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Bradley - we are meant in the play to assume
that he ought to have obeyed the Ghost
Smith - in sharing a name, father and son cannot be entirely distinguished:
young Hamlet cannot form an autonomous identity for himself
Von Goethe - It is clear to me what Shakespeare has set out to portray: a heavy deed placed on a soul
which is not adequate to cope with it
Von Goethe - a heavy deed
placed on a soul which is not adequate to cope with it
Coleridge - Hamlet’s delay, and ultimately his downfall,
is caused by too much thinking
Coleridge - we see a great, an almost enormous, intellectual activity,
and a proportionate aversion to real action consequent upon it
Bradley - Hamlet suffers from the tragic and melancholy recognition of our finite human condition -
though our souls may be infinite, our bodies are mortal
Bradley - Hamlet suffers from the
tragic and melancholy recognition of our finite human condition
Bradley - though our souls may be infinite,
our bodies are mortal
Smith - modern man captured
in the process of emotional and intellectual formation
Smith - Hamlet’s soliloquies have come to represent the
ultimate articulation of a fraught, reflective consciousness
Smith - Hamlet’s soliloquies have come to represent the ultimate articulation of a fraught, reflective consciousness:
modern man captured in the process of emotional and intellectual formation
Lewes - there is as much reflection
as action in it
Lewes - it may indeed be called the tragedy of thought,
for there is as much reflection as action in it
Wilson - The attitude of Hamlet towards Ophelia is
without doubt the greatest of all the puzzles in the play
Wilson - the play scene is the central point of Hamlet
it is the climax and crisis of the whole drama