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Basic Film Terms
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Extreme Long Shot
A shot of a person dwarfed by their surroundings.
Long Shot/Full Shot
A shot of a person from the top of their head to the bottom of their feet
Medium Long Shot
A shot of a person from the knees up. Also called a cowboy shot
Medium Shot
A shot of a person from the waist up.
Medium Close Up
A shot of a person from the chest up. (2nd button on a button down shirt)
Close-Up
A shot of a person from the shoulders/neck up
Extreme Close-Up
A shot of a part of a person, or an object from very close
Wide Shot
A long shot focused predominantly on the setting
Establishing Shot
A shot that establishes the setting of a scene
Over-The-Shoulder-Shot
A shot of one subject composed over the shoulder of another
Point-Of-View Shot
A shot that seems to display what a character sees
Pan
A camera pivoting from side to side
Tilt
A camera tipping up or down
Dolly
A camera moving in space, specifically on wheels
Track
A camera moving in space, specifically on a track
Push In/Pull Out
A camera moving away from or towards it’s subject
Boom
A camera being lifted up or down in space
Crane
A camera moving while it’s attached to a crane or jib arm
Roll
A camera leaning over
Wide-Angle
A lens that provides a wider angle
Telephoto
A lens that provides a thinner angle of view
Zoom
Shifting camera focal length, camera does not move
Depth of Field
The range of appart focus
Shallow Focus
A shot with a shallow depth field, only one plane appears in focus
Deep Focus
A shot with a deep depth field, everything appears in focus
Rack
Shifting focus between subjects in the foreground and the background
Cut
An instantaneous replacement of one shot with another
Jump Cut
A cut between two shots with similar compositions
Dissolve
A gradual replacement of one shot with another
Fade
A transition from one shot to black
Wipe
A transition between two shots during which both shots appear on screen at the same time without overlapping
Iris
A wipe in the same of a circle
Natural Wipe or Zero Edit
A wipe in which the transition line is invisible or hidden by the mise-en-scene
Montage
A series of rapidly edited shots
Insert
A close-up of an object in the scene
Cutaway
A brief cut to something outside of the team
Shot/Reverse-Shot
The camera cuts between matching shots of two objects
Punch In
Cut from one point of a shot to a closer point
Composite
Putting two shots together in a frame
Narrative
How the story is told
Cinematography
Camera work
Mise-en-scene
Staging the film
Editing
How the shots are put together in a sequence
Sound
What you hear
Performance
The people or objects in the film
The Frame
The boundaries of the screens image
Framing Distance
The apparent distance of the camera from the subject
Composition
The arrangement of visual elements in the frame
Aspect Ratio
Width to height ratio
Diegesis
The narrative world
Shot
Continuous footage between two edit points
Scene
Narrative action in continuous time and space