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Quotes for each character, theme, and critics
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Revenge 4
āRevenge his foul and most unnatural murderā (Ghost)
Ghost asks Hamlet to avenge his murder
āWith wings as swift as meditation or the thoughts of love, may sweep to my revenge.ā
Hamlet replies to the ghost saying he will do anything in his power to take revenge and kill Claudius
āO, from this time forth, my thoughts be bloody, or be nothing worth!ā (Hamlet)
Hamlet vows to think nothing other than revenge from this moment forward.Ā
āThe playās the thing, wherein Iāll catch the conscience of the kingā (Hamlet)
Hamlet hopes that the play-within-the-play causes Claudiusā guilt to become evidentĀ
Madness 3
āTo put on an antic dispositionā (Hamlet)
When the ghost tells Hamlet about his murder, Hamlet replies strangely that he will pretend to be mad
āI am but mad north-north-west. When the wind is southerly, I know a hawk from a handsawā
His words to R & G imply that just as the wind only occasionally blows from north to northwest, so too is he only occasionally struck by his madness. He also implies he is mostly in control of his faculties and he can still distinguish between things, like between a friend and an enemy.
āExcellent well, you are a fishmongerā
Hamlet is pretending to be mad by implying he doesn't know Polonius assuming heās a lowly fishmonger. However his use of a pun to insult Polonius shows the audience heās completely in control of his mind.
Marriage 3
āMarriage vowsā are āas false as dicers oathā
Hamlet thinks Gertrudeās and Claudiusā marriage is false and hints at the corruption at the heart of their marriage.
āHeavenās face does glow oāer this solidity⦠is thought-sick at the actā
Hamlet suggests heaven looks over their marriage and is disgusted by it, and hints she may not make it to heaven at all. Reference to heaven shows he feels frustration on a deeper level.
āThe funeral baked meats did coldly furnish forth the marriage tablesā
Hamlet is angry at how quickly the wedding followed the funeral, suggesting the wedding can use the same meat the funeral used because that's how close in time they were
Gender and Sexuality 4
āFrailty, thy name is womanāĀ (Hamlet)
Hamlet is angry at his mother for disloyalty and hasty marriage, being weak. Implies her frailty is symbolised by her marrying Claudius because of lustĀ
āGet thee to a nunnery. Why wouldst thou be a breeder of sinners?āĀ (Hamlet)
Hamlet thinks Ophelia is unfaithful, deceitful and corruptĀ
āIf thou wilt marry, marry a fool, for wise men know well enough what monsters you make of themā
Hamlet says if Ophelia were to marry she would be unfaithful, representing typical male attitudes towards women as unloyal and sinners.
āLet theĀ bloat King tempt you to bed againā (Hamlet)
He speaks down to his mother and not so subtly suggests she is weak and easily seduced as she lets Claudius do whatever he wants to her.Ā
āThe rank sweat of an enseamed bedā
Hamlet says Gertrude is dirty and she should lie on her stained bed sheets that are full of corruption.
Death 3
āO that this too too sullied flesh would melt, thaw, and resolve itself into a dewā (Hamlet)
Things are so bad for him that he is already wishing he could die, in a nice, painless kind of way. His first soliloquy we learn heās truly unhappy contemplating suicide. Wishes would physically melt into the earth. As in christian world, suicide is a sin so is in despair.
āI do not set my life at a pinās feeā
He considers his life as valueless as a pin or the cost of a pin
āTo be, or not to be - that is the question; whether tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troublesā
Hamlet contemplates life and whether he should choose life or death. By fortune he means fate, talking about the outrageous situation heās found himself in. Should he face his hardships (sea of troubles) or give in.
