Unit 1: Music Fundamentals I: Pitch, Major Scales and Key Signatures, Rhythm, Meter, and Expressive Elements

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101 Terms

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Articulation
________ can also be indicated by symbols such as dots, lines, and accents placed above or below the note.
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Alla breve
________ (Cut time)- Designated by a c with a line going through, is a substitute of 2 /2.
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Neutral
________ clef- Used for rhythm only or for pitchless or untuned instruments such as triangle, cymbals, or tambourine.
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Tenor
________ clef- When the C clef is placed on the fourth line of the staff.
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exact interval size
The ________ is described by quantity and quality.
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circle
The ________ of fifths- Demonstrates the relationship of the tonal centers to each other.
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Rhythmic patterns
________ should be grouped with the beam to indicate beat units.
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Dot
________ and tie- Two symbols that extend the length or duration of a note.
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overall sound
It can greatly affect the ________ and feel of a musical performance.
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multiple staves
System- When ________ are connected together by bar lines, brackets, or a brace.
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intervals
All ________ built from the tonic up to notes within a major scale are either major or perfect.
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Musical symbol
Double flat- ________ that lowers the pitch by two half steps.
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compound meter
In ________, the time signature represents the subdivision, not the beat.
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key signature
The ________ is always written on the staff between the clef and the meter signature.
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interval
A minor ________ is one- half step smaller than major.
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Pitch
The highness or lowness of a sound
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System
When multiple staves are connected together by bar lines, brackets, or a brace
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Neutral clef
Used for rhythm only or for pitchless or untuned instruments such as triangle, cymbals, or tambourine
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Staf (Staves)
Where most music is written
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Clefs
What determines the names of the lines and spaces used
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C clef
Sign used for all of the previously mentioned vocal ranges
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Movable C clef
The clef that locates middle C and moves around from line to line to designate range
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Alto clef
When the C clef is placed on the third line of the staff
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Tenor clef
When the C clef is placed on the fourth line of the staff
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Treble clef
When the G clef is placed on the second line of the staff
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Bass clef
When the F clef is placed on the fourth line of the staff
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Ledger lines
Small lines that extend the staff while still keeping the five lines and four spaces intact
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Half step
The smallest space or distance between notes
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Sharp
Raises the pitch one-half step above its natural pitch
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Flat
Lowers the pitch one-half step below its natural pitch
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Natural
The musical symbol that cancels out a flat or a sharp
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Double sharp
Musical symbol used to raise a pitch by two half steps
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Double flat
Musical symbol that lowers the pitch by two half steps
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Dot and tie
Two symbols that extend the length or duration of a note
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Dot
Used to extend the value of a single note by one-half of its original value
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Double dot
Lengthens the dotted note value by half the length of the first dot
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Tie
It combines the durational values of two or more notes of the same pitch using a curved line
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Half step
The smallest space or distance between notes
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Whole step
The distance between two notes that are two semitones or two half steps apart
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Interval
The distance between two pitches
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Quality
Expressed by a number and determined by counting the distance between one letter name and the next letter name
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Diminished interval
An interval that is one-half step smaller than perfect or minor
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Augmented interval
An interval that is one-half step larger than major or perfect
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Enharmonic intervals
They sound the same but are spelled differently and function differently
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Doubly augmented interval
When a major or perfect interval is made one whole step larger without changing the letter names of the pitches
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Doubly diminished interval
When a minor or perfect interval is made one whole step smaller without changing the letter names of the pitches
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Consonant intervals
Stable
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Dissonant intervals
Unstable, the impression of activity or tension
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Major scale
Created using a pattern for whole and half steps
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The circle of fifths
Demonstrates the relationship of the tonal centers to each other
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Key signature
A form of shorthand that dispenses with the writing of accidentals (sharps and flats) for the notes affected by the pattern
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For sharps
The last sharp in the key signature is scale degree 7, so the name of the key is up one-half step
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For flats
The last flat in the key signature is scale degree 4, so the name of the key is the next to the last flat in the key signature
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Common time
Represented by a lowercase c, it is used to represent 4/4
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Alla breve (Cut time)
Designated by a c with a line going through, is a substitute of 2/2
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Asymmetrical meters
Meters that have beat units of unequal length
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Meter
The organization of musical time into recurring patterns of strong and weak beats
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Duple (Strong weak)
Two beats per measure
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Triple (Strong weak weak)
Three beats per measure
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Quadruple (Strong weak less strong weak)
Four beats per measure
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Downbeat
The first beat of the measure
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Anacrusis
Songs that begin with one or more notes that precede the first full measure
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Syncopation
The rhythmic displacement of the expected strong beat created by using dots, rests, ties, accent marks, rhythm, and dynamics
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Hemiola
A special type of syncopation where the bead is temporarily regrouped into twos
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Cross-rhythm
Metric device where the rhythmic relation of three notes occurs in the time of two
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Note head
Body of the note
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Stem
Part of a note that is common to all note types shorter in duration than the whole note
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Flag
Part of the note that is common to all note types shorter in duration than a quarter note
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Bar line
The vertical line that divides the staff into measures
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Measure
The unit of space between the bar lines
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Double bar line
Two lines that signal the end of a section of music
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Final bar line
Indicates the end of the piece or composition
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Tempo
The speed of the beat
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Adagio
slow and stately
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Allegro
fast and lively
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Andante
moderately slow and flowing
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Largo
very slow and broad
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Presto
very fast and lively
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p (piano)
soft
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f (forte)
loud
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mf (mezzo forte)
moderately loud
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mp (mezzo piano)
moderately soft
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pp (pianissimo)
very soft
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ff (fortissimo)
very loud
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Absolute dynamics
Refers to the specific volume level indicated by the symbol or word
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Relative dynamics
Refers to the change in volume level from one symbol or word to another
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Articulation
The way in which notes are played or sung
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staccato
short and detached
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legato
smooth and connected
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accent
emphasized or accented
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marcato
strongly accented
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tenuto
held for full value
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Perfect intervals
* Unison
* Perfect fourth
* Perfect fifth
* Perfect eighth
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Major intervals
* Major second
* Major third
* Major sixth
* Major seventh
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Parts of a musical note
* Head
* Stem
* Flag
* Beam
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Music notation symbols
Bar line

Measure

Double bar line

Final bar line
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types of tempo
adagio

allegro

andante

largo

presto
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Dynamics
The volume or intensity of a musical performance.
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Most common symbols to indicate dynamics
p (piano)

f (forte)

mf (mezzo forte)

mp (mezzo piano)

pp (pianissimo)

ff (fortissimo)
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main type of dynamics
absolute dynamics

relative dynamics