Act II Julius Caesar

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Last updated 2:07 PM on 4/1/26
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38 Terms

1
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Why does Brutus believe that Caesar must be stopped from becoming king?

Brutus fears that Caesar may become a tyrant and jeopardize the freedom of Rome.

2
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Do you think Brutus’ fear of what Caesar may become is justified?

This is subjective; many argue that Brutus' concerns are valid given historical contexts of power.

3
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What are the 'exhalations' Brutus refers to?

Brutus refers to omens or signs from the heavens that indicate a potentially dangerous future.

4
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What strategic error do Brutus and Cassius make during their discussion on Caesar's death?

They fail to consider the public's reaction and the potential consequences of their actions.

5
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What does Caesar's susceptibility to flattery indicate about his character?

It suggests that he may be overly ambitious and easily manipulated.

6
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Why does Portia stab herself?

Portia stabs herself to prove her strength and loyalty to Brutus, showing she can endure pain.

7
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What is the significance of Calphurnia’s dream?

It foreshadows the dangers awaiting Caesar and her premonition of his death.

8
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What types of evidence does Calphurnia use to justify Caesar staying home?

She cites omens, her dream, and the fears of the people around her.

9
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How does Decius misinterpret Calphurnia’s dream?

Decius claims the dream signifies that Caesar will bring prosperity and greatness, not danger.

10
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What is Artemidorus’s plan?

Artemidorus aims to warn Caesar by delivering a letter outlining the conspiracy against him.

11
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What is the purpose of Act II, Scene 3?

To introduce a warning that foreshadows Caesar's impending doom.

12
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Why is Portia distracted?

She is anxious about Brutus and the conspiracy, feeling a sense of foreboding.

13
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What is the soothsayer’s plan?

To warn Caesar again, emphasizing the danger he is in.

14
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Why is Shakespeare warning Caesar?

To highlight themes of fate, free will, and the consequences of ignoring warnings.

15
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absolute

A term referring to something that is not limited by conditions or restrictions.

16
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ad hominem argument

A fallacy that attacks the person instead of the argument.

17
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allusion

An indirect reference to a person, place, event, or literary work.

18
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anachronism

Something that is out of its correct chronological time period.

19
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analogy

A comparison between two things for the purpose of explanation.

20
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anaphora

The repetition of a word or phrase at the beginning of successive clauses.

21
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antithesis

A contrast or opposition between two things.

22
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apostrophe

A figure of speech in which a speaker directly addresses someone or something that is not present.

23
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chiasmus

A rhetorical device in which words are repeated in reverse order.

24
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ethos

Characteristic spirit or values of a community, culture, or era.

25
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euphemism

A mild or indirect word or expression substituted for one considered to be too harsh.

26
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irony

A contrast between expectation and reality.

27
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logos

An appeal to logic and reason.

28
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metaphor

A figure of speech that directly refers to one thing by mentioning another.

29
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metonymy

A figure of speech in which one thing is referred to by the name of something closely associated with it.

30
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monologue

A long speech by one character in a play.

31
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paradox

A statement that contradicts itself but may illuminate a truth.

32
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pathos

An emotional appeal that stirs feelings.

33
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rhetorical question

A question asked for effect, not requiring an answer.

34
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simile

A figure of speech that compares two different things using 'like' or 'as'.

35
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soliloquy

An act of speaking one's thoughts aloud while alone on stage.

36
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symbol

An object, character, figure, or color used to represent abstract ideas or concepts.

37
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synecdoche

A figure of speech in which a part is made to represent the whole.

38
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whet

To sharpen or stimulate, particularly in relation to interest or appetites.

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