, sadness, peacefulness, ect
74
New cards
Momento mori.or f
A reminder of death; a special type of emblem. A deliberate reminder that everyone while still in sound mind and body should take stock of his own life and prepare spiritually for the Day of Judgment. .
75
New cards
Monologue
. In drama a speech given by an actor by himself, and not part of the chorus or dialogue. .
76
New cards
Motif.
An important and repeated theme or element in a text. .
77
New cards
Onomatopoeia
. Use of words such as “pop”, “buzz”, “hiss”, that sound like the thing they refer to. .
78
New cards
Oxymoron.
An association of two contrary terms, as in “same difference” or “wise fool”.
79
New cards
Paradox.
Statement that seems absurd or even contradictory, but often expresses a deeper truth .
80
New cards
Parody.
A literary form that imitates a specific literary work or the style of an author for comic effect.
81
New cards
Pathos.
From the Greek meaning strong emotion often suffering or, in a tragedy, a calamity causing suffering
82
New cards
_ Persona.
An identity or role that somebody assumes. The image of character and personality that somebody wants to show the outside world.
83
New cards
Personification.
The attributing of human qualities to animals, to abstractions, or to inanimate objects. identifying only a part of it. The Crown, for the English
84
New cards
Picaresque Novel.
A type of prose fiction that features the adventures of a roguish hero and usually has a simple plot divided into separate episodes. Mark Twain’s Huckleberry Finn.
85
New cards
poetic Justice.
Idea that virtuous and evil actions are ultimately dealt with justly; virtue is rewarded and evil is punished.
86
New cards
Polysyndeton
. Using conjunctions in close succession in order to slow the rhythm of the passage and add solemnity
87
New cards
Refrain.
A line or lines that recur throughout a poem or the lyrics of a song. A refrain may vary slightly but is it generally exactly the same
88
New cards
. Rhymed Verse.
Poetry that follows a thyme scheme as opposed to free verse without rhyme.
89
New cards
Rhythm.
A term referring to a measured flow of words and signifying the basic beat or pattern established by stressed syllables, unstressed syllables and pauses. S
90
New cards
satire.
A literary genre that uses irony, wit, and sometimes sarcasm to expose humanity’s vices & foibles, giving impetus to reform through ridicule.
91
New cards
Soliloquy.
Lines in a play in which a character reveals thoughts to the audience but not to the other characters; it is usually longer than an aside and not directed at the audience
92
New cards
Sonnet.
A lyric poem that almost always consists of fourteen lines (usually printed as a single stanza) and that typically follows one of the conventional rhyme schemes. May address a range of issues or themes, but love is the most common theme.
93
New cards
Stream of Consciousness.
The continuous flow of sense perceptions, thoughts, feelings, and memories in the human mind; a literary method of representing such a blending of mental processes in fictional characters. Example: James Joyce's Ulysses.
94
New cards
Synecdoche.
A figure of speech that refers to a whole entity by identifying only a part of it. The Crown, for the English
95
New cards
Syntax
. The manner in which words are arranged into sentences
96
New cards
Tableau.
A dramatic, often symbolic arrangement of characters on a stage. Prince Hamlet contemplating Yorick’s skull is the most famous tableau in dramatic literature.
97
New cards
Tone.
The attitude of the author toward the reader or the subject matter of a literary work
98
New cards
Understatement.
A statement, or a way of expressing yourself, that is deliberately less forceful or dramatic than the subject would seem to justify or require
99
New cards
Unreliable Narrator.
One whose perception, interpretation, and evaluation of the matters s/he narrates do not coincide with the implicit opinions and norms of the author or those the author expects the reader to share
100
New cards
verse.r
Poetry or an individual poem, that is any metrical composition