Augustan Rome Final

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83 Terms

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First Settlement

27 BCE

  • Augustus returns power to the Senate but maintains control over key provinces and the military forces

  • Essentially promised to restore Rome back to a Republic, but it was the beginning of the Roman Empire

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Second Settlement

23 BCE

  • Augustus renounced consulship but gained maius imperium and tribunicia potestas without actually becoming a tribune

    • Maius Imperium: Highest level of imperium (could override everyone)

    • Tribunica Potestas: Propose laws to the senate, veto laws, Sacrosanct, etc

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Family Laws

17 BCE

  • Unmarried individuals were denied inheritance rights and access to public entertainment

  • Punished adulterers with banishment

  • Fathers were allowed to kill a daughter and her lover if caught in the act

  • Husbands were legally required to divorce adulterous wives or face penalties themselves

  • Those who produced 3 male sons were granted high regard and privileges

  • Women could gain legal independence once they birthed a certain number of children

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Ludi Seculares

17 BCE

  • Religious games and festivals to symbolize a new golden age under his rule

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Ara Pacis

13 BCE

  • Celebrate the peace and prosperity brought by Augustus 

  • Located in the Campus Martius

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Organization of Rome into Regiones

  • 7 BCE

    • Divided Rome into 14 Regiones

    • Each region was divided into vici (neighborhoods)

    • Each vicus had its own local officials (Vicomagistri) and shrines (Lares Compitales)

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Temple of Mars Ultor

  • 2 BCE

    • “Mars the Avenger”

    • Augustus promised to build the temple after defeating Brutus and Cassius, but was delayed until his reign was fully consolidated

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Death of Augustus

  • 14 CE

    • His final words, according to Suetonius:

      • To the public: “I found Rome a city of bricks and left it a city of marble.”

      • To friends: “Have I played my part well? Applaud as I exit.”

    • Buried in the Mausoleum of Augustus

    • Senate deified him → Divus Augustus

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Aeneas

  • Legendary Trojan hero

    • Considered the founder of Rome

    • Named in Virgil's "Aeneid" as the ancestor of the Romans

    • Symbolizes duty and piety in Roman culture

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Anchises

Venus’ lover, Aeneas’ father

Dies in Sicily

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Ascanius

  • Travels with Aeneas

  • Founded Alba Longa - birthplace of Romulus and Remus

  • Also called Lulu / Julus

    • The Gens Julia (clan of Julius Caesar) claims descent from him and ultimately the goddess Venus

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Turnus

  • Fiancé of Lavinia, becomes Aeneas’s enemy

  • Refused to give up Lavinia → war

  • Killed by Aeneas

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Mezentius

  • An Etruscan King who allied with Turnus

  • Known for cruelty and impiety (mocks the gods)

  • Defeated by Aeneas in battle

  • Dies seeks vengeance for his son Lausus, who was trying to defend his father and was ultimately killed by Aeneas

    • Aeneas was moved to pity

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Latinius

  • King of Latium, Lavinia’s father

  • Receives Aeneas with goodwill; sees him as the man fated to marry Lavinia

  • Tries to avoid war

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Evander

  • King of Pallanteum (site of future Rome)

  • Offers an alliance to Aeneas against Turnus

  • Helps Aeneas arrange an alliance Etruscans

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Pallas

  • Son of Evander

  • Becomes Aeneas’s protege and is killed by Turnus

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Euryalus and Nisus

  • Close friends serving under Aeneas

  • Undertake a daring night raid on the Rutulian Camp (Book 9)

    • Aeneas was away seeking allies, and the Trojan camp was under siege by Turnus and the Rutulians

    • Plan to infiltrate the Rutulian camp and kill

    • Successfully breach the camp and slaughter many sleeping Rutulians

    • Euryalus starts taking the spoils of war, and the gleaming helmet he took gives away their position

  • Both were ambushed and killed, heads displayed on pikes at the Trojan camp

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Augustus

  • First Roman emperor and heir of Julius Caesar

  • Achievements

    • Ended civil wars, established the Principate

    • Launched massive building programs (Forum of Augustus, Ara Pacis, etc.)

