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New York Kouros
- marble
- archaic (600BC)
- rigid pose
- focus on symmetry of anatomy
Kleobis and Biton
- marble
- archaic (580BC)
- commemorative
- rounder anatomy
- introduction of archaic smile
Berlin Standing Goddess
- marble
- archaic (570-560BC)
- raised arms implies movement
- evolving drapery (layers)
Anavyssos Kouros
- marble
- archaic (530BC)
- top of head is flat
- transitioning away from beaded hair
Peplos Kore
- marble
- archaic (540-530BC)
- Athenian acropolis
- brightly coloured
- symmetry in hair
Aristodikos Kouros
- marble
- archaic (500BC)
- loss of beaded hair
- beginning to move away from rigid pose
- implied movement in raised movement
Delphic Charioteer
- bronze
- early classical (480-470BC)
- raised arms
- drapery
Artemision Zeus
- bronze
- early classical (475-450BC)
- twisted pose with perpendicular foot
- most likely holding a lightning bolt
Diskobolos
- marble copy of a bronze original
- early classical (475-450BC)
- sculpted by Myron
- contrapposto
Doryphoros
- marble copy of a bronze original
- high classical (440BC)
- sculpted by Polykleitos
- contrapposto
Aphrodite of the Agora
- marble
- high classical (420-400BC)
- drapery is the focus of the statue
- modelling lines
Eirene and Ploutos
- marble copy of original
- late classical (375BC)
- sculpted by Kephisodotos
- realistic drapery
- personification of wealth and peace
Hermes and Dionysus
- marble
- late classical (350-325BC)
- sculpted by Praxiteles
- Olympia, possible offering to Zeus
Aphrodite of Knidos
- marble copy of original
- late classical (350-325BC)
- sculpted by Praxiteles
- supposed to be a cult statue
- first female nude
Antikytheran Youth
- bronze
- depiction of either Paris or Perseus
- Late classical 340 BC
- found in Antikythera
- Contrapposto
Apoxyomenos
- marble copy of bronze original
- late classical (350-325BC)
- sculpted by Lysippos
- found in Roman baths
- adapted contrapposto