________ is altered when a seventh is added because it creates more tension and need to resolve.
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Cadence
________- The harmonic, melodic, and rhythmic conclusion to a phrase.
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dominant chord
The ________ is preceded by the minor subdominant in first inversion and the descending bass line is approached from above by a half step.
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Half Cadence
________ (HC)- Unresolved tension used especially in the middle of a melody.
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Imperfect Authentic
________ (IAC)- Weaker authentic cadence that has either chord inverted, or has a chord member other than the root in the soprano of the tonic chord.
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Phrygian Half Cadence
________ (PHC)- Occurs in a harmonic minor. The dominant chord is preceded by the minor subdominant in first inversion and the descending bass line is approached from above by a half step.
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amount of tension
The ________ within the chord is determined by the stability or activity of the chord members.
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Authentic cadence
________- The most common phrase- ending chord progression that uses the dominant chord to set up the tension and the tonic for the release.
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Plagal Cadence
________ (PC)- Weaker progression using the subdominant to tonic to provide the resting point.
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Deceptive cadence
________ (DC)- Ending progression where the dominant chord is unexpectedly resolved to the submediant instead of the tonic.
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Resolution tones
________- The notes to which the active tones move.
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Function
________- The placement of the chord within the key.
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Tendency tones
Tones that have the tendency to resolve by half step
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Resolution tones
The notes to which the active tones move
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Families according to functions
Tonic
Subdominant
Dominant
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Tonic
I i and vi VI
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Subdominant (Predominant)
IV iv and ii ii°
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Dominant
V and vii°
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Tonic family
Most stable
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Dominant family
The most active and move music forward with energy to resolve.
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Subdominant family
Considered as transition chords. Their job is to connect stable and active chords.
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Cadence
The harmonic, melodic, and rhythmic conclusion to a phrase
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cadences end in these chords
I (i), vi (VI), or V (v)
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Authentic cadence
The most common phrase-ending chord progression that uses the dominant chord to set up the tension and the tonic for the release
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Perfect Authentic (PAC)
Concluding cadence that requires both dominant and tonic chords to be in root position.
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