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group dynamics
people become less rational and more emotional when in a group, more likely to react with a crowd
house
auditorium, place where audience sits
paper the house
give away tickets to make it seem like the performance is well attended, makes for better reviews
willing suspension of disbelief
we admit what is happening is not real. we suspend our reality and buy into the plays reality
aesthetic distance
audiences ability to remove themselves from a work just far enough to be semi objective but not indifferent
presentational theatre
actors acknowledge the audience, not realistic illusion. ex. rocky horror
representational theatre
actors never acknowledge the audience, most movies and tv shows
realism
attempts to portray life as accurately as possible. ex. a dolls house
fourth wall
imaginary wall between actors and audience, very intentional choice if ‘broken’ or not
road house
theaters where touring companies perform, usually broadway shows
league of resident theaters (LORT)
regional theaters who hire professional actors for their season’s rep
will call
window for those picking up tickets
curtain
time show starts
preview performances
open to public and happens before show officially starts, fixes issues before critics see the show
directors/playwrights note
in program, explains the intention and goals of the show and explains historical contest and stylistic choices
souvenir program
program with other photos and info about the show, for sale
curtain speech
member of the production team/staff will make general announcements before show
talk back
post show discussion with actors/team to ask questions and discuss show’s content
reviews
(aka notices) evaluation of a production
dramatic criticism
scholarly interpretation and analysis of a show
genres
categories that shows are sorted into based on things like subject matter and style
censorship
altering, restricting, or suppressing info in a society
licensing act
1737 England, king censored any plays that talked bad about the royals
bowdlerize
remove any ‘bad’ material from plays before publication
Who came up with the concept of willing suspension of disbelief?
Samuel Taylor Coleridge (1772-1834)
Brect’s types of theatre (1898-1956)
alienation effect, culinary theatre, epic theatre
culinary theatre
easy as eating out, not engaging the brain, etc.
alienation effect
tighten emotions and them comment on it, be intellectually involved but not emotionally involved
epic theatre
less popular now but still produced
presentational theatre is more…
abstract
representational theatre is more…
realistic
sitting silently in the dark
realism, silent except laughter
not sitting quietly in the dark…
interactive, improv, audience participation, etc.
closed shop union
union for playwrights where employees are recognized by their sole, closed bargaining agent. all employees are in this so they can strike together. non equity
writers guild of America (WGA)
closed union for TV and screen writers
open shop union
membership is optional, strikes are meaningless, no real management, usually equity actors, broadway
dramatists guild of America (DGA)
play writes union, can do little to get higher pay, open shop union
dialogue
spoken text of the play, words the characters say
parenthetical
in script, short descriptions of how line should be performed
stage directions
notes that indicate physical movements of the characters
theme
playwrights statement about life, central idea of the play
action
characters deeds, responses, and circumstances in the context of the story
subtext
hidden meaning beneath the words, reading between the lines
plot structure
logical sequence of play’s events
exposition
(back story), lets audience know what happened to the characters before the play
protagonist
central character who pushes the play’s action
antagonist
opposer of action, stands between goals and protagonist
event
unusual incident or special occasion for the characters
point of attack
protagonist makes decision that results in conflict
disturbance
balance that must be disturbed to keep action rolling
major dramatic question (MDQ)
hook that keeps people in, creates suspense, what does the play ask us?
conflict
struggle of opposing forces in a play
crises
events that force the characters to take action
complications
roadblocks in the way of success
rising action
conflict gets more dramatic, follows path of most resistance
dark moment
protagonist fails, can’t go on, seems impossible
enlightenment
protagonist figures out of to defeat antagonist, overcome
denouement
falling action, leads to final outcome of the play
Edwin Booth
celebrity in 1900s. one of the best Shakespearian actors, painted in Carter art museum. associated with assassination of Lincoln
theatre jones
used to be a theatre critic site, now reviews mystery boxes
goal of review
help reader decide whether or not to attend, consumer advice, low bar
goal of dramatic criticism
help reader better understand and appreciate both the production and art form
theatre critics
George Bernard Shaw, Brooks Atkinson, Harold Clurman, Walter Kerr, John Lahr
diversity theatre critics
hilton als, rhoda fang, vinson cunninham, helen shaw, Sara holdren
Johann Wolfgang von Göthe questions for critics
what is the artist trying to do? how well has the artist done it? is it worth doing?
3 levels of criticism
descriptive, interpretive, evaluative
descriptive criticism
objective. looks at 2-3 components of show and describes it
interpretive criticism
no evaluation, what is the goal of the artists? most important part of criticism
evaluative criticism
option and less objective
Aristotles 6 elements of tragedy
plot, characters, thought, diction, spectacle, song
censorship
altering, restricting, or suppressing info, images, or words within society
defamation
allege facts that are false, intends to hurt someones reputation
breach of the peace
law that you cannot yell fire unless there is a real fire
sedition and incitement to crime
hate speech is not free speech
separation of church and state
religious ideas should not be political
wright of playwright
means maker
traditional play content
theme, action, conflict, language
moliere
French Shakespeare, playwright
playwrights example of language
Tennessee williams