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Emotional subjectivity
Expressive, personal style
Extremes in Romantic music
Louder louds, softer softs, faster/slower tempos, wider pitch range, very long or very short pieces
Nationalism (Romantic)
Use of folk songs, legends, and homeland history
Exoticism
Musical references to distant places or historical periods
Program music
Music associated with a story, poem, picture, or descriptive idea
Rubato
Performer's freedom to vary the tempo
Art song (Lied/Lieder)
Classical piece for solo voice and piano
Song cycle
Set of 8-20 songs intended to be performed in sequence
Piano cycle
Piano work consisting of 8-20 short movements
Virtuoso
A performer of extreme technical skill
Schubert (Austrian)
Known for songs and song cycles; influenced by folk music; wrote The Willow-King
Chopin (Polish)
Mostly piano solo music; lived in Paris; wrote Mazurkas, Waltzes, Nocturnes, Etudes, Preludes
Schumann (German)
Wrote song cycles and piano cycles; programmatic style; repetitive rhythms; sudden contrasts; Dichterliebe
Brahms (German)
Serious, deep, mellow style; wrote Violin Concerto
Tchaikovsky (Russian)
Famous for operas and ballets (e.g., The Nutcracker); great orchestrator; wrote 1812 Overture
Opera
A drama with orchestral music and singing throughout; invented around 1600 by Italian composers trying to revive Greek drama
Recitative
Speech-like singing in opera used to move the story forward
Aria
Song in an opera where the action stops and a character expresses emotions
Monteverdi (Italian)
Early opera composer; wrote Orfeo
Mozart (Austrian)
Mixed comic and serious elements; greater dramatic continuity; wrote Così fan tutte
Verdi (Italian, late 19th century)
Catchy melodies; strong emotional situations; more continuous musical flow; wrote Rigoletto
Puccini (Italian, late 19th-early 20th)
Verismo (realism); natural, believable drama; wrote La Bohème
Wagner (German, late 19th century)
Wrote 13 operas; large orchestras; extreme continuity; wrote his own librettos; famous for The Ring Cycle and Tristan und Isolde