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synaesthesia
colors and shapes associated with sounds, smells, and feelings
ocularcentrism
critique says vision complicit in social oppression via surveillance and spectacle
biopower
state has indirect control over citizens
“The Gaze”
eye objectifies and masters
history of perception
different classes/different periods emphasized different senses/ways of perceiving
representation
use of language and images to create meaning about the world
mimesis
mirroring the world
mediated vision
seeing images vs seeing the world; media visual representations; intentional, encoded communications
haptic
touch, texture and contour
panopticon
“all seeing” prison design