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1970s main ideas
bye old composers
studios in financial peril
auter filmmakers (directors have full creative freedom)
franchise/blockbusters
pay tv/ cable after theater release
film music = popular culture
musical diversity in film
movie attendence
relatively flat
more screens
increase in multi screen venues/drive-ins
disco
saturday night fever
bees gees
opening
album of year
rocky
bill conti
academy award nom
philidelphia morning
gonna fly
war
patton
aa nom
goldsmith
director: ford francis coppola
the godfather
nino rota
aa nom (disqualified)
fortunella
john williams movies
jaws, superman, close encounters of 3rd kind, star wars, empire strikes back
jaws
won academy award
star wars
won academy award
return of symphonic scores (korngold, gustav)
john williams influence
composers datebook
destruction of deathstar vs. mars, bringer of war (gustav)
disco star wars
tanglewood
summer studio
progressive rock
the exorcist
tubular bells
mike oldfield
halloween theme
rhythm and blues
across 110th st
“across 110th street”
bobby womack
rock
live and let die
paul and melinda mccarthy
ragtime
the entertainer
joplin and hamslich
pop
the way we were
hamlisch and bergmans
listening questions
star wars
saturday night fever
the way we were
exorcist
jaws
rocky
the godfather
the sting
bill conti
rocky
jerry goldsmith
patton
nino rota
the godfather
mike oldfield
tubular bells
bobby womack
across 110th st
paul and linda mccarthy
live and let die
joplin and hamslich
ragtime
hamlisch and bergmans
the way we were