    • Family laws and religious revivals

  • Linked his rule to Rome’s divine destiny

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M. Agrippa

  • Augustus’s closest friend, general, and son-in-law

  • Achievements

    • Won the Battle of Actium

    • Oversaw building projects

    • Backbone of Augustus’ military and civic success

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Parthians (iranians)

  • From the Eastern empire, Rome’s greatest rival

  • Roman-Parthian War (54 BCE)

    • Humiliated Rome with the death of Crassus in 53 BCE

    • Captured Roman Aquila

  • Returned Roman standards (aquila, emblem of the golden eagles, most prestigious) to Augustus

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Livia Drusilla

  • Augustus’ wife, mother of Tiberius

  • Model of Roman matronly values

  • Powerful advisor

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Tiberius

  • Augustus’ stepson and successor

  • Emperor 14-37 CE

    • Rule: Expanded the empire; known for a more repressive, suspicious reign

      • Considered a bad emperor

    • Eventually resigned rule and moved to the island of Capri

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Claudius

  • Emperor 41-54 CE

    • Conquered Britain

    • Capable emperor

  • Mocked for his physical disability

  • Allegedly died from poison

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Nero

  • Emperor 54-68 CE

    • Infamous for extravagance, artistic obsessions, and cruelty

      • Accused of murdering his mother and wives

      • Persecuted Christians

      • Built the “Golden House”

      • More interested in his own entertainment than well well-being of the empire

    • Blamed for the Great Fire of Rome

      • Allegedly used it as an opportunity to bypass the senate and rebuild the city and construct his new palace, the Domus Aurea (“golden house”) to his liking

      • Blamed the Christians

    • Romans eventually rebelled, declared him a public enemy. Nero fled and eventually committed suicide

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Agrippina the Younger

  • Mother of Nero, wife of Emperor Claudius

  • Secured Nero’s succession

  • Later murdered by Nero when she became inconvenient

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Julia the elder

  • Only biological child of Augustus (with Scribonia)

  • Married Agrippa

    • Gaius Caesar, Lucius Caesar

  • Exiled by Augustus for adultery and moral scandals

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Gaius and Lucius Caesar

  • Adopted grandsons of Augustus

  • Groomed as successors

  • Early deaths 

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Mesalla Corvinus

  • Prominent Senator, general and literary patron

  • Supported the Augustan regime

  • Ties with poet Propertius

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Maecenas

  • Close advisor to Augustus and major patron of literature

  • Supported horace, vergil, propertius 

  • Helped craft the cultural propaganda that supported Augustus

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Horace

  • Works: Odes, Epodes, Satires, and Carmen Saeculare

  • Celebrated Augustan peace and moral reform

  • Balanced praise with subtle personal themes

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Vergil

  • Works: Ecologues, Georgics, and Aeneid

  • Aeneid mythologized Augustus’ rule, portraying Rome’s destiny and divine favor

  • Foundation of Augustan literary propaganda

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Propertius

  • Works: Elegies (Books 1-4)

  • Combined love poetry with politics and art

  • Less overtly supportive of Augustus than Horace / Vergil

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Catullus

  • Works: Carmina

  • Pre-Augustan; famous for intense and personal love poetry

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Tibullus

  • Works: Elegies

  • Love poetry focused on the ideal of simple rural life

  • Associated with Messalla Corvinus

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Sulpicia

  • Works: Short poems included in the TIbullus books

  • Only known Roman female poet whose work survives

  • Offers a female perspective on love poetry - rare and valuable

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Ovid

  • Works: Amores, Ars Amatoria, Metamorphoses, Tristia

  • Often pushed boundaries of Augustan morals

  • Exiled by Augustus in 8 CE for “a poem and a mistake”

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Vergil’s Aeneid (Books 6,7,8,12)

  • Book 6

    • Aeneas arrives in Italy and consults the Sibyl a priestess at Cumae

    • Travels to the Underworld to seek guidance from his father, Anchises

    • Sees the river Lethe (souls waiting for rebirth) and the famous future Romans

    • Anchises reveals Rome’s glorious destiny

  • Book 7

    • Aeneas reaches Latium; King Latinus offers his daughter Lavinia in marriage

    • Juno, still opposing Aeneas, incites war by rousing Turnus and the native Italians

    • Aeneas prepares for battle

  • Book 8

    • Aeneas visits King Evander who agrees to help

    • Vulcan, at Venus’ request, forges Aeneas’ armor, including a shield that shows scenes of Roman history 

