DOMINANT / PREFERRED/ HEGEMONIC- how the producer intended it to be read. OPPOSITIONAL READING- audience rejects preferred reading, creates own meaning NEGOTIATED READING- compromise: audience accepts parts of producer views but has own views too.
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Todorov- narrative stuructures
narrative's chronological quality: 1. STATE OF EQUILIBRIUM 2. DISRUPTION to equilibrium 3. RECOGNITION OF DISRUPTION 4. ATTEMPT TO REPAIR 5. NEW EQUILIBRIUM reached
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Propp's 8 character archetypes
- the hero - the helper - the villain - the false hero - the donor - the dispatcher (sends hero on mission) - the princess the princes' father
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Levi Strauss 'Binary Opposites'
Theorist for binary opposites. - groups in a text are the OPPOSITES of each other, and this conflict is what DRIVES THE NARRATIVE of the story
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What are Barthes 5 codes?
HERMENEUTIC / ENIGMA PROAIRETIC SEMANTIC SYMBOLIC CULTURAL
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BARTHES - hermeneutic/ ENIGMA code
withholds information to leave plot point unexplained
eg: 'Scream' - who is the murderer?
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BARTHES - Proairetic code
events that indicate something else is going to happen - building tension
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Barthes semantic code
Denotation: What you can see. Connotation: What it means, the interpretation
all genres must include REPETITION and VARIATION repetition- allows FAMILIARITY, conventional elements, TROPES variation- engaging, surprising, intriguing
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Gilroy - POSTCOLONIALISM and CIVILISATION
**POST COLONIALISM-** the idea that Britain still act the same way it did in the empire and it affects society and beliefs today Gilroy explained the black British experience as "partial belonging and __AMBIGUOUS ASSIMILATION__" **CIVILISISATION** - seeing other cultures as uncivilized and savage-like
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**Gilroy - cosmopolitan conviviality**
different ethnicities living together in harmony.
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Beaudrillard- post modernism
**Hyper Reality**: Some texts are difficult to distinguish in terms of the representation of reality from a simulation of reality e.g. Big Brother. The boundaries are blurred as codes and conventions create a set of signifiers which we understand but in fact the representation is a copy of a copy **SIMULACRA CREATED**
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what is verisimilitude?
the simulation of mundane life and how alike it is.
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Van Zoonen
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Alvarado - LIMITED REPRESENTATION
ethnic minorities only represented as:
* pitied * humorous * dangerous * exotic
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bell hooks feminist theory
Feminism is a political struggle to end patriarchal domination and other factors affect this domination, including race and class lighter skin women more desirable with WESTERN IDEOLOGY black women OBJECTIFIED and SEXUALIZED In hip-hop REFLECTS COLONIALIST VIEW OF BLACK WOMEN
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bell hooks - exoticism
"diversity is a spice, a seasoning that can liven up the dull dish that is western culture" - bell hooks exoticism is the fetishization of people of color in media and explains how black women are at the bottom of the PATRIARCHAL HIERARCHY .
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bell hooks representation theory
**INTERSECTIONALITY** - categories of personality overlap to affect how you experience discrimination
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Butler - Gender Performativity
Gender is a social construct - 'masculine' and 'feminine' are created through repetition. **Queer Theory:** Gender is what you do, not who you are
* identities are not fixed and they cannot be labeled
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Laura Mulvey (Gender Theory)
Male Gaze/Female Gaze: Women sexualized and objectified for the male audience while the same can be said for male models in perfume adverts, sexualized for a female demographic "pleasure in looking has been split by active/MALE and passive/FEMALE
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Jenkins convergence
one media supports and connects with another media technology or genre; technological, social, economic, cultural, global convergence "migratory behaviour of media audiences"
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Gerbner and Gross- cultivation theory
if youre exposed to certain media, your ideas align with that of what you are consuming
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Shirky - end of audience theory
audience behavior has changed due to internet and ability to create own content. NEW AUDIENCE DON'T JUST CONSUME MEDIA, THEY BECOME PROSUMERS.
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Shirky- prosumers and mass amateurisation
COGNITIVE SURPLUS
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Shirky - symmetrical participation
synonymous to ‘**prosumer**’ (**JENKINS**)
* ability to produce and sell information on the internet as well as revive it.
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Cohen- moral panic
He suggests that the medias portrayal of events produced a deviance amplification spiral by making it seem as if the problem was spreading and getting out of hand.
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Galtung and Ruge - News values
(next 13 cards)
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frequency
short term events that occur lots and are newsworthy eg. robberies, education, politics
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threshold
events with impact- large numbers involved: casualties in accident, gruesome murder
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unambiguity
reports with immediate meaning so easily understood
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proximity
news must be about people and targeted to them
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predictability
news that is hinted at, and then becomes reas as expected by media
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unexpectedness
events thatare unexpected eg, "man eats tiger!"
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continuity
news stories once reported, are followed up eg. covid
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composition
news are balanced: relevant news, urgency, importance, domsticity. length of reports adjusted accordingly
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personalisation
news feel personal; someone accountable for actions- NOT orgainsation
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negativity
'bad news is good news' and therefore worth reporting eg. death, tragedy, extreme weather
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visual imperative
pictures or video of event make story more newsworthy
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reference to elite persons
Stories concerned with the rich, powerful, famous and infamous get more coverage.
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reference to elite nations
Stories concerned with global powers receive more attention than those concerned with less influential nations.
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INDUSTRY THEORISTS
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Curran and Seaton
mass media is controlled by CONGLOMERATES AND CAPITALISM - majority of mainstream media is owned by few number of conglomerates. - impact on freedom of the press
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Livingstone and Lunt - Regulation
civc model- there to INSTRUCT us as citizens consumer model - there to PLEASE us as consumers
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Hesmondhalgh
maximise profit , minimising risk - take advantage of what's popular maintains audience engagement