2. Visual Encoding

0.0(0)
studied byStudied by 0 people
0.0(0)
full-widthCall Kai
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/27

encourage image

There's no tags or description

Looks like no tags are added yet.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

28 Terms

1
New cards

What are the 2 building blocks of data visualizations?

Marks and channels

2
New cards

What are “marks” in data visualization? Give examples.

Marks are the visual objects used to represent data - e.g., points, lines, and areas.

<p>Marks are the <em>visual objects</em> used to represent data - e.g., points, lines, and areas.</p>
3
New cards

What are “channels” in visualization? Give examples.

Channels are visual properties of marks that encode data - e.g., position, color, size

<p>Channels are visual properties of marks that encode data - e.g., position, color, size</p>
4
New cards

What is the expressiveness criterion for visual mappings?

A visualization must encode all intended data relations and encode no unintended relations.

5
New cards

What is the effectiveness criterion for visual mappings?

A mapping is effective if it best leverages human visual perception and the display medium to support the task - e.g., using position instead of color for quantitative data.

6
New cards

What are preattentive visual cues? Give three examples.

Features detected almost instantly without conscious effort - e.g., position, color, size

<p>Features detected almost instantly without conscious effort - e.g., position, color, size</p>
7
New cards

Name three Gestalt principles relevant to visualization.

Proximity, Similarity (color/shape), Enclosure

<p>Proximity, Similarity (color/shape), Enclosure</p>
8
New cards

What visualization problems arise when using 3D charts?

Occlusion, perspective distortion, non-anchored points, navigation/orientation problems, selection difficulty.

9
New cards

When is it appropriate to use 3D visualizations?

Only for inherently 3D data (e.g., volume data) and not for ordinary 2D data like pie charts.

<p>Only for <strong>inherently 3D data</strong> (e.g., volume data) and not for ordinary 2D data like pie charts.</p>
10
New cards

What is luminance, and why is contrast important?

Luminance = perceived brightness (computed from RGB).

Contrast = luminance difference; for readability, avoid contrast ratios < 3:1.

11
New cards

Why is the rainbow color scale criticized?

It is not perceptually equidistant, implies categories, creates ambiguous ordering, and is not colorblind-safe.

<p>It is <em>not</em> perceptually equidistant, implies categories, creates ambiguous ordering, and is not colorblind-safe.</p>
12
New cards

What are diverging color scales used for?

They encode deviation from a meaningful center (e.g., zero), using two hues diverging with increasing luminance.

<p>They encode deviation from a meaningful center (e.g., zero), using two hues diverging with increasing luminance.</p>
13
New cards

Why is direct labeling preferred over legends?

It reduces cognitive load by placing labels next to the marks, avoiding back-and-forth eye movement.

14
New cards

Name two challenges of direct labeling.

Occlusion in dense areas and placement difficulty for long labels.

15
New cards

What is particle-based labeling?

A labeling method that first tests fixed candidate positions; if these collide, labels - treated as repelling particles - are moved along a spiral path until a non-overlapping placement is found.

<p>A labeling method that first tests fixed candidate positions; if these collide, labels - treated as repelling particles - are moved along a spiral path until a non-overlapping placement is found.</p>
16
New cards

What is semantic color coding?

Choosing colors that carry meaning consistent with the data (e.g., red = heat), rather than arbitrary hues.

17
New cards

What is the difference between marks and channels?

Marks define what is drawn; channels define how it varies to encode data.

18
New cards

Which operations differentiate data types (categorical, ordinal, quantitative)?

Categorical → match

Ordinal → sort

Quantitative → compare/difference/interpolate.

19
New cards

What is the appropriateness (efficiency) criterion?

A visualization should balance creation effort with analytical benefit.

20
New cards

What does the hue-on-form hierarchy show?

Hue is perceived before shape when both vary

<p>Hue is perceived before shape when both vary</p>
21
New cards

What does the luminance-on-hue hierarchy show?

Luminance is perceived before hue when both vary

<p>Luminance is perceived before hue when both vary</p>
22
New cards

Why are Gestalt principles useful in visualization?

They guide how viewers group elements, helping reveal structure.

23
New cards

What is 2.5D and when is it used?

2D visualization with depth-like stacking; used when limited 3D separation is helpful but full 3D isn't needed.

<p>2D visualization with depth-like stacking; used when limited 3D separation is helpful but full 3D isn't needed.</p>
24
New cards

What is a perceptually uniform color space?

A space where equal numeric changes ≈ equal perceived differences (e.g., HCL).

25
New cards

Why is colorblind-safe design important?

Red-green distinctions often fail under protanopia/deuteranopia; alternative palettes (or use of other channels, such as shapes) reduce misinterpretation.

26
New cards

What are plain vs. excentric labels?

Plain = placed directly next to mark

Excentric = connected via a line when nearby placement is not possible.

<p>Plain = placed directly next to mark</p><p>Excentric = connected via a line when nearby placement is not possible.</p>
27
New cards

Why does excentric labeling increase visual complexity?

Connecting link increases visual complexity, especially in the presence of edges.

28
New cards

What is impressionistic visualization?

A rendering style using sketchy or artistic strokes to emphasize uncertainty or exploration.

<p>A rendering style using sketchy or artistic strokes to emphasize uncertainty or exploration.</p>