      • Like Augustus victory at Actium

        • Vergil ties Aeneas’ mythic struggle directly to Augustus reign

  • Book 12

    • Aeneas and Turnus engage in single combat

    • Turnus is defeated and begs for mercy

    • Aeneas in furor kills Turnus

      • Furor vs Pietas

      • Rome’s peace and empire are born through bloodshed

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Horace, Carmen Saeculare

  • Context: commissioned for the Ludi Saeculares during Augustus’s reign

  • Content: A hymn to Apollo, Diana, Juno, and Jupiter

    • Praises Augustus and Rome’s prosperity, asking the gods to bless Rome’s future

  • Themes:

    • Renewal and divine favor: Celebrates a new golden age

    • Moral and Civic Virtue: Aligns with Augustus’s religious and moral reforms

    • Propaganda: Presents Augustus as chosen by the gods to lead Rome into peace and glory

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Propertius (Elegies - 2.1, 2.15, 2.16)

  • 2.1: The role of the poet

    • Content: 

      • Propertius defends his choice to write love poetry rather than an epic about Augustus’ military exploits

    • Themes:

      • Poetic identity: Asserts that love poetry has value alongside patriotic epics

      • Ambivalence: Shows both respect for Augustus and a desire to focus on personal themes

  • 2.15: Love and Desire

    • Content:

      • Describes a passionate night with Cynthia (his lover)

      • Vividly sensual and celebratory of physical love

    • Themes:

      • Pleasure and Indulgence: Pushes back against the era’s moral rigidity

  • 2.16: Longing and Absence

    • Content: 

      • The poet expresses desperate longing for Cynthia when she is away

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Ovid (Amores- 1.1, 1.4)

  • 1.1: The Poet & Love

    • Content: 

      • Ovid begins by announcing a war-like epic, but Cupid steals a foot from his verse, forcing him into love poetry

    • Themes:

      • Humor & Irony: Playful subversion of epic conventions

      • Love as Battle: Positions love as its own kind of heroic struggle

  • 1.4: Seduction at Dinner

    • Content:

      • Ovid gives explicit instructions to his lover during banquet - how to exchange glances and communicate in secret

    • Themes:

Wit & Mischief: Flirty and light-hearted

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Lethe River

  • River of forgetfulness in the Underworld; Souls drink to erase past memories before rebirth (Book 6)

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Ekphrasis

  • Vivid literary description of art; famous in Aeneas’ shield scene (Book 8)

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Furor

  • Rage, chaos, and violence

  • The destructive force Aeneas must control to fulfill destiny

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Pietas

  • Duty to gods, family and country

  • Aeneas’ defining virtue

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Forum of Augustus

Monumental space showcasing Rome’s greatness; featured statues of heroes and the Temple of Mars Ultor

<p><span>Monumental space showcasing Rome’s greatness; featured statues of heroes and the Temple of Mars Ultor</span></p>
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Exedrae

  • Semicircular Niches in Roman Architecture

  • Housed statues of summi viri in the Forum of Augustus

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Summi Viri

  • Statues of Rome’s great men (founders, heroes) honoring Roman history in public spaces

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Sol Apollo

  • Roman sun god

  • Associated with Augustus, symbolizing divine favor and enlightenment

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Vicomagistri

Neighborhood officials who managed local shrines and festivals

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Lares Compitales

  • Guardian deities of crossroads

  • Honored in local roman neighborhoods

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Genius

  • A person’s or place’s protective spirit

  • Augustus’ genius was publicly worshipped

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Temple of Divus Julius

  • First temple to deify a Roman (Julius Caesar)

  • Tied Augustus to divine heritage

<ul><li><p><span>First temple to deify a Roman (Julius Caesar)</span></p></li><li><p><span>Tied Augustus to divine heritage</span></p></li></ul><p></p>
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Horologium

Giant sundial in Campus Martius

Aligned with the Ara Pacis

<p>Giant sundial in Campus Martius</p><p>Aligned with the Ara Pacis</p>
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Gnomon

  • The shadow-casting arm of a sundial; Horologium’s centerpiece

<ul><li><p><span>The shadow-casting arm of a sundial; Horologium’s centerpiece</span></p></li></ul><p></p>
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Ara Pacis North Processional Frieze

  • A line of figures participating in a religious procession, likely for the altar’s consecration