Appearance and Reality 3
āTo visit you my lord, no other occasionā
Rosencrantz and Guildenstern lie to Hamlet as they are actually spying on him to get information for the King. he cannot help himself but to add āno other occasionā which arouses Hamlet's suspicion
āMy lord, we were sent forā
Rosencrantz and Guildenstern confess and give in, revealing their true reasoning for visiting him; they easily sacrifice their friendship with Hamlet for their own gains. They are rotten, unfaithful and deceitful friendsĀ
āThough yet of Hamlet our dear brotherās death the memory be green, and that it us befitted to bear our hearts in griefā
Claudius is pretending to grieve as that's what he thinks the people want to hear to appear a good king, when really he feels no grief because he is the murderer. Green could imply heās only just died, but an alternative reading could be green suggests new life and growth as in Claudius' reign, which is all he really cares about. Paints picture of perfect king but only thinking of person goals (becoming King)
Morality/ Corruption 4
āSomething is rotten in the state of Denmarkā (Marcellus)
After seeing the ghost heās worried it signals a bad omen or trouble for the country. Sense of unease and uncertainty
āThis bodes some strange eruption to our stateā (Horatio)
He thinks the appearance of the ghost means something is seriously wrong in their country, creating an ambiguous and sinister toneĀ
āWhoās there?ā (Barnardo)
Questions build suspicion and distrustĀ
āA bloody deed! - Almost as bad, good mother, as kill a king, and marry with his brotherā
Hamlet is raging with Gertrude for marrying Claudius and compares the act of murder with Gertrude's remarriageĀ
Action V InactionĀ 3
āIs it the King?ā (Hamlet)
Hamlet is uncertain who he has just killed and has to ask out loud who it is, suggesting his uncertainty and lack of care over his actions. Demonstrates his impulsiveness and irrationalityĀ
āBut I am pigeon-livered a lack gallāĀ
He calls himself a coward for his inability to act
āNow might I do it, pat, now he is a-prayingā
Hamlet considers killing Claudius now as he is vulnerable and alone, but quickly changes his mind when he thinks heās praying because if he kills him in prayer then his soul will go to heaven. Is Hamlet making another excuse to put off that which he feels will damn his soul
Hamlet 3
āWhy it appeareth nothing to me, but a foul and pestilent congregation of vapoursā
Hamlet is looking at the night sky and can see no beauty or hope in the world anymore, only corruption, death and sin
āYou go not til I set you up a glass, where you may see the inmost part of youā
Hamlet tells Gertrude to take a hard look at herself and her actions. He reverses the parental roles and is very demanding and disrespectful to his own mother.
āLet me wring your heart⦠if it be made of penetrable stuffā
Hamlet wants to rip his mothers heart out but no longer thinks it is soft due to all her evil acts. Violent imagery shows his real intentions and uncontrollable anger
āO most pernicious woman! O, villain, villain, smiling, damned villain!āĀ
Hamlet says this to himself after the ghost leaves, he despises his mother and her fakeness for smiling through this corrupt and incestuous situation
Ghost 2
āLet not the royal bed of Denmark be a couch for luxury and damned incestā
The ghost tells Hamlet to not let Claudiusā bed be one where incest takes place with Gertrude, promting Hamlet to take revengeĀ
āThe serpent that did sting thy fatherās life now wears his crownā
The ghost says to Hamlet that Claudius is a snake and killed him, and has stolen his crownĀ
Claudius 3
āO, my offence is rank; it smells to heaven; it hath the primal eldest curse uponāt, a brother's murderā
Claudius is admitting that he murdered Old Hamlet and seems to be distressed and somewhat regretful at the sin he committed. The irony lies in his determination to continue profiting from his crime and not give up the crime.
