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No study sessions yet.
The description in the middle of the first paragraph ("Chanu bought . . . head") implies that Chanu
does not normally wear such items
Toward the end of the first paragraph, the quotation marks around the phrase "entertainment factor" imply that
the measurement is largely personal and idiosyncratic
In the first and the second paragraphs respectively, Chanu's mood shifts from
purposeful to reflective
The first sentence of the passage and the words spoken by Chanu in the second paragraph ("I've spent . . . around") indicate that he
has had priorities other than pleasure for much of his life
Shahana's complaints in the third paragraph ("You'll stink . . . with you") primarily suggest that she
feels embarrassed by her family's ways
In the fifth paragraph, the sentence "She had neglected them, these feet" indicates that Nazneen's attitude toward her husband is marked by all of the following EXCEPT
indifference and contempt
Nazneen's gesture at the end of the fifth paragraph ("She brushed . . . shoulder") is one of
affection
The interaction between Chanu and his daughters in the sixth paragraph ("He turned . . . window") serves to
illustrate a contrast between Chanu's two daughters
Chanu's attempt to converse with the conductor in the eleventh, twelfth, and thirteenth paragraphs ("Can you tell . . . from a local") indicates his
insistence upon making decisions systematically
During the exchange between Chanu and the conductor in the fourteenth and fifteenth paragraphs ("Where've you . . . thirty years"), Chanu most likely assumes that the conductor
incorrectly assumes he is a visiting tourist
In its characterization of Chanu, the passage conveys the
orderliness underlying his enthusiasm