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Sensation
detecting physical energy with our sense (eyes, ears, skin, nose, tongue
Perception
the brain’s interpretation of raw sensory information
Illusion
the way we perceive a stimulus doesn’t match its physical reality
Transduction
conversion of an external stimulus into a neural signal
Sensory receptors
specialized cells designed to convert a certain kind of external information into a neural signal (mind only contact with outside world)
Sensory adaptation
sensory neurons adjust their sensitivity based on recent stimulus history
Aftereffects
opposing sensory or perceptual distortions that occur after adaption
Waves
sound and light are _
Psychophysics
the study of how our sensations (psychological events) correspond to physical events in the world
Absolute threshold
the lowest level of stimulus needed for the nervous system to detect a change 50% of the time
Just Noticeable Differences (JND)
the smallest change in the intensity of a stimulus that we can detect
Weber’s Law
the stronger the stimulus the bigger the change needed to detect it
Signal Detection Theory
how stimuli are detected under different conditions
what you are trying to detect
signal
noise
similar stimuli that might complete with the signal and interfere with your ability to detect the signal
Signal-to-noise ratio
difficulty of detecting the signal depends on the strength of the signal in relation to the strength of the noise
Dichotic listening
cocktail party effect
important information pops out in a conversation that you are not attending
inattentional blindness
occurs when unattended stimuli are ignores as if they weren’t there
Change blindness
version of this that occurs when you fail to detect obvious change in your environment
Attention
allows us to focus on sensory information and deemphasize other information making it easier to detect what we’re interested in
Bottom-Up processing
constructing a representation from parts and basic features (sensation)
Top-Down processing
processing influenced by previous experience and knowledge
Perceptual sets
set formed when our expectation influence our perceptions
Sclera
white part of eye
Pupil
Circular hole where light enters
Iris
colored portion of the eye that controls pupil size (letting in more or less light)
Cornea
curved, transparent layer covering the iris and pupil that helps focus light
Lens
oval shaped disc that bends light
Accommodation
changing the lens’ shape to focus on the near/far objects
Myopia
(nearsightedness) if your eye is too long
Hyperopia
(farsightedness) eye is too short
Retina
Membrane at the back of the eye responsible for converting light into a neural signal
Fovea
central portion of the retina, responsible for visual acuity (very small)
acuity
sharpness of vision
saccades
small jerky movements of the eye allowing for rapid changes of focus
rods
(photoreceptor) respond under low level light, not color sensitive, more common outside of fovea
Cones
(photoreceptor) sensitive to fine detail, primarily located in fovea, color sensitive, less plentiful than rods
optic nerve
bundle of axons that travels from the retina to the brain
blind spot
area of the retina where the optic nerve exits the eye
object processing
ventral “what” stream, color, texture, shape, size
spatial processing
dorsal “where” stream, location, movement, spatial relations
White objects
reflect all light
Black objects
reflect no light
Hue
color of light, corresponds to wavelength
Trichromatic Theory
color vision is based on three primary colors: red, green, blue
Opponent process theory
we perceive colors in terms of three pairs of opponent color (red-green, blue-yellow, black-white)
Color blindness
inability to see some or all colors due to loss of one or more types of cones
Depth perception
ability to judge distance and spatial relations depending on binocular and monocular depth cues
Binocular depth cues
involves two eyes
Monocular depth cues
involve one eye
Binocular disparity
each eye sees slightly different images, brain can judge depth
Convergence
eyes converge to see near objects
Relative size
distance objects look smaller than objects look closer (mono)
texture gradient
texture is more clear on closer objects (mono)
interposition
closer objects appear in front of distant objects
linear perspective
parallel lines converge with distance
height in plane
distant objects appear higher than closer objects
Light and shaow
shadow can tell us about form
motion parallax
closer objects pass more quickly than distant obejcts
perceptual constancy
we perceive objects as constant despite change in sensations that arise from those objects
shape constancy
perceived shape is constant even thought shape of the image varies
size constancy
perceive stimuli as consistent across varied conditions
color constancy
perceive stimuli as consistent across varied conditions