1/92
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced | Call with Kai |
|---|
No analytics yet
Send a link to your students to track their progress
pressure
-quantity constituted by size of area over which force is applied
-p = F/A
-unit: N/m^2 = pascal (Pa)
-cgs unit: dynes/cm^2
work
-occurs when force applied to body results in its displacement
-W = Fx
-mks unit: joule (J)
>amt of work that occurs when 1 N of force affects 1 m of displacement
-cgs unit: erg (dyne x m)
potential energy
capability of body at rest to do work
kinetic energy
capability of body in motion to do work
power
-rate at which work is done
-P = W/t
-P = Fv
-unit: watt (W) (same in cgs)
intensity
-develops when power is dist over area
-I = P/A
-mks unit: W/m^2
-cgs unit: W/cm^2
inverse square law
-intensity decreases w increasing distance from sound source
-amt of intensity drops by 1 over square of change in distance
acoustics
sci of sound
3 basic phys quantities
mass (g/kg), time (s), length (cm/m)
mks vs cgs
mks uses kg + m, cgs uses g + cm
scalar vs vector quantity
Scalars can be fully described by their magnitudes while vectors have direction + magnitude
displacement (x)
quantity that includes magnitude + direction
avg velocity
-distance traveled divided by time it took to make trip
-v = (x2-x1)/(t2-t1)
instantaneous velocity
-velocity of body at given moment
-v = dx/dt
avg acceleration
-diff btwn 2 velocities divided by time interval
-a = (v2-v1)/(t2-t1)
-unit: m/s^2 (mks) + cm/s^2 (cgs)
instantaneous acceleration
-acceleration at given moment
-a = dv/dt
force
-outside influence that makes stationary object move or causes moving object to change speed/direction
-F = Ma
-unit: newton (N) = 1 kg x 1 m/s^2 (force needed to cause 1 kg mass to accelerate by 1 m/s^2)
-dyne in cgs
momentum (Mv)
quantity of motion of moving body
resistance/friction
-force that opposes motion
-constituted by sliding of one body on another
-Ff = Rv
-Ff = force of friction
-R = coefficient of friction btwn materials
-v = velocity of the motion
elasticity
property whereby deformed object returns to its original form
restoring force
-force that opposes deformation of an elastic/spring-like material
-FR = Sx
vibration
oscillation of an object
sound
form of vibration thats transferred from air particle to air particle in form of wave
cycle
1 complete round trip of an oscillating motion
frequency
number of cycles that occur in 1s
damping
dying out of vibrations over time
waveform
graph that shows displacement (or another measure of magnitude) as function of time
ambient/atmospheric state of air pressure
pressure that exists among air molecules that arent being disturbed by a driving force
compression state of air pressure
increase in air pressure relative to ambient pressure among undisturbed molecules when disturbed air molecules are forced together
rarefaction state of air pressure
state of lower than ambient pressure
pure tones
sounds associated w simple harmonic motion
transverse wave type
wave made when particles move at right angles to direction that wave is propagating
longitudinal wave type
wave made when each air particle oscillates in same direction that wave is propagating
sinusoidal wave type
simple harmonic motion
phase
relationship btwn 2 waves that are displaced relative to each other
what makes sound wave periodic?
repeats itself exactly over time
period (t)
-duration of 1 cycle
-expressed in time
frequency (f)
-number of cycles that can fit into 1 s
-unit: Hz
-f = 1/t
peak-to-peak amplitude
total vertical distance btwn (+) + (-) peaks
instantaneous amplitude
magnitude of sound at given moment
root-mean-square (rms) amplitude
found by squaring all (+) + (-) values, finding mean, rescaled by finding sqrt
wavelength (λ)
-distance covered by 1 cycle of propagating wave
-c/f
-c: speed of sound (344 m/s)
how do frequency, period, wavelength relate to each other?
y + f are inversely proportional to each other, f + t are reciprocals of each other
complex wave
when 2/> pure tones are combined
aperiodic wave
waveform doesnt repeat itself over time
how sine waves are added
at every point along x axis: find amplitude of each wave at that point in (+) + (-) directions, add the 2 amplitudes algebraically, plot sum along same point on x axis, draw line thru all points after doing this for many points
reinforcement
when combined wave has amplitude increase
cancellation
when combined wave has amplitude decrease
fundamental frequency (f1)
lowest frequency component of complex periodic wave
harmonics
whole number or integral multiples of f1
spectrum shows ? as function of ?
