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Medieval, Romanesque, Gothic Art
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"carpet page" - Lindisfarne Gospel
late 7th c.
Medieval/Migratory Art
Tells the story of the gospels
frontispiece
Cloisonne
Cruciform
Interlace patterning
Uses ink to represent an outline
Animal - bird
Stretch all around and woven
Holy Dove, holy spirit
Romanesque cross-section

Romanesque floor plan
Basicila Plan - cruciform shape
Portal/Narthex - beginning of pilgrimage of the church itself
Nave
ambulatory
Apse
Radiating chapel: where the relics were held


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Eadwine the Scribe - Eadwine Psalter
1160-1170
Romanesque Art
Rounded Roman arch
Triforium wall
Interlace patterning

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Sainte-Chapelle, Paris
1248
Gothic Art
Louis IX built Sainte-Chapelle to hold these relics:
A crown of Thorns
A fragment of the cross
The spear of Longiuns
The sponge from the crucifixion
A stone from the sepulchre
Small, but tall
ascending upward
Buttress
Large rose window
Interior has more glass than stone
Blue-stained glass
Pointed Arch
Ribbed groin vault
Over 1100 scences represented
church almost becoes teh manuscript illumination
read the church

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Psalter of St. Louis
1270
Gothic Art
Represented Abraham and the angels - Genesis 18
A tree is a pointed arch
Church with a rose window in the back
Interlace patterning on the frame

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Sutton Hoo: Anglo-Saxon burial site
Suffolk, England
Medieval Art
At least 14 burial mounds
one of which is an Anglo-Saxon period ship burial
7 miles from the North Sea
Made out of wood
No wood survived
Bronze rivets
One body found: Rædwald
King of the Anglo-Saxons

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Sutton Hoo Mund 1 treasure, Helmet
625
Medieval Art/Migratory
Helmet
Neowulf
epic poem
Oldest English poem
Hero travels to Denmark to slay the demon Grendel
Warrior Code: responsibility and allegiance
Interlace patterning
Cloisonne
Recreated helmet, British Museum
Cloisonne
Wire as outlines
Enamel
Ground glass paste

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Sutton Hoo treasure, Purse lid
625
Medieval Art/Migratory
Purse lid
It might have been attached to a leather component
Before they started to settle, so needed a lot of things that needed to be easy to carry
Gold
Cloisonne
Enamel
Interlace patterning
Heraldic composition
Eagle/duck
Tells story of the hero

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Oseburg ship burial: Viking
825
Medieval Art/Migratory
Made out of Oak Wood
Interlace patterning
Dragons stretched out and were woven together
Animal head mast/post
maybe dogs - hunting companion and weapon
interlace patterning
barking/snarling
manuscript illumination
book, personal object that they can carry with them
frontispiece
Cloisonne
Cruciform
Interlace patterning
carpet page
prototypes
master template
pricking tools to recreate
consistent imagery
making it clear
Romanesque Architecture
11th c
The Crusades
Military campainfn sanctioned by the Catholic church
to gain acces tot he holy land a nd jersulem
were organized in part to bring back artfifacts from the Holy land that were connected to the life Christ, Viirgin Mary, and other saints
Wood from the cross
thorn from corwn of thorns
artifacrs = “relics”
Encades in reliquareis (boxes)
distrubuted to various catholic churces
Organized “primges“
Churches were designed to resembles reliquaries
Romanesque Church
Large to host large numbers of pilgrims
Constructed out of stone - stonemasonary
NO concrete
Basicila Plan - cruciform shape
Portal/Narthex - beginning of pilgrimage of the church itself
Nave
ambulatory
Apse
Radiating chapel: where the relics were held
Triadic
Triforium
Use of the Arch
Call back to the Roman Arch
Barrel vault
Groin vault
Ribbed groin vault
relics
artifacts
reliquaries
boxes to “protect“ artfiacts
stonemasonry
symbolizes “stone box“, protecting relics
Triforium
three-part stacking
Groin vault
intersection at right angles of two barrel vaults
subdivides the weight of materials
tarsnfers weight into 4-8 sections
ribbed groin vault
groin vault edged with stone ribs
Gothic
relic: Mantle of the Virgin Mary
Mantel: Veil
“Assumption of Mary“
No physical body
Believed that she ascended to heaven and no earthly limbs were left behind
Acquired a blue silk cloth believed to be worn at the birth of Christ
Shift away from the Romanesque round Roman arch to the Gothic pointed arch

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Abbot Suger - abbey church of St. Denis
1140-1144
Gothic
Addition to church, 12th centuary
Earlier church, 10th centuary, Roamnsque
Abbot Suger: redesign of the aspe of Abbey Church
Stone and glass added
Open, not compartmentalized
Stained-glass windows: light-filled, radiant
Pointed Gothic arch
Groin vault with pointed Gothic arch
canopy-like vaulting: open, floating weightless
Does not look like that sturdy stone box
Addtion of glass, transparency

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Chartres Cathedral, France
begun 1134
Gothic Art
Transparency, stained glass or opening
Does not have the appearance of solid block of stone
Ribbed Groin Vault
Pointed Gothic arch
Gothic floor plan
Buttresses
Flying buttresses
Gothic Triforium wall - more open
Rose Window 1220
Gothic floor plan
Larger aspe, almost half of the church
More integration from nave to aspe
More glass than stone
Pointed Arch
Vaulting
weightless canopy-like
Buttress
Structure which shifts transference of weight to a “propping function“
happens thorugh the exterior walls
flying buttress
Open
Attach to the buttress pier

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Rose Window - Chartres Cathedral, France
begun 1220
Gothic Art
A circle-like shape with petal shapes radiating from the center
Stone tracery on the outside defines outlines
Connection to Closionne
Stained glass in the interior
Hugh of St. Victor - stained glass windows have imagery that enlightens people to Christian doctrine and should not just be decorative
Unfolding the perfection of the Christian world
relic at Chartres: Mantle of the Virgin mary
Blue color - Mary’s drapery she wore at the birth of Christ
drapery = groin vault
weightless
Stained Glass
light from Heaven passes through/illuminates biblical stories

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S. Sernin, Toulouse, France,
1070-1120
Romanesque
stone church (stone masonry, signifies sturdiness, protection)
cruciform
Basilica plan
ribbed barrel vaulting,
round "Roman" arch
triforium (weight of stone in vaulted ceiling transferred down through triforium into foundation)