  • Figures are dressed in togas and include rome’s political and religious elites

  • Children appear alongside adults → reinforce Augustus push for family values

<ul><li><p><span>A line of figures participating in a religious procession, likely for the altar’s consecration</span></p></li><li><p><span>Figures are dressed in togas and include rome’s political and religious elites</span></p></li><li><p><span>Children appear alongside adults → reinforce Augustus push for family values</span></p></li></ul><p></p>
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South Processional Frieze

knowt flashcard image
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First West Mythological Frieze

Aeneas sacrificing panel

<p>Aeneas sacrificing panel</p>
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Second West Mythological Frieze

  • Romulus and Remus

    • Shows them being suckled by the she-wolf with Faustulus the shepard that found them nearby

<ul><li><p><span>Romulus and Remus</span></p><ul><li><p><span>Shows them being suckled by the she-wolf with Faustulus the shepard that found them nearby</span></p></li></ul></li></ul><p></p>
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First East Mythological Frieze

  •  Tellus

    • Shows Tellus (earth), Pax (peace), or Italia cradling twin babies surrounded by symbols of fertility and abundance

      • Animals, birds, and lush plants

      • Sea and sky personifications, representing the harmony of land, sea and air

    • Emphasizes the natural prosperity and peace brought by Augustus’ rule → Pax Romana

<ul><li><p><span>&nbsp;Tellus</span></p><ul><li><p><span>Shows Tellus (earth), Pax (peace), or Italia cradling twin babies surrounded by symbols of fertility and abundance</span></p><ul><li><p><span>Animals, birds, and lush plants</span></p></li><li><p><span>Sea and sky personifications, representing the harmony of land, sea and air</span></p></li></ul></li><li><p><span>Emphasizes the natural prosperity and peace brought by Augustus’ rule → Pax Romana</span></p></li></ul></li></ul><p></p>
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Second East Mythological Frieze

  • Roma

    • Depicts Roma, personification fo Rome, seated on a pile of captured weapons and armor

    • Appears strong and serene, holding a spear, symbolizing military might and victory

    • Peace through strength

<ul><li><p><span>Roma</span></p><ul><li><p><span>Depicts Roma, personification fo Rome, seated on a pile of captured weapons and armor</span></p></li><li><p><span>Appears strong and serene, holding a spear, symbolizing military might and victory</span></p></li><li><p><span>Peace through strength</span></p></li></ul></li></ul><p></p>
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Elegiac Poetry

  • Love focused Roman poetry with alternating hexameter and pentameter lines

    • Propertius, Ovid

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Amor vs Roma

  • Ovid’s playful theme: love (amor) distracts from civic duty (Roma)

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Roman Odes

Horace’s formal poems glorifying Rome and Augustus’ achievements

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Ars Amatoria

Ovid’s “Art of Love”, witty guide to seduction – controversial in Augustus’ moral climate

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Ovid Exile

  • Banished in 8 CE to Tomis

  • Famously cited a “poem and a mistake” as the cause

    • Likely linked to the Ars Amatoria

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Pax Romana

“Roman Peace” under Augustus

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Romanization

The spread of Roman culture, law, and language across conquered provinces

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Tropaeum Augusti

Victory monument in Gaul celebrating Augustus’ conquest of the Alps and tribes

<p><span>Victory monument in Gaul celebrating Augustus’ conquest of the Alps and tribes</span></p>
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Forum of Merida

Example of provincial Roman architecture; reflects imperial influence

<p><span>Example of provincial Roman architecture; reflects imperial influence</span></p>
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Altar of the gens Augusta

Associated with the imperial cults

Shows Aeneas dragging Ascanius and Anchises

<p>Associated with the imperial cults</p><p>Shows Aeneas dragging Ascanius and Anchises</p>
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Royal Mausoleum of Maurentania

Tomb blending Roman and local styles

<p><span>Tomb blending Roman and local styles</span></p><p></p>
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Imperial Protraiture

Statues and busts of emperors; combined realism with idealism to project power

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Apotheosis

The process of becoming a god, Augustus was deified after death

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Gemma Augustea

Intricately carved cameo showing Augustus as Jupiter-like figure, symbolizing victory and divinity

Seated next to Roma

<p><span>Intricately carved cameo showing Augustus as Jupiter-like figure, symbolizing victory and divinity</span></p><p><span>Seated next to Roma</span></p>
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Syncretism

Blending of different religious and cultural practices, seen in provincial Roman cults

