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Stuart Hall
Cultural Identity and Diaspora
Identity “production” never complete
Cultural identity = collective “one true self”
Reflect common historical experiences creates oneness
(Frantz Fanon)
Exclusionary, creating homogeny where there is none
Points of similarity from slavery
African vs Caribbean black
Internal, cannot subject person to knowledge of dominant discourse and narrative
Caribbean identity between axis of similarity and continuity and axis of difference and rupture
Presence Africaine - site of repressed language and customs
European Presence - endlessly speaking, power and domination
New World/Americaine presence - junction of culture
Identity as a ‘production,’ which is never complete, always in process
Identity changes as people move/people around them change, new cultures introduced, make unique blend of past history and new experiences (Hall)
Two ways of thinking about identity
Cultural identity as static vs ever changing (Hall)
Cultural identity is terms of “one, shared culture, a sort of collective ‘one true self,’ hiding inside the many other”
Idea that culture is static and reflect common history, false homogeneity (Hall)
Cultural identity, “a matter of ‘becoming’ as well as of ‘being’”
Past informing the present
History of colonization impacts current culture (Hall)
Past constructed through memory, fantasy, narrative and myth
Past changes depending on who’s telling the story (Hall)
Identity as constituted, not outside, but within representation
Identity individualized, cannot generalize all culture to all individuals within it (Hall)
Gurinder Chadha
Bhaji on the Beach
Asha - older mother and shopkeeper, religious visions, fight between British and traditional Indian culture
Ginder - mother of family’s grandson, forced in abusive relationship to fit role
Hashida - pregnant by Oliver, black family accepts her, Indian family has high career expectations for her, doesn’t tell anyone about baby or relationship
vacation - escape restrictive family values for Indian women, Indian vs British culture and identities
men served by women breakfast, men go after Ginder to punish her and bring her back into motherly role, family thinks Ginder’s husband has been soft for letting her go
diasporic identity
How indian culture combines with british culture, culture of homeland and new home intersect (Chadha)
Identities of the women defined through their relationships
Asha - older mother and shopkeeper, religious visions, fight between British and traditional Indian culture
Ginder - mother of family’s grandson, forced in abusive relationship to fit role
Hashida - pregnant by Oliver, black family accepts her, Indian family has high career expectations for her, doesn’t tell anyone about baby or relationship
(Chadha)
The role of culture, place, and patriarchy in their British-Asian diasporic identity, Female characters and their identities defined through space (the home, the shop, the holiday to Brighton)
at home must comply to Indian standards of family role, on vacation away from husbands can enact British identity (Chadha)
Difference between the two generations in terms of their diasporic identity
Older women more traditional, hold home values more closely, younger women more willing to experiment with Western ideas of love and identity (Chadha)
Hashida, Ginder, Simi, and the teenagers Ladhu and Madhu and their negotiation of their cultural and gender identity as British South Asian women
fight with expectations from family and their reality (being successful in career vs being in relationship with child, being mother vs escaping abusive relationship, wanting to look for white boys) (Chadha)
Asha and her journey to individuality and freedom (interaction with Ambrose Waddington)
Experiment with white male, different from traditional way of life expected from her, realizes her place in Indian culture (Chadha)
Ambrose Waddington, Englishness, Masculinity
White man tells her Asha loves her, sees religious vision, “remember who you are” “duty honor sacrifice” (1:19:01)
Went to college, shouldn’t have lived traditional life (Chadha)
Ambrose contrast with young white British men
Ambrose ideal man outside Indian culture, young white boys mock the older Indian ladies, directly against, young teenage girls try and get white boys (Chadha)
The brothers, Ranjeet, Manjeet, and Balbir and their diasporic masculine identities
demand wives obedience, wait for wives to serve them breakfast (Chadha)
Hashida and Oliver’s relationship
Oliver’s dad supportive of Hashida’s pregnancy, Hashida’s family didn’t know about relationship
