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1967 Referendum
Australians voted to include Indigenous people in the census and allow federal laws about them — shows growing push for equality.
Cultural Assimilation
Policy forcing Indigenous people to “act white,” causing identity conflict (seen with Kay).
Internalised Racism
When a character believes racist ideas about themselves (Kay calling herself “pale black”).
Stolen Generations
Indigenous children taken from families — key to understanding Kay and family conflict.
1965 Freedom Rides
A movement challenging racism in rural Australia. Shows the setting’s racial tension.
Aboriginal Protection Act 1909
Government control over Indigenous peoples’ lives — background to why the girls face discrimination.
Mise en Scene
Everything placed in the frame: setting, props, costumes, lighting, makeup, colour.
Setting & Props
The mission, Vietnam stage, Tupperware, old radio → shows time period and lifestyle.
Costume, Hair, Makeup
Before: modest, rural.
After: glamorous, sparkly in Vietnam → shows growth and identity.
Contrast
Used to show differences between worlds (mission vs Vietnam, Gail vs Kay).
Pub Talent Show Scene
Shows racial discrimination and resilience. Establishes conflict + motivation.
Tupperware Scene
Highlights class, identity, and Kay’s disconnection from culture.
Personal Values (for analysis)
(Gail) Loyalty, belonging, pride, family responsibility, (Julie) independence
Introducing an idea:
“In Wayne Blair’s film The Sapphires, conflict is used to reveal identity, pride, and resilience.”
“The film shows how racism and family tensions shape the girls’ journey.”
Discussing a scene:
“This is shown in the pub talent show scene where…”
“The contrast between the mission and Vietnam highlights…”
Analysing a quote:
“When Gail says, ‘It’s my responsibility to look after the little ones,’ it shows…”
“Kay’s line, ‘I’m black… just pale black,’ reveals her internal conflict caused by assimilation.”
Linking back to the prompt:
“This emphasises how conflict can shape a person’s sense of belonging.”
“Blair uses this moment to show how cultural pride becomes a form of resistance.”