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meter
regular, recurring pattern of accented or unaccented beats
duple meter
meter with two main beats per measure
ONE two | ONE two
triple meter
meter with three main beats per measure
ONE two three
compound meter
main beats divided in threes
e.g. row, row, row your boat
monophonic
single melodic line w/ NO accompaniment
ex) Gregorian chant
polyphonic
multiple independent voices
ex) Bach Invention No. 13
homophonic
multiple voices but one (melody) stands out the most
ex) Bach- All of the Chorales, Aguas de Marco
Middle Ages
(500-1300 AD)
shift to Roman Catholic Church
purpose of art was to educate illiterate population in teachings of the Church
appealing to the spiritual world
Troubadours and Trouvers
secular musicians North and South of France, many from wealthy families
Bernart de Ventadorn
(1135-1194)
Troubadour who wrote “ Sweet Face” in Old French- faster, steady beat/tempo, has instruments
early polyphany is
organum
cantus firmus
fixed voice
Perotin
(1200)
composer of organum
associated with Cathedral of Notre Dame in Paris
Renaissance
(1300-1600)
“rebirth”
revival of Roman and Greek culture
new focus on human and sensory experiences
new attitudes: humanism, classicism, exploration, reformation (Luther), education
Renaissance music
expresses feelings (a more universal emotion)
favors acapella (voices, no instruments)
consonant harmonies and carefully controlled dissonance
melodic character of chant
more embellished, specific meter, rythym, etc
Middle Ages vs Renaissance music
MA:
sung in plainchant
organum added some polyphonic music
Renaissance
polyphonic music
unifying mass musically
more secular music
word painting
musical illustration of meanings of a word/phrase
imitative counterpoint
one melodic line introduces a musical theme, and other voices or parts "imitate" it by repeating the theme soon after