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wide lens
more depth, in focus background
long lens
less depth, out of focus background
noddies
close shots of listener simulating a reaction to what is being said
noddies are useful for what?
to edit out parts of verbal information
close shots are better
the fuller the face is
30 degree rule
making sure the angle of the view of the camera to the subject changes by thirty degrees between two shots
natural focal point for audience
the subject’s eyes
when editing in a close up of an action
select a version of the close up where the action is slower
give a long shot after
a series of close shots
first entrance of a new character or subject
edit in a close shot of it
metric montage
cuts to the beat of the music with no continuity
rhythmic montage
cuts to the beat of the music with continuity
tonal montage
cuts the clips based on the emotional tone of the clips
overtonal montage
all montages combined
intellectual/ideological montage
places different clips together that allows the audience to infer meaning and emotions
information
a new visual that is new information
motivaton
a good reason to cut, mix or fade
shot composition
continuity and flow
the cut
instantaneous change from one shot to another
the mix
one shot to another by overlapping the shots
the fade
fade from black screen to the image
types of montage
metric, rhythmic, tonal, intellectual/ ideological and overtonal
list for cutting
information, motivation, shot composition, camera angle, continuity and sound
five types of edit
action, screen position, form, concept and combined
action edit
movement continuity edit
screen position edit
directional or placement edit
form edit
transition edit by dissolve from one subject to another
concept edit
joining two shots together produces the concept in the viewer’s mind
combined edit
combines two or more of the other edits types
aspect ratio
the ratio of frame width to frame height
presence
sound perspective
manual sound effects
added sounds during editing
automatic dialogue replacement (ADR)
synchronization of speech with the lip movements
diegetic sound
anything that is heard from the characters in the film’s world
non-diegetic sound
what the audience hears that characters don’t
sound bridge
when the sound of one scene carries onto the next
assembly edit
putting the raw footage into basic story structure
b-roll
footage that captures the environment (often used with news)
butt-cut
straight edit between two picture frames in film or video with no transition effect
clean single
a medium shot to a close-up that contains body parts of only one person even though other characters may be there
coverage
process of making sure that every scene has a variety of shots
cinema verite
style of documentary and narrative filmmaking with long takes
dailies
previous footage used to determine whether there is a need to reshoot
dirty single
a medium shot to a close-up that contains come visual segment of another character or object in the frame
dutch angle
any shot where the camera is canted or not level with the actual horizontal line
acqusition
the footage shot by the production team
organizing
sorting the materials needed for project
review and selection
review all the materials and pick the best ones
assembly
follows script as the blueprint
rough cut
mostly done
fine cut
making sure the cuts are perfect
picture lock
only the sound is left to do
mastering and delivery
final cut
greater depth of field
wide-angle lenses and high f-stop (small aperture)
less depth of field
telephoto lenses and low f-stop (wide aperture