Modern Art History - Exam 5

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36 Terms

1
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1) Extententialism

2) Absurdity of human existence

3) Post WWII Europe

4) Sees the representation of the human as grotesque

5) Odd Coloring (Bacon, DuBuffet)

5) Isolation (Giacometh)

2
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<p>Painting</p>

Painting

Bacon

1946

Extistentialism

3
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<p>Man Pointing No. 5</p>

Man Pointing No. 5

Giacometti

1947

Existentialism

4
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<p>Vie Inquiete (Uneasy Life)</p>

Vie Inquiete (Uneasy Life)

DuBuffet

1953

Existentialism

5
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1) Abstract Expressionism

2) N.Y. School - Post WWII group

3) Formal abstraction (often to the point of the non-objective)

4) Feeling/subconscious

5) Reaction/connection with the viewer

6
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<p>Garden in Sochi</p>

Garden in Sochi

Gorky

1943

Abstract Expressionism

7
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<p>Number 1, 1950 <em>(Lavender mist)</em></p>

Number 1, 1950 (Lavender mist)

Pollock

1950

Abstraction Expressionism

8
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<p>The Seasons</p>

The Seasons

Krasner

1957

Abstract Expressionism

9
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<p>Woman 1</p>

Woman 1

de Kooning

1950-1952

Abstract Expressionism

10
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1) Post Painterly Abstraction

2) Greenberg named this group

3) Hard edge - Resin

4) Pure non-objective work

5) Flatness

11
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<p>Red Blue Green </p>

Red Blue Green

Kelly

1963

Post Painterly Abstraction 

12
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<p>Mas o Menos (More or Less)</p>

Mas o Menos (More or Less)

Stella

1964

Post Painterly Abstraction

13
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<p>Saraband</p>

Saraband

Louis

1959

Post Painterly Abstraction

14
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1) Minimalism

2) Concerned with object hood

3) Appreciate the medium

4) Recognize the space

5) Greenberg says its “too conceptual” and “lacks aesthetic surprise”

15
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<p>Die</p>

Die

Smith

1962

Minimalism

16
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<p>Tropical Garden</p>

Tropical Garden

Nevelson

1957-1959

17
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<p>Cumul I</p>

Cumul I

Bourgeois

1969

18
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1) Pop

2) Recognizability

3) Repetition

4) Rooted in the commercial art

19
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<p>Just What is it That Makes Today’s Homes so Different, so Appealing?</p>

Just What is it That Makes Today’s Homes so Different, so Appealing?

Hamilton

1956

Pop

20
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<p>Three Flags</p>

Three Flags

Johns

1958

Pop

21
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<p>Canyon</p>

Canyon

Rauschenberg

1959

Pop

22
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<p>Marilyn Diptych</p>

Marilyn Diptych

Warhol

1962

Pop

23
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1) Superrealism

2) Influenced by photography

3) Acute sense of detail

4) Influenced by Pop (recognizability)

5) Absorb visual information

24
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<p>Marilyn</p>

Marilyn

Flack

1977

Superrealism

25
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<p>Big Self Portrait</p>

Big Self Portrait

Close

1967-1968

Superrealism

26
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1) Feminist

2) Post-Modernism

3) Challenge to the gaze

4) Looking at women as the artist

5) Looking at women as the subject

27
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<p>The Dinner Party</p>

The Dinner Party

Chicago

1979

Feminist

28
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<p>Untitled Film Still #35</p>

Untitled Film Still #35

Sherman

1979

Feminist

29
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<p>Stereo Styles</p>

Stereo Styles

Simpson

1988

Feminist

30
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<p>Untitled <em>(Your Gaze Hits the Side of My Face)</em></p>

Untitled (Your Gaze Hits the Side of My Face)

Kruger

1983

Feminist

31
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<p>One and Three Chairs</p>

One and Three Chairs

Kosuth

1965

Conceptual

32
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<p>The True Artist Helps the World by Revealing Mystic Truths </p>

The True Artist Helps the World by Revealing Mystic Truths

Nauman

1967

Conceptual

33
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<p>Spiral Jetty</p>

Spiral Jetty

Smithson

1970

Site Specific

34
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<p>Vietnam Memorial</p>

Vietnam Memorial

Lin

1981-1983

Site Specific

35
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<p>Tilted Arc</p>

Tilted Arc

Serra

1981

Site Specific

Removed 1989

36
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<p>Untitled</p>

Untitled

Basquiat

1981

Neo-expressionism