āMay one be pardoned and retain thā offence?āĀ
Claudius wants to keep what heās gained whilst also be forgiven for his sins which is ironicĀ
āTis unmanly griefā
Tells Hamlet his grief is unmanly and he should man up and move on swiftly
Gertrude 2
āWhat have I done, that thou darāst wag thy tongue in noise so rude against me?ā
She replies to Hamlet's anger at her remarriage with confusion and innocency, when she most likely knows what she has done is wrongĀ
āThou knowest ātis common. All that lives must dieā (Gertrude)
Gertrude tries to smooth over the tense atmosphere
Ophelia 2
āI do not know my lord, what I should thinkā
She is obedient to her father and rarely acts on her own thoughts/feelings. Her monosyllabic phrase suggests she has little to say until she eventually goes mad
āAs if he had been loosed out of hell to speak of horrorsā
Ophelia expresses fear and concern for hamlet after having seen his recent frantic behaviour and dishevelled appearanceĀ
Polonius 3
āGive every man thy voice, but few thy earā
He tries to give kind fatherly advice to his son before he leaves for FranceĀ
āThink yourself a babyā
Polonius denies Ophelia any independence reflecting male attitudes that women are inferior to men
āYou speak like a green girlā
Polonius thinks Ophelia is innocent and has no real knowledge or experience of the world, and thus cant make her own decisions
Laertes 2
āIāll not be juggled with. To hell allegiance, vows to the blackest devil, conscience and grace to the profoundest pitā
Laertes is angry about the murder and unceremonious burial of his father. He seeks revenge and states he will do anything (āblackest devilā) to get it. He is a foil to Hamlet who is unsure of taking action and has only mere plans. He casts aside friendship, declaring āto hell allegianceā as avenging his fathers death comes first.Ā Ā
āA violet in the youth of primy nature⦠not permanent, sweet, not lastingā
Laertes warns Ophelia Hamlet is immature and his love for her will never last, like the smell of a violet it will fade within minutes
Revenge critics 1
Alexander - āThe desire for vengeance is seen as part of a continuing pattern of human conductā
Madness critics 1
Crawford - āThere need no doubt, then, that Hamletās madness was really feignedā (fake)
Family critics 1
Beltramini - āThe dysfunctional families are essentially the cause of Hamletās tragic natureā
Gender / sexuality critics 1
Leverez - āHamletās disgust at the feminine passivity in himself is translated into violent repulsion against womenā
Death critics 2
Bacon - āHamletās obsession with death is not disturbing, but for a greater purpose of honouring his fatherā
Knight - āHamlet is a figure of nihilism and deathā (rejection of all religious and moral principles often believing life is meaningless)
Appearance V reality critics 1
Knight - āClaudius .. is not a criminal⦠he is⦠a good and gentle kingā
Morality / corruption critics 1
Claudius - āCorruption within the political framework of a kingdom is highlightedā
Action V inaction critics 1
Ryan - āThe main cause of the whole tragic chain of events is Hamlet's compulsion to postponeā
Hamlet critics 1
Hall - āHamlet was unheroicāĀ
Ghost critics 2
Prosser - āThe ghostās presence is malign and Hamlet responds savagely by seeking out revengeāĀ
West - āThe ghost is purposely ambiguous in order to have dramatic impactā
Polonius critic
Wilson - āWorried about Ophelia, he doesn't want her to get hurt⦠he wants to protect herā
Gertrude critics 1
Heilbrun - āfail to see Gertrude for the strong minded, intelligent⦠woman that she isā
Ophelia critic
Showalter - āOphelia is deprived of thought, sexuality, languageāĀ
Laertes critic
Prosser - āLaertes is not a whiff of fresh air. He is a hurricaneā
Rosencrantz and Guildenstern critics 2
Morgan - āThey were willing tools of ClaudiusāĀ
French - āSacrifice the bond of human friendship to a social proprietyā
Production for gender AND sexuality
Olivier Production highlights oedipus complex as he throws gertrude onto the bed violently = sexual tension.
Shows femininity as traditional and innocent through Opehlia and Gertrude: Gertrude - young and beautiful. Ophelia - soft spoken and easily thrown on the floor by Hamlet
Production for madness
In the Almeida West End production of 2017, Hamlet portrays his feigned madness through how he shouts, throws objects at Polonius and even hits himself
Production for appearance vs reality and corruption
Doran 2009 Film with David Tennant
Some scenes shot from the perspective of a surveillance camera. Emphasising the role of deception within the court as well as the feigned sense of intimacy/privacy
Production for love / sexuality
Icke 2017
Emphasises the sexual vulgarity of Claudius and Gertrude's relationship. The are woken up whilst entwined on a sofa to receive an ambassadorial visit
Production for death
Lyubimov 1989
Had a grave present on stage the entire time, empathising death/fatality as a running theme
Production for supernatural
Olivier Production
Ghost in full armour ā physical influence over plot (catalyst) ā intimidating and imposing, enhancing the eerie, otherworldly atmosphere
Almeida Production
The ghost is presented as an ominous figure that appears on CCTV
This makes the ghost less of a melodramatic, fantasy figure and more realistic, and therefore more frightening to the audience. It also causes the ghost to resemble Hamlet's father more, justifying the connection Hamlet feels to the ghost
Production for inaction
Doran 2009
Hamlet wears a muscular tight top = ironic of his inaction compared to fortinbras as militant