Quiz- Rococo to Romanticism Works

The Tête à Tête

Rococo, satirical scene of an aristocratic couple made by Antoine Watteau in 1716, using oil on canvas. This work captures the frivolity and themes of infidelity in aristocratic society, characteristic of Rococo's playful and decorative style.

A Philosopher Giving a Lecture on the Orrery

Enlightenment artwork characterized by dramatic lighting, made by Joseph Wright of Derby in 1766, using oil on canvas. This painting reflects the Enlightenment's emphasis on reason and scientific exploration, serving as a pivotal example of chiaroscuro in art.

The Swing

Rococo painting showing a playful, sensual scene with a woman swinging, made by Jean-Honoré Fragonard in 1767, using oil on canvas. This artwork epitomizes Rococo's playful themes of love and flirtation, embodying the lightheartedness of the period.

Monticello

Neoclassical architecture reflecting Enlightenment ideals of order and reason, designed by Thomas Jefferson around 1770, built with brick and wood. This building represents the fusion of classical architecture with democratic ideals, influencing American architectural identity.

The Oath of the Horatii

Neoclassical painting that depicts Roman brothers swearing an oath to defend their city, made by Jacques-Louis David in 1784, using oil on canvas. This work embodies Neoclassicism's focus on heroism, duty, and civic virtue, inspiring revolutionary sentiments.

George Washington (sculpture)

Neoclassical marble sculpture of Washington in a Roman toga, made by Horatio Greenough in 1840, using marble. This piece symbolizes the Enlightenment ideals of republican virtue and portrays Washington as a classical hero.

Self-Portrait

Rococo/Neoclassical portrayal of artist Elisabeth Louise Vigée Le Brun, made in 1790, using oil on canvas. This self-portrait highlights the role of women in the arts during a time of male dominance, showcasing Vigée Le Brun's skill and independence.

Y no hai remedio (And There’s Nothing to Be Done)

Romanticism etching that critiques the horrors of war, made by Francisco Goya in 1810, using etching and aquatint. This work is significant for its raw portrayal of suffering and despair, representing the Romantic movement's focus on emotion and individual experience.

La Grande Odalisque

Neoclassical/Romanticism painting featuring a sensual portrayal of a reclining woman, made by Jean-Auguste-Dominique Ingres in 1814, using oil on canvas. This painting bridges Neoclassicism and Romanticism, emphasizing beauty and exoticism, and challenging traditional representations of the female form.

Liberty Leading the People

Romanticism allegorical painting representing the July Revolution in France, made by Eugène Delacroix in 1830, using oil on canvas. This painting symbolizes the fight for freedom and political change, becoming an iconic representation of revolutionary ideals.

The Oxbow

Romanticism painting contrasting wild nature with an ordered landscape, depicted after a thunderstorm, made by Thomas Cole in 1836, using oil on canvas. This work reflects the Romantic ideal of nature's sublime power, emphasizing the relationship between humans and the natural world.

Still Life in Studio

Early photography daguerreotype focusing on the precision of objects, created by Louis-Jacques-Mandé Daguerre in 1837, using the daguerreotype process. This work represents a significant advance in visual representation, marking photography's emergence as a legitimate art form.

Slave Ship

Romanticism painting portraying the slave trade and nature's cruelty, made by J.M.W. Turner in 1840, using oil on canvas. This painting critiques human brutality and showcases the Romantic fascination with nature's overwhelming power.

Palace of Westminster

Gothic Revival architectural work symbolizing British government, designed by Charles Barry and Augustus Pugin in 1840, built with stone. This structure represents the Gothic Revival style's emphasis on medieval tradition and national identity.

The Stone Breakers

Realism painting focusing on the harshness of manual labor, made by Gustave Courbet in 1849, using oil on canvas. This work is crucial to Realism, depicting the lives of ordinary workers and challenging idealized art.

Nadar Raising Photography to the Height of Art

Satirical lithograph criticizing the acceptance of photography, made by Honoré Daumier in 1862, using lithograph. This artwork humorously critiques the art world’s tension between photography and traditional painting, highlighting evolving definitions of art.

Olympia

Realism painting known for its direct portrayal of a nude woman, made by Édouard Manet in 1863, using oil on canvas. This work marked a radical departure from traditional representations of the female nude, challenging societal norms and paving the way for modern art.

The Saint-Lazare Station

Impressionism painting capturing modern life, made by Claude Monet in 1877, using oil on canvas. This painting emphasizes light and atmosphere, showcasing the Impressionist movement's focus on capturing the fleeting nature of contemporary life.

The Horse in Motion

Early photography albumen print capturing a horse's gallop, created by Eadweard Muybridge in 1878, using albumen print. This series is pivotal in the history of photography and motion studies, demonstrating the ability to capture motion in a new way.

The Coiffure

Impressionism drypoint and aquatint portraying a woman at her toilette, made by Mary Cassatt in 1890, using drypoint and aquatint. This work emphasizes intimate domestic scenes, highlighting women's lives and experiences in the context of Impressionism.