BUILDING UTILITIES

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BU 3: EXAM REVIEWER (MODULE 1A)

Last updated 10:36 AM on 10/5/25
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78 Terms

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ACOUSTICS

Study of how sound is created, transmitted, and received. 

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ACOUSTICS

Deals with the production, control, transmission, reception and effects of  sound waves

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ACOUSTICAL DESIGN

Planning, shaping, finishing and furnishing of an enclosed space to establish the acoustical environment

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ACOUSTICAL TREATMENT

Application of absorbent or reflecting materials to an enclosed space to alter or improve its acoustic properties

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ARCHITECTURAL ACOUSTICS

Study of sound in buildings and the design of structures for optimal acoustic performance

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ROOM ACOUSTICS

Qualities or characteristics of a room that determine the audibility of speech or fidelity of musical sound in it

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ENVIRONMENTAL ACOUSTICS

Control of noise pollution, which includes all motor vehicles, industrial plant and construction heavy equipment

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PHYSICAL ACOUSTICS

Propagation and absorption of sound at all frequencies in air and other gases

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ENGINEERING ACOUSTICS

Development of devices to generate, record, and analyze sound of all kinds

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STRUCTURAL ACOUSTICS

Deals with the sound emitted by vibrating structures

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MUSICAL ACOUSTICS

Deals with the physics of musical instruments

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UNDERWATER ACOUSTICS

Deals with all aspects of sound of the sea and its use for detection of vessels and exploration of the seabed

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PHYSIOLOGICAL ACOUSTICS

Deals with models and theories of operation of the ear and its anatomy

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PSYCHOLOGICAL ACOUSTICS

Studies the brain’s signal processing function

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ARCHEOACOUSTICS

Studies the relationship between people and sound throughout history

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AEROACOUSTICS

Study of noise generated by air movement (turbulence, movement of sound through fluid air)

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BIOACOUSTICS

Acoustic behavior in animals and biological media

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SPEECH AND COMMUNICATION ACOUSTICS

Considers the production and transmission of speech

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ACOUSTICS OF VIBRATION

How mechanical systems vibrate and interact with their surroundings

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SOUND

Auditory sensation in the ear

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SOUND

Disturbance in a medium that can cause sensation

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MEDIUM

Substance that allows sound waves to travel through it

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GAS

Sound waves travels the slowest

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LIQUID

Sound waves travels faster

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SOLID

Sound waves travels fastest

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ENVIRONMENTAL NOISE

Pumps, generators, compressors, fans etc. 

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LIBRARY

Spaces wherein QUIET is a necessity

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MUSEUM

Spaces wherein QUIET is a necessity

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HEALTH CARE FACILITIES

Spaces wherein QUIET is a necessity

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CLASSROOMS

Spaces wherein UNDERSTANDING OF SPEECH are

vital.

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BOARDROOMS

Spaces wherein UNDERSTANDING OF SPEECH are

vital.

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LECTURE HALLS

Spaces wherein UNDERSTANDING OF SPEECH are

vital.

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COURTROOMS

Spaces wherein UNDERSTANDING OF SPEECH are

vital.

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LOBBIES

Spaces wherein “BUZZ” should not be

overwhelming

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RESTAURANTS

Spaces wherein “BUZZ” should not be

overwhelming

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MALL

Spaces wherein “BUZZ” should not be

overwhelming

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FOODCOURTS

Spaces wherein “BUZZ” should not be

overwhelming

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EDUCATIONAL FACILITIES

Spaces that require PUBLIC ANNOUNCEMENT

audibility

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GOVERNMENT FACILITIES

Spaces that require PUBLIC ANNOUNCEMENT

audibility

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PUBLIC SPACES

Spaces that require PUBLIC ANNOUNCEMENT

audibility

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OPEN OFFICE

Spaces wherein SPEECH PRIVACY is important

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CALL CENTERS

Spaces wherein SPEECH PRIVACY is important

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Spaces wherein SPEECH PRIVACY is important

MEETING ROOMS

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RECORDING STUDIOS

Spaces wherein MUSIC ENHANCEMENT is crucial

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CONCERT HALLS 

Spaces wherein MUSIC ENHANCEMENT is crucial

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PRACTICE ROOMS

Spaces wherein MUSIC ENHANCEMENT is crucial

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PERFORMANCE SPACES

Spaces wherein MUSIC ENHANCEMENT is crucial

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DOCTOR’S CLINIC

Spaces wherein CONFIDENTIALITY is essential

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HUMAN RESOURCE OFFICES

Spaces wherein CONFIDENTIALITY is essential

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POLICE FACILITIES

Spaces wherein CONFIDENTIALITY is essential

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COUNSELLING OFFICES

Spaces wherein CONFIDENTIALITY is essential

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WORSHIP CENTERS

Spaces wherein SPEECH AND MUSIC must be

considered

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BALLROOMS

Spaces wherein SPEECH AND MUSIC must be

considered

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THEATERS

Spaces wherein SPEECH AND MUSIC must be

considered

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MULTI-PURPOSE HALL

Spaces wherein SPEECH AND MUSIC must be

considered

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AKOUEIN

The word acoustics is derived from the Greek word

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CONCENTRIC CIRCLE

The Greek introduces this type of space planning to accommodate great number of people close to the central area

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GREEKS

Who introduced the concentric circle

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ARISTOTLE

Understood that sound consisted of contractions and expansions of the air “falling up and striking the air which is next to it.”

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HARMONICS

Pitch of notes and the intervals in Greek musical scale

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SOUND IN AUDITORIUM

Travel of sound from source to the ears by a direct route leading to raked seating and semi circular plan

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SITE OF A THEATRE

Must not have echo, nor give reflections that can lead to direct and reflected sound interfering

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TEATRO OLIMPICO

First built permanent theater

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SABBIONETA THEATER

U shape plan with a single point perspective backdrop;

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BAROQUE PERIOD

Music and architecture of this period is highly decorative

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EALY CHRISTIAN PERIOD

Dominated by churches

Construction materials: flat brick, and marble as decorative facade

Highly reverberant churches even with open windows 

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ROMANESQUE PERIOD

Floor plans in cruciform shape

Construction materials: brick and stone - highly reverberant

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GOTHIC PERIOD

The massive structures carried the art and engineering of working in stone to

its highest level.

Plain chant was the music of the religious orders and was suited perfectly to the cathedral.

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RENAISSANCE PERIOD

Cathedrals are designed naturally and unconsciously inclined to whisper.

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GEORGE SAUNDERS

First to publish results of tests on theatre acoustics

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JOHN WILLIAM STRUTT

Theory of Acoustic

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HERMANN VON HELMHOLTZ

Sensations of Tone 

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RUDOLPH KOENIG

Invented the manometric flame apparatus - allowed the visualization of acoustic signals

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JOHN TYNDALL

Published his book On Sound

Sound is reflected in air at the interface between air bodies of different ddensities

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ALEXANDER GRAHAM BELL

Electrical speech machine - the telephone

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THOMAS EDISON

Invented the phonograph

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WALLACE CLEMENT SABINE

Father of Architectural Acoustics

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