Ancient Mediterranean World: Greece

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Last updated 5:37 PM on 2/3/26
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29 Terms

1
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The “New York Kouros”

material: limestone statue

Location: Athens, Greece

date: ca. 600 BCE

historical period: Archaic period

<p>material: limestone statue</p><p>Location: Athens, Greece</p><p>date: ca. 600 BCE </p><p>historical period: Archaic period</p>
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3 main periods of Ancient Greece:

  1. Archaic

  2. Classical

  3. Hellenistic

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classical period of Anicent Greece considered the

Golden age of Greek art, culture, philosophy, democracy

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date of Archaic period:

700-480 BCE

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date of Classical period:

480-323 BCE

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date of Hellenistic period:

323 BCE= 2nd/1st century BCE (until Roman conquest of Mediterranean)

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Greek city-states independent, but shared

common cultural framework: language and religion

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Greek colonization spread their influence which created

tensions with neighboring Persian Empire, culminating in the Persian Wars

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In the __ century BCE (Early/High Classical Period) __ was a

5th Athens was a political, military, and economic powerhouse.

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__ was the leading artistic and intellectual center in Greece

Athens

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Greeks made contributions to the fileds of

mathematics, theater, art, architecture, philosophy, political structures, and science

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Kritios boy

material: marble

  • kouros

Location: Athens, Greece. Acropolis Museum, Athens. Athenian Akropolis

date: ca. 480 BCE

historical period: Early Classical period

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Polykleitos, Doryphoros

  • Spear-Bearer

Material: Roman marble copy of a High Classical Period Greek bronze

Date: ca. 450-440 BCE

6’ 11 high

historical period: High Classical 450-400

location: Museo Nazionale, Naples

<ul><li><p>Spear-Bearer</p></li></ul><p>Material: Roman marble copy of a High Classical Period Greek bronze</p><p>Date: ca. 450-440 BCE</p><p>6’ 11 high</p><p>historical period: High Classical 450-400</p><p>location: Museo Nazionale, Naples</p><p></p>
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Praxiteles, Aphrodite of Knidos

  • Roman copy

material: marble

Date: 350 BCE

Historical Period: Late classical period

4’ll ¾
location: Glyptothek, Munich

<ul><li><p>Roman copy</p></li></ul><p>material: marble</p><p>Date: 350 BCE</p><p>Historical Period: Late classical period</p><p>4’ll ¾<br>location: Glyptothek, Munich</p><p></p>
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<p>Nike of Samothrace</p>

Nike of Samothrace

historical period: Hellenistic Period (323 BCE) through 1st c BCE

date: 190 BCE

material: marble sculpture of the godess of Victory

location: lourve, Paris

9 feet high

<p>historical period: Hellenistic Period (323 BCE) through 1st c BCE</p><p>date: 190 BCE</p><p>material: marble sculpture of the godess of Victory</p><p>location: lourve, Paris</p><p>9 feet high</p>
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<p>Exekias, Achilles and Ajax playing dice</p>

Exekias, Achilles and Ajax playing dice

Athenian black figure amphora

material: painted terracotta—-black figure amphora

Historical Period: Archaic period

date: ca. 540-530 BCE

Creator: Exekias

<p>Athenian black figure amphora</p><p>material: painted terracotta—-black figure amphora</p><p>Historical Period: Archaic period</p><p>date: ca. 540-530 BCE</p><p>Creator: Exekias</p>
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<p>Euthymides, Three Revelers (at a symposium)</p>

Euthymides, Three Revelers (at a symposium)

creator: (signed by) Euthymides

material: Athenian red figure amphora

date: 510 BCE

historical period: Archaic period

beneath the scene is written: “Euthymides son of Polion painted me, as never Euphronios [could do]

<p>creator: (signed by) Euthymides</p><p>material: Athenian red figure amphora</p><p>date: 510 BCE</p><p>historical period: Archaic period</p><p>beneath the scene is written: “Euthymides son of Polion painted me, as never Euphronios [could do]</p>
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<p>The Parthenon (temple of Athena Parthenos)</p>

The Parthenon (temple of Athena Parthenos)

location: Athens

date: 447-438 BCE

material: marble

historical period: High classical period

Architects: Iktinos and Kallikrates

head sculptor: Phidias

<p>location: Athens</p><p>date: 447-438 BCE</p><p>material: marble</p><p>historical period: High classical period</p><p>Architects: Iktinos and Kallikrates</p><p>head sculptor: Phidias </p>
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opposite side of three revelers vase (amphora)

Hector arming for battle

note the FORESHORTENING of Hector’s left foot

<p>Hector arming for battle</p><p>note the FORESHORTENING of Hector’s left foot</p>
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Athens becomes a democracy in

509 BCE

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Male Athenian citizens

vote and elect their annual office-holders

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<p>Who was Pericles? </p>

Who was Pericles?

In power (461-429 BCE)

General

responsible for transforming the rebuilding of the Akropolis after the Persians destroy it in 480 BCE

<p>In power (461-429 BCE)</p><p>General</p><p>responsible for transforming the rebuilding of the Akropolis after the Persians destroy it in 480 BCE</p><p></p>
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Agora

civic center of Athens

Public space for the government and commerce

<p>civic center of Athens</p><p>Public space for the government and commerce</p>
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<p>Acropolis </p>

Acropolis

religious (sacred) space of Athens

Annia procession dedicated to Athena

<p>religious (sacred) space of Athens</p><p>Annia procession dedicated to Athena</p>
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Naturalism (naturalistic art)

  • resemblance to the “real world”

  • looks like our world

  • more naturalistic=more looks like our world

  • less=less likely to look like our world

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relief sculpture (relief sculpture vs. scultpture ‘in the round”)

  • relief scultpures are made to be viewed from only one side

  • round sculptures are fully 3 dimensional

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contrapposto

shifting of axes of the body

ex: shows the male figure shifting weight onto his right leg lifting leg to move

<p>shifting of axes of the body</p><p>ex: shows the male figure shifting weight onto his right leg lifting leg to move</p>
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Black figure vs. red figure pottery

  • used to decorate fine pottery

  • red figure was best for naturalistic representation of anatomy, clothes, and emotions—invented 530 BCE

  • black figure—”figural and ornamental motifs were applied with a slip that turned black during firing, while the background was left the color of the clay.”

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foreshorteninig

  • used to create illusion of depth in an image

  • making the art more realistic

  • depicting in a way to make an illusion of projection or extension in a space

<ul><li><p>used to create illusion of depth in an image</p></li><li><p>making the art more realistic </p></li><li><p>depicting in a way to make an illusion of projection or extension in a space</p></li></ul><p></p>