Western Art History: From Prehistoric Art to Classical Greek Painting

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Vocabulary-style flashcards covering major concepts, artists, artworks, and techniques from Prehistoric art through Classical Greek painting as presented in the notes.

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33 Terms

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Paleolithic Art

The earliest phase of prehistoric art dating before 10,000 BCE, including cave paintings and portable sculpture created by hunter-gatherers.

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Mesolithic Art

Middle Stone Age art bridging Paleolithic and Neolithic periods, with continued hunter-gatherer practices and improving techniques.

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Neolithic Art

New Stone Age art marked by farming, settled communities, and more complex symbolic and ritual works.

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Prehistoric Art Timeframe

Art dating to before written history, approximately before 3000 BCE, spanning Paleolithic, Mesolithic, and Neolithic periods.

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Art as Communication

The function of prehistoric art to convey information about environment, spirituality, and community where writing did not exist.

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Cultural Window

Prehistoric art serves as a vital view into early human culture and societal values when texts did not survive.

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Symbolic Expression

Use of symbols in art to express ideas, indicating a cognitive leap in early humans.

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Ochre

An earth pigment (yellow-red) used by prehistoric artists to create color.

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Charcoal

A natural black pigment used in cave and rock art.

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Hematite

An iron oxide pigment producing red tones in prehistoric artworks.

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Venus Figurines

Portable prehistoric sculptures of female forms, often associated with fertility and symbolism.

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Lascaux Cave Paintings

Ancient cave art in southwestern France (~17,000 years old) with nearly 600 parietal paintings of animals and dynamic composition.

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Parietal Wall Paintings

Paintings applied to cave walls rather than portable objects.

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Twisted Perspective

A stylistic approach where figures are shown with mixed viewpoints to enhance clarity and form.

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Hall of Bulls

A large chamber in Lascaux with extensive bull imagery, exemplifying complex spatial composition.

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Byzantine Art

Art (330–1453 CE) characterized by stylized, symbolic figures, gold backgrounds, and mosaics, exemplified by Hagia Sophia mosaics.

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Romanesque Art

Medieval style (roughly 1000–1150 CE) with thick walls, rounded arches, and sculptural biblical scenes on churches.

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Gothic Art

Medieval style (1150–1500 CE) featuring verticality, light, large stained glass, and flying buttresses.

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Bayeux Tapestry

An embroidered cloth nearly 70 meters long depicting the Norman Conquest of England in 1066.

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Bayeux Tapestry Techniques

Created with stem stitch for outlines and couching to fill shapes, on nine linen strips.

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Linear Perspective

A Renaissance technique by Brunelleschi to render three-dimensional space on a flat surface.

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Atmospheric Perspective

A depth cue where distant objects appear lighter and less detailed to create depth.

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Renaissance Humanism

Intellectual movement valuing human potential, individual expression, and scientific inquiry in art and life.

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Leonardo da Vinci

Renaissance master known for Mona Lisa and The Last Supper, applying anatomy, chiaroscuro, and atmospheric perspective.

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Mona Lisa

Leonardo da Vinci’s renowned portrait celebrated for its enigmatic expression and subtle shading (sfumato).

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The Last Supper

Leonardo’s iconic mural depicting Jesus’s final meal with disciples, noted for narrative clarity and composition.

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David (Michelangelo)

Michelangelo’s sculpture epitomizing ideal human proportions and classical grandeur.

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Sistine Chapel Ceiling

Michelangelo’s frescoes in the Vatican depicting Genesis scenes, including The Creation of Adam.

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Raphael – School of Athens

Raphael’s fresco illustrating classical philosophers in a grand architectural setting with harmonious composition.

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Chiaroscuro

The use of strong light-dark contrast to model volume and depth in painting.

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Exekias

A renowned ancient Greek vase painter known for detailed red-figure scenes, such as Achilles and Ajax playing a game.

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Black-Figure Technique

Early Greek vase painting with black silhouettes on red clay backgrounds.

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Red-Figure Technique

Later Greek vase painting where red figures stand out against a black background, allowing finer detail.