prehistoric
before written record
bce
before common era
ce
common era
paleolithic
old stone
neolithic
new stone
c.
circa
utilitarian
has a function ex) hammer, tool
ochre
red/yellow, iron ore, used as a pigment
in-the-round
In sculpture, a work fully finished on all sides and standing free of a background, 360 carved
relief
sculpture consisting of shapes carved on a surface with flat back
twisted perspective/composite view
a representation of a figure, part in profile and part frontally
groundline
a painted or carved baseline showing standing
megalith
huge stone
henge
a circle of stones or posts, often surrounded by a ditch
cuneiform
(sumer) wedge shaped writing system
ziggurat
raised platform to put temple higher
cylinder seal
a round piece of carved stone that when rolled onto clay produces an image
diorite
specific kind of stone, imported
bent axis plan
counterclockwise to approach the temple
hierarchy of scale
biggest object, most important
stele
upright stone slab or pillar used to mark graves or to commemorate historical events
registers
technique where you break up a story
cella
most sacred space, inside temple
lapis lazuli
blue stone, extremely expensive
orthostat
upright slabs of stone carved in low relief used to decorate (assyria)
lamassu
a protective deity originating from the sumerian civilization that is often depicted as a bull or lion hybrid with a human head and bird wings
apadana
an audience hall in a persian palace
hieroglyph
a system of writing using symbols or pictures
ben-ben stone
shaped like a pyramid
palette
flat object used for mixing meduim
mummification
preserving of the dead
ka
part of you that lives on
mastaba
non royal tomb, flat topped, one story building with slanted walls above underground chamber
serdab
narrow passage containing statue of the deceased facing toward offering area
necropolis
city of the dead
fresco secco
the technique of painting on dry plaster with pigments mixed in water.
buon fresco
true or wet fresco; pigments are mixed with water and become chemically bound to the freshly laid lime plaster
medium
-type of art -materials in which art is made
technique
transforms media into work of art
diptych
composed of two panels
triptych
composed of three panels
polyptych
composed of four or more panels
frontal
straight on
profile
looking to the side
representational
presents natural objects in recongizable form
abstract
based in reality, but is changed
non objective
pure, does not have a refrence to anything outside of itself
figurative
human form is a primary subject
detail
small piece of a larger painting
iconography
the study of symbols and their meaning
patron
person/ organization who funds the art
patronage
the art of funding
pylon
massive gateway,marking the entrance of an egyptian temple
hypostyle
room with several columns holding the ceiling
clerestory
roof with two different levels that allows sunlight
sunken relief
specific type of relief carved into stone
biomorphic
resembling the irregular, curving form of living organism
ethnocentrism
evaluation of other cultures according to preconceptions originating in the standards and customs of one's own culture
figure ground relationship
the relationship between a work of art (figure) and the surface upon which it is made
negative space
the empty space around an object or between objects or between the parts of an object
foreshortening
technique for creating the illusion of depth in a two-dimensional picture by distorting figures and objects so they appear to recede or project sharply into space