Oliver wanted baby and Hashida didn’t, family values and cultural values impact what they want (Chadha)
Cheryl Shanks
Nine Quandries of Tourism
Tourists decide what they want to see, give value
Natives dress up in stereotype to fulfill fantasy
See “the real thing,” blocked off to separate real world with authentic experience
Developing countries use tourism to capitalize on unique culture
ecotourists - respect environment, but can only have little to have little impact on environment, then doesn’t provide revenue for citizens
Commodifying cultural artifacts preserves tradition of creating artifacts, but changes meaning behind it
Tourists pay private companies, money doesn’t reach locals
prevents cultural contamination
Govs geared towards tourists rather than actual locals
Culture must be fixed to be commodified
Tourist sites compete with another, interchangeable in tourist eyes
Can be destroyed with hurricane or terrorist attack
Creates economic loss
Political, problems of power dynamics
Tourist and native interactions permanently alter contexts in which they live
Tourists decide what they want to see, what has value (Shanks)
Tourism has economic, environmental, cultural and political effects
Tourists run economy, not enough ecotourists and doesn’t make enough revenue to make a difference, politics caters to tourists more than natives to keep economy running
Tourists naturally cause eco degradation, ecotourists can only exist in small numbers to be truly environmentally friendly, but then don’t add revenue for locals (Shanks)
Mimi Sheller
Natural Hedonism
Imperial gaze in travel guides, tourists expect to see what they read
Written by imperial way of looking at place, informs how we think of the Caribbean
Caribbean tourism market as paradise for Europeans
Excessive fruitfulness
Fantasy of sustenance without labor
Support slavery in making wild lands “productive”
“Monarch-of-all-i-survey”
European vulnerable to creolisation from proximity to natives
Feminine
Romanticism era, wild untamed place
Objectify Caribs as part of natural landscape
Landscape = sexuality and corruption
Caribbean sexually available
Prostitution rampent
Black bodies inherently sexual
Sheller’s engagement with Mary Louise Pratt and imperial travel writing
Tourists expect to see what they read in travel writing from an imperial view, informs how they view the location (Sheller)
Elaborate 18th European discourse about the Caribbean
The Caribbean was resource rich, good for labor (Sheller)
Delineate the shifts from 18th century European discourse to 19th century European discourse about the Caribbean
Changed from labor to paradise for Europeans as commodity, sustenance without labor, land sexually available (Sheller)
Three steps through which the social and economic inequalities of the contemporary tourist economy are naturalized
Objectification of natives as part of landscape, landscape erotic and corrupt, market imagined geography as sexually available (Sheller)
Sexualization of “exotic” bodies as tool of Caribbean tourist promotion
Caribbean exotic and alluring (Sheller)
Stephanie Black
Life and Debt
World Bank created for capital of rebuilding Europe
Jamaica independent from Britain but still not self ruled
Private banks don’t lend
IMF devalue Jamaican money, make foreign currency more expensive
Dependent on imported goods, costs go up for citizens, foreigners control
Jamaica small, can’t thrive producing for itself
Integrate into world market than rely on little economy
Forced to abandoned farms of local subsidies, lost control of import
Powder milk favored over fresh milk, milk industry collapsed
Guaranteed non tariffed market in Europe, Europe agree to help former colonies rebuild
No access to American market
Big American companies control most world market
Free Zones - create more job opportunities, based on loans from World Bank to create structures
Without systems of country
Can be paid less than legally allowed
Workers not protected
Brought in asian workers
Treated better than natives
Given more overtime
Paid in USD when Jamaicans paid in Jamaican dollars
IMF still has influence even though not giving money
Want voice in IMF politics, protest taxes
Running Contrast between images of tourists and the life of the Jamaicans
Compare Western expectation of Jamaica vs reality for natives (Black)
Role of the international agencies, IMF, World Bank, and Inter-American Development Bank
Offer opportunities for Jamaicans in loans, get access to all informations and control trade to maintain profitability, put local farmers out of business, look overseas for international trade
