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Orientation of Renaissance
Shifting from sacred orientation to secular orientation
Renaissance Characteristics
Authority and influence of the church became less powerful
Period of exploration, learning and achievement
Renaissance Period
Martin Luther founded the Protestant Church
Central figure is man and not God
Writers and poets stressed that man had rights, inner strengths, and personal feelings
Renaissance characteristics
Mostly polyphonic
Imitation among the voices is common
Use of word painting in text and music
Melodic lines move in a flowing manner
Motet
is an unaccompanied choral composition based on a sacred Latin text
generally used religious texts but not used in the mass
Mass
is a sacred composition that is intended to be sung by a choir in a mass
Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnes Dei
Polyphonic
A capella or with orchestral accompaniment
Text may be syllabic, neumatic, or melismatic
Madrigal
Originated from Italy
Sung during courtly social gatherings
Most important secular music
Polyphonic
Sung in a capella
Frequently in three to six voices
Jovanne Pierluigi da Palestrina
Rome (1525- 1594)
greatest master of Roman
Catholic Church
an organist and choir master at both the Sistine Chapel and St. Peter's Chapel
Tomas Morley
England (1557-1602)
Most famous composer of the secular music
Tried imitating Byrd but veered towards composing madrigals
Josquin Dez Prez
France (1450-1521)
one of the most influential composers of the period
admired by musicians of his mastery of expression and
William Bryd
Greatest English composer of the Elizabeth Age and the "English Palestrina"
he introduced madrigal to
England
Wind Instruments
saxophone
clarinet
flute
Percussion family
triangle
drum
tambourine
String Family
Lute
violin
harp
Consort
- a group of musical instruments played together
Broken Consort
- it is made up of instruments from different families
Whole Consort
it is made up instruments from one
family