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BU 3: EXAM REVIEWER (MODULE 1A)
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ACOUSTICS
Study of how sound is created, transmitted, and received.Â
ACOUSTICS
Deals with the production, control, transmission, reception and effects of sound waves
ACOUSTICAL DESIGN
Planning, shaping, finishing and furnishing of an enclosed space to establish the acoustical environment
ACOUSTICAL TREATMENT
Application of absorbent or reflecting materials to an enclosed space to alter or improve its acoustic properties
ARCHITECTURAL ACOUSTICS
Study of sound in buildings and the design of structures for optimal acoustic performance
ROOM ACOUSTICS
Qualities or characteristics of a room that determine the audibility of speech or fidelity of musical sound in it
ENVIRONMENTAL ACOUSTICS
Control of noise pollution, which includes all motor vehicles, industrial plant and construction heavy equipment
PHYSICAL ACOUSTICS
Propagation and absorption of sound at all frequencies in air and other gases
ENGINEERING ACOUSTICS
Development of devices to generate, record, and analyze sound of all kinds
STRUCTURAL ACOUSTICS
Deals with the sound emitted by vibrating structures
MUSICAL ACOUSTICS
Deals with the physics of musical instruments
UNDERWATER ACOUSTICS
Deals with all aspects of sound of the sea and its use for detection of vessels and exploration of the seabed
PHYSIOLOGICAL ACOUSTICS
Deals with models and theories of operation of the ear and its anatomy
PSYCHOLOGICAL ACOUSTICS
Studies the brainâs signal processing function
ARCHEOACOUSTICS
Studies the relationship between people and sound throughout history
AEROACOUSTICS
Study of noise generated by air movement (turbulence, movement of sound through fluid air)
BIOACOUSTICS
Acoustic behavior in animals and biological media
SPEECH AND COMMUNICATION ACOUSTICS
Considers the production and transmission of speech
ACOUSTICS OF VIBRATION
How mechanical systems vibrate and interact with their surroundings
SOUND
Auditory sensation in the ear
SOUND
Disturbance in a medium that can cause sensation
MEDIUM
Substance that allows sound waves to travel through it
GAS
Sound waves travels the slowest
LIQUID
Sound waves travels faster
SOLID
Sound waves travels fastest
ENVIRONMENTAL NOISE
Pumps, generators, compressors, fans etc.Â
LIBRARY
Spaces wherein QUIET is a necessity
MUSEUM
Spaces wherein QUIET is a necessity
HEALTH CARE FACILITIES
Spaces wherein QUIET is a necessity
CLASSROOMS
Spaces wherein UNDERSTANDING OF SPEECH are
vital.
BOARDROOMS
Spaces wherein UNDERSTANDING OF SPEECH are
vital.
LECTURE HALLS
Spaces wherein UNDERSTANDING OF SPEECH are
vital.
COURTROOMS
Spaces wherein UNDERSTANDING OF SPEECH are
vital.
LOBBIES
Spaces wherein âBUZZâ should not be
overwhelming
RESTAURANTS
Spaces wherein âBUZZâ should not be
overwhelming
MALL
Spaces wherein âBUZZâ should not be
overwhelming
FOODCOURTS
Spaces wherein âBUZZâ should not be
overwhelming
EDUCATIONAL FACILITIES
Spaces that require PUBLIC ANNOUNCEMENT
audibility
GOVERNMENT FACILITIES
Spaces that require PUBLIC ANNOUNCEMENT
audibility
PUBLIC SPACES
Spaces that require PUBLIC ANNOUNCEMENT
audibility
OPEN OFFICE
Spaces wherein SPEECH PRIVACY is important
CALL CENTERS
Spaces wherein SPEECH PRIVACY is important
Spaces wherein SPEECH PRIVACY is important
MEETING ROOMS
RECORDING STUDIOS
Spaces wherein MUSIC ENHANCEMENT is crucial
CONCERT HALLSÂ
Spaces wherein MUSIC ENHANCEMENT is crucial
PRACTICE ROOMS
Spaces wherein MUSIC ENHANCEMENT is crucial
PERFORMANCE SPACES
Spaces wherein MUSIC ENHANCEMENT is crucial
DOCTORâS CLINIC
Spaces wherein CONFIDENTIALITY is essential
HUMAN RESOURCE OFFICES
Spaces wherein CONFIDENTIALITY is essential
POLICE FACILITIES
Spaces wherein CONFIDENTIALITY is essential
COUNSELLING OFFICES
Spaces wherein CONFIDENTIALITY is essential
WORSHIP CENTERS
Spaces wherein SPEECH AND MUSIC must be
considered
BALLROOMS
Spaces wherein SPEECH AND MUSIC must be
considered
THEATERS
Spaces wherein SPEECH AND MUSIC must be
considered
MULTI-PURPOSE HALL
Spaces wherein SPEECH AND MUSIC must be
considered
AKOUEIN
The word acoustics is derived from the Greek word
CONCENTRIC CIRCLE
The Greek introduces this type of space planning to accommodate great number of people close to the central area
GREEKS
Who introduced the concentric circle
ARISTOTLE
Understood that sound consisted of contractions and expansions of the air âfalling up and striking the air which is next to it.â
HARMONICS
Pitch of notes and the intervals in Greek musical scale
SOUND IN AUDITORIUM
Travel of sound from source to the ears by a direct route leading to raked seating and semi circular plan
SITE OF A THEATRE
Must not have echo, nor give reflections that can lead to direct and reflected sound interfering
TEATRO OLIMPICO
First built permanent theater
SABBIONETA THEATER
U shape plan with a single point perspective backdrop;
BAROQUE PERIOD
Music and architecture of this period is highly decorative
EALY CHRISTIAN PERIOD
Dominated by churches
Construction materials: flat brick, and marble as decorative facade
Highly reverberant churches even with open windowsÂ
ROMANESQUE PERIOD
Floor plans in cruciform shape
Construction materials: brick and stone - highly reverberant
GOTHIC PERIOD
The massive structures carried the art and engineering of working in stone to
its highest level.
Plain chant was the music of the religious orders and was suited perfectly to the cathedral.
RENAISSANCE PERIOD
Cathedrals are designed naturally and unconsciously inclined to whisper.
GEORGE SAUNDERS
First to publish results of tests on theatre acoustics
JOHN WILLIAM STRUTT
Theory of Acoustic
HERMANN VON HELMHOLTZ
Sensations of ToneÂ
RUDOLPH KOENIG
Invented the manometric flame apparatus - allowed the visualization of acoustic signals
JOHN TYNDALL
Published his book On Sound
Sound is reflected in air at the interface between air bodies of different ddensities
ALEXANDER GRAHAM BELL
Electrical speech machine - the telephone
THOMAS EDISON
Invented the phonograph
WALLACE CLEMENT SABINE
Father of Architectural Acoustics