4 - Inland Niger Delta, Mali

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20 Terms

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Inland Niger Delta, Mali (Periods/Cultures/Kingdoms)

Culture: Jenne-Jeno (350BCE - 1,400CE)

Kingdom: Kingdom of Djenne (1,200CE - 1,850CE)

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Inland Niger Delta (location)

Mali

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Jenne-Jeno (350BCE - 1,400CE) notes

  • located in modern-day Mali

  • archaeological society

  • pottery usually found b/c it doesn’t really break down, textiles do though so there isn’t much of a record of their clothing

  • not much is known about Jenne-Jeno (or African history in general) b/c archaeology was not prioritized during colonization, and current research is not usually well-funded or well-carried-out

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Jenne-Jeno (dates)

350BCE - 1,400CE

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Artwork ID: “Seated Figure”

Culture: Jenne-Jeno

Location: Inland Niger Delta, Mali

Dates: 350BCE - 1,400CE

Medium: terracotta

<p>Culture: Jenne-Jeno</p><p>Location: Inland Niger Delta, Mali</p><p>Dates: 350<sub>BCE</sub> - 1,400<sub>CE</sub></p><p>Medium: terracotta</p>
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“Seated Figure” notes

  • all are the same size, unpainted, have the same face, and are in similar poses

  • less focus on correct anatomy to focus on expression

    • made to elicit an emotional response

      • drowsy, sad, calm, tired

  • some structural concerns of clay to consider composition-wise

  • lots of texture/markings on the back

    • not sure why marks are there or what they are due to lack of context

    • could be scars, painting, tattoos, or disease

  • all found sealed inside the walls of buildings

    • Could be for protection?

    • Must’ve had some purpose b/c that’s a lot of effort to put into something that wouldn’t be seen

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Kingdom of Djenne (dates)

1,200CE - 1,850CE

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Artwork ID: “Great Friday Mosque”

Artist: King Koi Konboro

Kingdom: Kingdom of Djenne

Location: Inland River Delta, Mali

Dates: (original) c. 1,200CE - (french reconstruction) 1,907CE

Medium: mud and wood

<p>Artist: King Koi Konboro</p><p>Kingdom: Kingdom of Djenne</p><p>Location: Inland River Delta, Mali</p><p>Dates: <span>(original) c. 1,200<sub>CE</sub> - (french reconstruction) 1,907<sub>CE</sub></span></p><p>Medium: <span>mud and wood</span></p>
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“Great Friday Mosque” notes

  • stands out easily via scale, architectural style difference, it’s placement in the center of the city (all roads lead to the mosque), and it’s elevation on a platform

  • hypostyle hall, but no clerestory

  • yearly festival to rennovate

    • unifies men, women, and children

    • belongs to the community, so the community takes care of it

    • UNESCO refurbished mosque, which threw off the traditional festival and angered residents

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mosque

Islamic house of worship

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finial

an ornament at the top of a spire or gable

  • mud peaks on Great Friday Mosque decorated w/ ostrich eggs

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hypostyle hall

geometric sections that can be repeated to form a structure

  • in this case, pillars in a square unit that is repeated to form a hall

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Timbuktu

Mali's capital under Mansa Musa

  • Islamic center of commerce and education

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qibla wall

most ornate wall of a mosque
- faces Mecca

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toron

wooden beams that project from walls of mud-brick building as support for re-plastering

  • in the Great Friday Mosque

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engaged column

a column attached to a wall (not freestanding)

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Sudanic

architectural style

  • called Sudanic because the Djenne area used to be called Sudan

  • made with mud and torons (wooden beams projecting from wall)

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mihrab

niche in the qibla wall
- quotes from the Qur'an are usually above it

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mason

a craftsman who works with stone or brick

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Mansa Musa

  • ruled Empire of Mali (1200-1300? self-governed cities that payed him fees)

    • completed pilgrimage to Mecca in the most ostentatious fashion possible

    • brings back Middle Eastern scholars and founds schools on journey back to Mali