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plainchant
monophonic, unaccompanied, sacred vocal music with a free un-metered rhythm, traditional sung in Latin. (Gregorian chant)
double verse structure
a song using two distinct repeating verses before a chorus or a song with two consecutive lyrical sections that are considered a single large “verse” unit
secular monophony
a style of medieval and early renaissance music featuring a single, unaccompanied melodic line without religious themes, sung by troubadours, trouvères, and goliards about love, heroism, or daily life
strophic
relating to, containing or consisting of strophes(repeating sections of a song, or form where the same music is used for different verses of texts) using the same music for successive stanzas
through-composed
having new music provided for each stanza
bar form
a three part musical and poetic structure (AAB)
paratactic form
medieval & renaissance - sense of fragmentation, modularity or a sense of standing on its own musically, repeatable sections
performance practice traditions in secular monophony
the interpretive traditions surrounding the single unaccompanied melodic line of medieval songs. Improvisation, instrumental accompaniment, and flexible rhythmic interpretation guided by text
madrigalism
word painting applied to the genre renaissance madrigal
mimesis
an attempt to reproduce reality in the music
Word painting/ text painting
creates an explicit association between individual words & the music to which they’ve been set. Pain→harmonic dissonance, song→extended malisma
mood painting
when the composer attempts to create a musical impression of poetic mood
“drive to the cadence” (a hallmark of Josquin’s compositional style)
a sense of forward momentum and heightened anticipation leading to a harmonic conclusion or a sense of finality at a cadence point. Gradual release in rhythmic activity and melodic intensity, building tension that is resolved by the cadence.
points of imitation
a musical passage or otive that is introduced in one voice and then copied by other voices at a different pitch and time, creating a texture of overlapping or sequential imitative entries in a contrapuntal composition
pervasive imitation
a compositional technique (late renaissance) where a short melodic idea or motive is imitated and repeated across almost all voices in a polyphonic texture.
clear cadential moments
a definitive point of resolution that marks the end of a musical phrase or section.
style
the particular combination of features that marks something as distinctive and at the same time as part of a group
rhythm and meter
concepts of musical time, beat or pulse, meter, rhythm, syncopation, polyrhythm vs polymeter, free rhythm, additive meters
melody
a succession of pitches that has a sense of order, cohesion, and direction
pitch
perceived quality (highness or lowness) of a sound that results from its fundamental frequency - can be fixed or movable.
motive
a short fragment of melody or rhythm used in constructing a long section of music
harmony
pitches heard simultaneously
monophony vs polyphony (texture
singular or multiple
types of polyphony (type of texture)
Homophony, Imitative Polyphony, Non-imitative polyphony, heterophony
timbre/tone color
the sonorous quality of a particular instrument, voice, or combination of instruments or voices
orchestration
art of employing instruments in various combinations
instrumentation
study of properties & capabilities of individual instruments
traditional western classification system
strings, woodwinds, winds, percussion, keyboard
Sachs-Hornbostel Classification System
Idiophone, Membranophone, Chordophone, Aerophone, Corpophone, mechanical/electrical
Idiophone
an instrument whose body vibrates to produce sound (subdivided by playing technique)
membranophone
sound produced by a vibrating membrane (subdivided by playing technique, shape, size, and # of heads
chordophone
sound produced by a vibrating string (subdivided by construction and playing technique)
aerophone
sound produced by vibrating air
corpophones
sound produced by ones body