Hamlet: Theatre and Acting

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21 Terms

1
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“With mirth in funeral and with dirge in marriage, / In equal scale weighing delight and dole”

Claudius, 1.2 dirge

2
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Good Hamlet, cast thy nighted colour off

Gertrude, 1.2 colour

3
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Seems madam? nay it is, I know not seems. / ’Tis not alone my inky cloak, good mother

Hamlet, 1.2. inky cloak

4
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 For they are actions that a man might play, / But I have that within which passes show - / These but the trappings and the suits of woe

 Hamlet, 1.2 woe

5
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I perchance hereafter shall think meet / To put an antic disposition on

Hamlet, 1.5 antic disposition

6
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As if he had been loosèd out of hell”

Ophelia 2.1 loosed

7
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a crafty madness

Guildenstern, 3.1.8

8
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‘The harlot’s cheek, beautied with plastering art,/ Is not more ugly to the thing that helps it/ Than my deed is to my most painted word.

 Claudius, 3.1 harlot

9
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“The play’s the thing / Wherein I’ll catch the conscience of the king

Hamlet, 2.2 conscience king

10
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I did enact Julius Caesar. I was killed i’th’Capitol, Brutus killed me

Hamlet and Polonius 3.2. brute

11
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None wed the second but who killed the first

Player queen wed

12
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A second time I kill my husband dead / When second husband kisses me in bed.

Player queen bed

13
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The lady doth protest too much methinks

Gertrude protest

14
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Let the galled jade winch, our withers are unwrung

Hamlet, 3.2 withers

15
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“The rugged Pyrrhus, whose sable arms, / Black as his purpose, did the night resembl

Hamlet, 2.2 Pyrrhus

16
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I, the son of the murderèd, / Prompted to my revenge by heaven and hell, / Must like a whore unpack my heart with words

Hamlet, 2.2 whore

17
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Suit the action to the word, the word to the action, with this special observance, that you o’erstep not the modesty of nature

Hamlet, 3.1. action action

18
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Head to foot / Now he is total gules, horridly tricked / With blood of fathers, mothers, daughters, sons

Hamlet, 2.2 horribly tricked

19
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O what a rogue and peasant slave am I

THIRD SOLILOQUY

20
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We are reminded that art holds a mirror up to nature, but that the heart of a man’s mystery is not easily plucked out.

Harold Jenkins

21
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Performance is part of reality.

 Gillian Woods