UNIT 2

0.0(0)
studied byStudied by 0 people
call kaiCall Kai
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/78

encourage image

There's no tags or description

Looks like no tags are added yet.

Last updated 8:19 PM on 9/17/25
Name
Mastery
Learn
Test
Matching
Spaced
Call with Kai

No analytics yet

Send a link to your students to track their progress

79 Terms

1
New cards

group dynamics

people become less rational and more emotional when in a group, more likely to react with a crowd

2
New cards

house

auditorium, place where audience sits

3
New cards

paper the house

give away tickets to make it seem like the performance is well attended, makes for better reviews

4
New cards

willing suspension of disbelief

we admit what is happening is not real. we suspend our reality and buy into the plays reality

5
New cards

aesthetic distance

audiences ability to remove themselves from a work just far enough to be semi objective but not indifferent

6
New cards

presentational theatre

actors acknowledge the audience, not realistic illusion. ex. rocky horror

7
New cards

representational theatre

actors never acknowledge the audience, most movies and tv shows

8
New cards

realism

attempts to portray life as accurately as possible. ex. a dolls house

9
New cards

fourth wall

imaginary wall between actors and audience, very intentional choice if ‘broken’ or not

10
New cards

road house

theaters where touring companies perform, usually broadway shows

11
New cards

league of resident theaters (LORT)

regional theaters who hire professional actors for their season’s rep

12
New cards

will call

window for those picking up tickets

13
New cards

curtain

time show starts

14
New cards

preview performances

open to public and happens before show officially starts, fixes issues before critics see the show

15
New cards

directors/playwrights note

in program, explains the intention and goals of the show and explains historical contest and stylistic choices

16
New cards

souvenir program

program with other photos and info about the show, for sale

17
New cards

curtain speech

member of the production team/staff will make general announcements before show

18
New cards

talk back

post show discussion with actors/team to ask questions and discuss show’s content

19
New cards

reviews

(aka notices) evaluation of a production

20
New cards

dramatic criticism

scholarly interpretation and analysis of a show

21
New cards

genres

categories that shows are sorted into based on things like subject matter and style

22
New cards

censorship

altering, restricting, or suppressing info in a society

23
New cards

licensing act

1737 England, king censored any plays that talked bad about the royals

24
New cards

bowdlerize

remove any ‘bad’ material from plays before publication

25
New cards

Who came up with the concept of willing suspension of disbelief?

Samuel Taylor Coleridge (1772-1834)

26
New cards

Brect’s types of theatre (1898-1956)

alienation effect, culinary theatre, epic theatre

27
New cards

culinary theatre

easy as eating out, not engaging the brain, etc.

28
New cards

alienation effect

tighten emotions and them comment on it, be intellectually involved but not emotionally involved

29
New cards

epic theatre

less popular now but still produced

30
New cards

presentational theatre is more…

abstract

31
New cards

representational theatre is more…

realistic

32
New cards

sitting silently in the dark

realism, silent except laughter

33
New cards

not sitting quietly in the dark…

interactive, improv, audience participation, etc.

34
New cards

closed shop union

union for playwrights where employees are recognized by their sole, closed bargaining agent. all employees are in this so they can strike together. non equity

35
New cards

writers guild of America (WGA)

closed union for TV and screen writers

36
New cards

open shop union

membership is optional, strikes are meaningless, no real management, usually equity actors, broadway

37
New cards

dramatists guild of America (DGA)

play writes union, can do little to get higher pay, open shop union

38
New cards

dialogue

spoken text of the play, words the characters say

39
New cards

parenthetical

in script, short descriptions of how line should be performed

40
New cards

stage directions

notes that indicate physical movements of the characters

41
New cards

theme

playwrights statement about life, central idea of the play

42
New cards

action

characters deeds, responses, and circumstances in the context of the story

43
New cards

subtext

hidden meaning beneath the words, reading between the lines

44
New cards

plot structure

logical sequence of play’s events

45
New cards

exposition

(back story), lets audience know what happened to the characters before the play

46
New cards

protagonist

central character who pushes the play’s action

47
New cards

antagonist

opposer of action, stands between goals and protagonist

48
New cards

event

unusual incident or special occasion for the characters

49
New cards

point of attack

protagonist makes decision that results in conflict

50
New cards

disturbance

balance that must be disturbed to keep action rolling

51
New cards

major dramatic question (MDQ)

hook that keeps people in, creates suspense, what does the play ask us?

52
New cards

conflict

struggle of opposing forces in a play

53
New cards

crises

events that force the characters to take action

54
New cards

complications

roadblocks in the way of success

55
New cards

rising action

conflict gets more dramatic, follows path of most resistance

56
New cards

dark moment

protagonist fails, can’t go on, seems impossible

57
New cards

enlightenment

protagonist figures out of to defeat antagonist, overcome

58
New cards

denouement

falling action, leads to final outcome of the play

59
New cards

Edwin Booth

celebrity in 1900s. one of the best Shakespearian actors, painted in Carter art museum. associated with assassination of Lincoln

60
New cards

theatre jones

used to be a theatre critic site, now reviews mystery boxes

61
New cards

goal of review

help reader decide whether or not to attend, consumer advice, low bar

62
New cards

goal of dramatic criticism

help reader better understand and appreciate both the production and art form

63
New cards

theatre critics

George Bernard Shaw, Brooks Atkinson, Harold Clurman, Walter Kerr, John Lahr

64
New cards

diversity theatre critics

hilton als, rhoda fang, vinson cunninham, helen shaw, Sara holdren

65
New cards

Johann Wolfgang von Göthe questions for critics

what is the artist trying to do? how well has the artist done it? is it worth doing?

66
New cards

3 levels of criticism

descriptive, interpretive, evaluative

67
New cards

descriptive criticism

objective. looks at 2-3 components of show and describes it

68
New cards

interpretive criticism

no evaluation, what is the goal of the artists? most important part of criticism

69
New cards

evaluative criticism

option and less objective

70
New cards

Aristotles 6 elements of tragedy

plot, characters, thought, diction, spectacle, song

71
New cards

censorship

altering, restricting, or suppressing info, images, or words within society

72
New cards

defamation

allege facts that are false, intends to hurt someones reputation

73
New cards

breach of the peace

law that you cannot yell fire unless there is a real fire

74
New cards

sedition and incitement to crime

hate speech is not free speech

75
New cards

separation of church and state

religious ideas should not be political

76
New cards

wright of playwright

means maker

77
New cards

traditional play content

theme, action, conflict, language

78
New cards

moliere

French Shakespeare, playwright

79
New cards

playwrights example of language

Tennessee williams