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Lares and penates

  • Household gods

  • Lares = guardians of the home

  • Penates = protectors of storerooms

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Sebasteion of Aphrodisias

Provincial temple complex glorifying the imperial family

<p><span>Provincial temple complex glorifying the imperial family</span></p><p></p>
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Building of Eumachia

  • Large building in Pompeii

  • Associated with prominent woman, reflects elite female influence

<ul><li><p><span>Large building in Pompeii</span></p></li><li><p><span>Associated with prominent woman, reflects elite female influence</span></p></li></ul><p></p>
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Julio-Claudian Emperors

  • Dynasty after Augustus: Tiberius, Caligula, Claudius, nero

  • Maintained and evolved the empire

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Imperial funeral

  • Large public events with processions, cremation, deification rituals

  • Procession:

    • Body was displayed on a a golden bed with senators, soldiers, priests, and family members in the Forum Romanum

    • Body lay in state for several days, often in the emperor’s home

    • Public eulogy praising the emperor’s achievements

  • Cremation

    • Body is placed on a massive funeral pyre outside the city often in the Campus Martius

    • After the pyre was lit, an eagle (aquila) was released, symbolizing the emperor’s soul ascending to the heavens

  • Deification

    • If the senate decreed, the emperor was formally deified (apotheosis) after the ceremony, joining the ranks of Divi (gods)

    • A temple might be erected to honor them

  • Showed continuity and stability

  • Strengthend the imperial cult which worshipped the spirits of the deified emperors

  • Allowed the populace to participate in imperial rituals, reinforcing loyalty and unity

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Domus on the Palatine

Augustus’ residence, simple yet symbolic of his position as princeps

<p><span>Augustus’ residence, simple yet symbolic of his position as princeps</span></p><p></p>
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Furor in the Aeneid

Introduction:

  • Concept of furor as a force of rage, chaos, and destruction in roman thought

  • Thesis Statement: In the Aeneid, furor symbolizes the destructive forces that threaten both personal self-control and political stability; Vergil uses Aeneas’ journey to explore the tension between chaotic rage and the Roman virtue of pietas.

BP 1:

  • Furor first appears through Juno’s wrath, which sets the plot in motion

    • Juno’s hatred of the Trojans and her manipulation of events (instigating the war in Latium)

      • Shows how destructive passion of the gods affect humans, causing conflict and delaying destiny

BP 2:

  • Aeneas is defined byn pietas but is repeatedly tempted by personal passion and anger

    • His love affair with Dido (books 1-4); how desire distracts him from destiny

    • His grief and rage over the death of Pallas

      • Shows how even the model of Roman virtue struggles with furor

Conclusion

  • Vergil’s ending makes readers question whether true peace is ever fully attainable or if furor is an eternal part of human existence

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The myth of Augustus on the Ara Pacis

Introduction

  • Art and architecture in Augustan rome wasn’t just decoration but also tools of imperial propaganda

  • Ara pacis was a celebration of augustus’s achievements

  • Thesis Statement: The Ara Pacis uses mythological imagery—Aeneas, Romulus, and divine figures—to create a visual myth of Augustus as the rightful heir to Rome’s founders, blending history and legend to legitimize his power and promote his vision of a new golden age.

BP 1:

  • Aeneas serves a direct mythical parallel to Augustus

    • Depicts Aeneas performing a sacrifice, embodying pietas

      • Emphasized this virtue and aligned himself with Aeneas’ dedication to the well-being of Rome

      • Represents him as Rome’s founder and divine ancestor

    • Divine lineage

      • Aeneas is son of Venus

      • And Augustus is adopted by Julius Caesar who claims descent from Venus

BP 2:

  • Romulus and Remus Scene

    • Reinforces Rome’s legendary origins

      • The she-wolf with Romulus and Remus, overseen by Mars

      • Evokes themes of strength and divine favor

        • Implies that Augustus is the new guardian of Rome’s legacy

        • Situated as a bridge between Rome’s legendary origins and contemporary resurgence

BP 3:

  • Tellus

    • Symbolizes the prosperity Augustus claims to bring

      • Peaceful earth goddess with animals, crops, and children

        • Mythically ties Augustus rule to fertility, harmony, and cosmic balance, reinforcing the idea of a golden age

Conclusion

  • Ara pacis uses myth to craft a narrative of Augustus as Rome’s destined savior and renewer

  • Turned Augustus’ regin into a timeless myth and he was able to anchor his poltical power in Rome’s deepest identity.