amplitude; frequency
goal of fourier analysis
to mathematically dissect complex sounds into their pure tone components
aperiodic sounds
-made up of components that arent harmonically related
-have waveforms that dont repeat themselves
transient
abrupt sound thats extremely brief
white noise
contains all possible frequencies
what are continuous spectrums usually used for?
aperiodic sounds
spectrum for random noise
flat + continuous
spectrum for transient noise
flat
natural/resonant frequencies
frequencies at which body vibrates most readily
standing waves
-pattern that appears standing still even tho its derived from interaction of propagating waves
-comes from waves reflecting back + forth and superimposing on each other
nodes
places along string/medium where theres 0 displacement in standing wave pattern
antinodes
places where max displacement occurs in standing wave pattern
1st mode
-longest standing wave pattern
-half of wavelength
vibration in tubes
-shorter tubes have higher pitches
-higher pitch when open at both ends
vibration in tubes open at both ends
-least particle displacement in center (where pressure is highest)
-highest displacement at ends
-1st mode
vibration in tubes open at 1 end
-particles most restricted at closed end
-pattern corresponds to 1/4 of wavelength
half + quarter-length wavelengths differences
-f = c/2L vs c/4L
-all vs odd modes
-all vs odd harmonics produced
3 ways to measure amplitude
peak, peak-to-peak, rms
immittance
gen term used to describe how well energy flows thru system
impedance (Z)
-opposition to energy flow
-unit: ohms (omega)
-Z = F/v
admittance (Y)
-ease w which energy flows thru system (impedance inverse)
-unit: mho (ohm inverse)
3 phys components that interact during impedance
mass, stiffness, friction
Mass (positive) reactance (Xm)
-opposition to energy flow due to mass (inertia)
-Xm = 2(pi)fM
Stiffness (negative) reactance (Xs)
-opposition of energy flow due to stiffness
-Xs = s/2(pi)f
net reaction (Xnet) formula
Xs/Xm - Xm/Xs (bigger one goes 1st)
conductance (G)
-reciprocal of resistance
-G = 1/R
stiffness (compliance) susceptance (Bs)
-reciprocal of stiffness reactance
-Bs = 1/Xs
susceptance (Bm)
-reciprocal of mass reactance
-Bm = 1/Xm
acoustic immittance
opposition to sound energy flow but uses sound pressure + volume velocity
acoustic impedance (Za)
-opposition to sound energy flow
-Za = p/U = sqrt(Ra^2 + Xa^2)
-p = sound pressure
-U = volume velocity
acoustic admittance (Ya)
reciprocal of acoustic impedance
acoustic resistance (Ra)
friction that develops btwn air molecules + mesh screen
Mass (positive) acoustic reactance (+Xa)
mass reactance is out of phase w resistance (velocity lags the pressure)
Stiffness (negative) acoustic reactance (-Xa)
-sound pressure compresses air column like spring
-negative bc reps restoring force
what do dB measure
ratios btwn phys magnitudes
reference point sig
-range of sound magnitudes is huge
-dB convert abs phys values into simpler forms using ratios + logs
reference value
-denominator of ratio used to calculate dB
-softest sound normal ppl can hear
sound level meter (slm)
device that measures sound magnitude
z-weighting
-no weighting or unweighted
-displays overall spl based on all sounds picked up
-no adjustments made
-sound levels at all frequencies treated exactly as picked up
-dB SPL or dBZ
-barely diff from flat, unweighted response
a-weighting
-most common in ansi standard for slms
-considerably de-emphasizes low frequencies
-gets more negative as frequency decreases < 1k Hz
-dBA
b-weighting
-de-emphasizes lower frequencies but not as much as a
-only ~6 dB of reduction at 100 Hz
-dBB
-rarely used + no longer included in ansi standard for slms
c-weighting
-commonly used as proxy for fully flat (z) response
-dBC
octave-band filter
-allows slm to look at certain range of frequencies
-separates overall frequency range into narrower ranges
-each range = 1 octave