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Florentine Camerata
wanted to bring back ancient greek theater resulted in opera
basso continuo
(kept the beat) instrumentalists provide harmony
cantata
(opera with no acting and from gospel) story set to music to be sung by a chorus (shorter than an oratorio)
ritornello
instrumental refrain (chorus)
Cozzolani
She proved that nuns could draw a big crowd Magnificat
Barbara Strozzi
Secular Composer (morality was in question) Amor dormiglione
Purcell
(assimilated Italian french and English style) Dido and Aeneas
Vesper
evening of sung prayer
Magnificat
praise of Mary