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New Historicist Critical Lens
through a New Historicist critical lens, we can interpret Blanche’s attempts at undermining other characters’ self-worth as a social commentary on the immobility of the Old South morality
Ruhina Jesmin - ‘A Psychoanalytic Insight into Blanche in A Streetcar Named Desire’
Blanche has a fixation with “replacing reality with fantastic embodiments or illusion”
Ram Panda
the “Stanley-Stella relationship is one of the supreme examples of hierarchization of activity/passivity opposition”
Susan Koprince
Stella’s subservience is further emphasised by critic Susan Koprince’s as she states that, “[Stella] is essentially a submissive, self-deprecating wife who tolerates and excuses her husband’s behaviour”
Laura Melvey - ‘Visual Pleasure and Narrative Cinema’ (1973)
the ‘male gaze’ is a phrase coined by Laura Mulvey - it refers to the perpetual act of illustrating women from a heterosexual and masculine space in both literature and the visual arts; women are viewed as sexual objects for the pleasure of the heterosexual male viewer
Londré - ‘A Streetcar running fifty years’
“the mundane concreteness of ‘streetcar’ and the abstract quality of aspiration evoked in ‘desire’ point to the many antinomies – thematic, symbolic, and imagistic oppositions – imbedded throughout the play.”
Mihaela Magdić - ‘Gender Stereotyping in Tennessee Williams’s A Streetcar Named Desire’
Stella “escaped her old life only to create almost an exact version of it.”