International agencies gained more control over government from debt of loaned money
(Black)
Free Trade Zone in Jamaica, Contrast between Free Trade Zone and employee homes/neighborhoods
Give jobs to workers, unregulated with no employee protections, factories put in cheaper neighborhoods, people without jobs (Black)
Rob Nixon
Slow Violence and the Environmentalism of the Poor
Offload rich-nation toxins into poorest countries
Decrease pressure from rich-nation environmentalists against garbage dumps
Slow violence - violence over time, not highly visible or newsworthy
Exponential
Casualties postponed
Unspectacular, open ended
Disposable people - environmentalism of poor
The poor encapsulates ethnicity, gender, race, class, religion, region, generation
Slow violence not in sync with electoral change
Politicians treat as critical but not urgent, not in office long enough to pan out
No political rewards
Humanity altered biophysical systems of Earth
9/11 more sensational violent threat than climate change
Social authority of witness of violence
Ex. definitions of rape in different countries
Witnessing authority discounted
“Second scramble for Africa” - corps look to resource-rich, war-fractured African nations
Claim nature can fix itself, downplay effects on wildlife
Environmentalism of the poor, Disposable people
people most impacted by environmental impacts don’t have the power to prevent or mitigate effects, seen as disposable because threat isn’t active enough for those in power to help (Nixon)
Environmental violence as contest not only over space, bodies, labor, resources, and time
Industrialization causes environmental impacts on countries being exploited (Nixon)
“Past is never dead. It’s not even the past.”
Long reaching impacts of past still acting out (Nixon)
Relationship between structural violence and slow violence
slow violence effects don’t last until next presidential election, no political reward for addressing issue (Nixon)
The Anthropocene
Human industrialization’s impact on environment, becomes geographical (Nixon)
Awareness of Great Acceleration unevenly distributed, “ecosystem of interruption technologies”
Those who are most impacted by effects more aware than those who aren’t impacted, also the people who have the wealth to help but won’t spend it (Nixon)
Representational, narrative, and strategic challenges posed by slow violence
Not a big enough headline to make news (Nixon)
Who counts as Witness
News portrays slow violence through short term small effects, shaping how general public views this issue, those with more power and influence taken more seriously than others actually facing issue (Nixon)
Writer-Activists and their strategies
Show full extent of slow violence outside short term view (Nixon)
slow violence, slow violence as exponential
Violence that has long term effects, Effects slowly increase until it’s too late to stop it (Nixon)
Karen Tei Yamashita
Through the Arc of the Rainforest
Telenovela
Characters stagnant, unreal aspect
Not truly about characters, somewhat removed
Kazumasa - all seeing ball connected to Matacao, used as pawn, move from Japan to Brazil, ball makes him rich, donates money to poor, ends living with Lourdes in quiet life witho
Batista and Tania - pigeon messanger business, both jealous and protective of each other, separated from business
Mane - healing impacts of feathers, from small farmer to intellectual,
Chico Paco - pilgrimage in honor of his friend to Matacao , religious figure, dies from someone targeting Kazumasa
JB Tweep - three arms, background of GGG, commodifies feathers and Matacao plastic, becomes large figure of GGG, jumps off building when feather and plastic business gone
matacao - religious site and tourist attraction, drilled for plastic business
Matacao plastic - replace food, plants, animals, eventually breaks down, reliance on finite materials
Genres in the novel
Telenovela everyday slice of life aspect, fantasy elements escape from reality contrast to real life aspects (Yamashita)
Purpose of telenovela archetypes to engage themes of slow violence
Over long period of time from different perspectives, ends of culpability spectrum, over whole book
JB archetype (Yamashita)
Thematic significance of Matacao as solidifed plastic garbage especially in the wake of the New Plastic Age
overreliance on finite materials, plastic will run out, environmental impacts (Yamashita)
Various forms of commoditization in the novel
Feathers, Matacao plastic, pigeon service (Yamashita)
Origin and spread of Typhus and its solution
destroy feather business, kill a bunch of birds and people to remove disease (Yamashita)